MOOG ONE 16 VOICE
Moog One is the ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer from Moog in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.
Available in 8-voice and 16-voice configurations, Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®.
Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible.
Moog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.
FEATURES
SPECIFICATIONS
OSCILLATORS (X3)
Selectable Sawtooth wave with variable reset time or Triangle wave with variable rise and fall times, variable-width Pulse wave, Octave (32’, 16’, 8’, 4’, 2’), Frequency (+/- 7 semitones), Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selected Triangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync
RING MODULATOR
Selectable routing (1-2 or 2-3)
DUAL SOURCE NOISE GENERATOR
Selectable sources (Red+White, Red+Purple, and White+Purple) with Color Mix and dedicated ARS envelope
MIXER
Independent levels and filter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT in.
FILTERS
State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation)
STATE VARIABLE
Two 12dB per octave filters operating as one filter, configurable in NOTCH, BP, LP, and HP – with 12dB or 24dB slopes; Cutoff, Resonance, etc.
LADDER FILTER
Moog Ladder Filter with HP or LP options, and selectable filter slopes (6db, 12db, 18dB, or 24dB); Cutoff, Resonance, etc.
ENVELOPES (X3)
Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus multi-triggering, looping, latching, and sync
LFOS (X4)
Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse, Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count, phase start, etc.
GLIDE
Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando
ARPEGGIATOR
Per SYNTH with octave range, pattern, direction, pendulum features, gate time, sync, etc.
SEQUENCER
64-Step per-SYNTH sequencer with step-editing and modulation capabilities
SYNTH EFFECTS
Dedicated in-line effect for SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged, the signal path is 100% analog)
MASTER EFFECTS
Dual mono sends with stereo return, or single stereo send with stereo return. (Accessible by all three SYNTHS - Eventide® Reverbs are available on the Master Bus only)
BROWSER
Stores tens of thousands of PRESETS and TIMBRES with definable Categories, Tags and Labels to aid search results. TIMBRES can be loaded to and played by any SYNTH
PERFORMANCE SETS
Create, save, and manage up to 128 Performance Sets offering single-button access to up to 64 PRESETS
SETTINGS
Access to pages for managing Libraries, Tuning features, plus Utilities such as updates, configuring ins and outs, etc.
MOD MATRIX
Provides the ability to map modulation sources to destinations at will, using either controllers or addressable transforms to articulate the modulation signal
VOICE ALLOCATION
Mono or Poly voice count per SYNTH, unison/mono detune (48 oscillator max.), Chord Memory, plus voice stealing/sharing options
SNAPSHOT, COMPARE
Built-in tools for saving and comparing during programming
VCA SECTION
VCA level per SYNTH, Pan per SYNTH
OUTPUT SECTION
Master Volume and Headphones volume controls
AUDIO OUTPUTS
Main L, Main R (1/4" TRS; TS compatible)
SUB OUTPUTS
Sub 1, Sub 2 (1/4" TRS; TS compatible)
AUDIO INSERTS
Insert 1, Insert 2, Insert 3, Insert 4 (1/4" TRS Send / Returns- Can be used as mono outs)
EXTERNAL MIC/LINE INPUT
XLR + 1/4" TRS combo jack with trim knob
EXTERNAL LINE INPUT
1/4" TRS (TS compatible)
HEADPHONES
2x Stereo 1/4" jacks (located on the front edge of the Left Hand Controller)
CONTROL VOLTAGE INPUTS
CV IN 1, CV IN 2 (1/4" TS)
CONTROL VOLTAGE OUTPUTS
CV OUT 1, CV OUT 2, CV OUT 3, CV OUT 4 (1/4" TS)
PEDAL INPUTS
Sustain, EXP 1, EXP 2, (1/4" TRS; configurable through the Modulation Matrix, or as CV Inputs.)
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