{"title":"SYNTH","description":"","products":[{"product_id":"tom-oberheim-sem-pro","title":"TOM OBERHEIM SEM PRO","description":"\u003cp\u003e\u003cspan class=\"style2\"\u003e\u003cspan\u003eThe reissue of the classic \u003c\/span\u003e\u003cstrong\u003eSEM \u003c\/strong\u003e\u003cspan\u003emonophonic analog synthesizer expander module.  \u003c\/span\u003e\u003cspan\u003eOriginally released in 1974, the SEM is one of the classic discrete analog synths, with a huge, three-dimensional \"fat\" tone that must be heard to be believed. Tom's reissue cuts no corners- the circuitry is almost identical to original units. The only component changes were made due to unavailable parts, but the great tone has not been affected. No digital voice circuits, or thin-sounding analog \"voice chips\" here- only genuine hi-fi fat analog goodness.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"style2\"\u003e\u003cspan\u003eThe Tom Oberheim Synthesizer Expander Module Pro version, (SEM-PRO), incorporates twenty-one minijacks for signal access to the primary patchpoints in the sonic flow along with the MIDI-to-CV converter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEach of the SEM-PRO instruments will be personally signed by Tom Oberheim.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSEM with MIDI to CV Converter and integrated patch panel. This version of the SEM combines the features of the MIDI to CV version with a 21-jack CV patch panel and is personally autographed by Tom Oberheim. 21 SEM connections are brought out to 3.5mm minijacks. The basic connections are a one-volt-per-octave VCO control voltage and a standard 0 to +5 volt gate signal.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis version includes a high precision MIDI to CV Converter that has been specifically designed to allow MIDI to control the SEM, and has additional features that make use of the SEM's external inputs. Some of the features of the MIDI to CV Converter are:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e* Select MIDI channel, controller number and bend range\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Select note assignment modes: latest, high note and low note priorities\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Select note re-trigger, filter track, LFO reset\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* A second independent control bus allows velocity, controller data, or channel pressure to modulate either or both VCOs, the filter and the VCA\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Transpose function allows different keyboard controllers to utilize the complete MIDI note range\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Analog portamento\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Input preamp gain control - allows an external audio input to be processed thru the SEM\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* High precision A-440 Hz tune signal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Control voltages and gate are bought out to rear panel connectors so MIDI to CV function can be used with other CV\/Gate gear.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM OBERHEIM","offers":[{"title":"Default Title","offer_id":41346864906413,"sku":"to_sempro","price":1199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/sem-pro-lg.jpg?v=1645034841"},{"product_id":"tom-oberheim-sem-patchpanel","title":"TOM OBERHEIM SEM PATCHPANEL","description":"\u003cp\u003e\u003cspan class=\"style2\"\u003eThe reissue of the classic \u003cstrong\u003eSEM \u003c\/strong\u003emonophonic analog synthesizer expander module.  Originally released in 1974, the SEM is one of the classic discrete analog synths, with a huge, three-dimensional \"fat\" tone that must be heard to be believed. Tom's reissue cuts no corners- the circuitry is almost identical to original units. The only component changes were made due to unavailable parts, but the great tone has not been affected. No digital voice circuits, or thin-sounding analog \"voice chips\" here- only genuine hi-fi fat analog goodness.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan class=\"style2\"\u003eAll internal SEM connections are brought out to 3.5mm minijacks - all 33 of them. The basic connections are a one-volt-per-octave VCO control voltage and a standard 0 to +5 volt gate signal. On this version of the SEM, there is no MIDI input.\u003c\/span\u003e\u003c\/p\u003e","brand":"TOM OBERHEIM","offers":[{"title":"Default Title","offer_id":41346865004717,"sku":"oberheim_sem_patchpanel","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/oberheim_sem_patch_panel.jpg?v=1645034845"},{"product_id":"tom-oberheim-sem-midi","title":"TOM OBERHEIM SEM MIDI","description":"\u003cp\u003eThis version includes a high precision MIDI to CV Converter that has been specifically designed to allow MIDI to control the SEM, and has additional features that make use of the SEM's external inputs.\u003c\/p\u003e","brand":"TOM OBERHEIM","offers":[{"title":"Default Title","offer_id":41346865135789,"sku":"to_semmidi","price":999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/sem-2-lg.jpg?v=1645034849"},{"product_id":"moog-minitaur","title":"MOOG MINITAUR","description":"\u003cdiv id=\"info-tab\" class=\"tabregion-page target\"\u003e\r\n\u003cdiv class=\"product-info\"\u003e\r\n\u003cdiv class=\"product-body\"\u003e\r\n\u003cp\u003e\u003cstrong\u003eNEW IN MINITAUR REV 2:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e• Store 100 presets to Minitaur's internal memory.\u003c\/p\u003e\r\n\u003cp\u003e• A new Decay\/Release mode allows for independent control of Decay and Release times from Minitaur's front panel.\u003c\/p\u003e\r\n\u003cp\u003e•Pitch, Volume and Gate Controller inputs can be re-mapped to other control parameters.\u003c\/p\u003e\r\n\u003cp\u003e•Minitaur can now act as a CV to MIDI converter.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eClick \u003ca href=\"http:\/\/www.moogmusic.com\/products\/taurus\/minitaur#downloads-tab\" target=\"_blank\"\u003eHERE\u003c\/a\u003e to download Minitaur REV 2 firmware.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eREV 2 requires the Minitaur REV 2 Editor\/Librarian. To receive the free Minitaur Editor\/Librarian register your Minitaur at moogmusic.com\/register.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cimg src=\"http:\/\/www.moogmusic.com\/imgs\/TECLogo130-2.png\" alt=\"TEC\" width=\"130\" height=\"130\"\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eMoog Music is incredibly honored that Minitaur received the 28th annual TEC award for Outstanding Technical Achievement - Musical Instrument - Technology\/Hardware.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eMinitaur is a powerful, compact Analog Bass Synthesizer that features a classic one knob per function design. It is the first instrument in the Taurus family that does not have foot pedals. At only 8.5\" x 5.25\" and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today's performance and production environments. There are no confusing or convoluted menus to dig through. Plug in a MIDI controller or hook it up to your computer and start playing immediately.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eDon't be fooled by it's size. Minitaur delivers all the growl, snarl and low end associated with the Taurus family of Bass Synthesizers in a rugged performance package that is small enough to take with you anywhere.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with Sawtooth waves, or create new sounds with square waves or a combination of both.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e•Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On\/Off switch.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p3\"\u003e\u003cstrong\u003e• External audio input for processing external audio through the Mixer and Filter section of Minitaur.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e• Headphone output with 1\/8\" connection.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p4\"\u003e\u003cstrong\u003e• Compact rugged steel chassis that is built like a tank.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv id=\"specs-tab\" class=\"tabregion-page target\"\u003e\r\n\u003cdiv class=\"product-specs\"\u003e\r\n\u003cp\u003e\u003cstrong\u003eFront Panel Controls:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCO2 Frequency – Sets the frequency offset of VCO2 from VCO1 from -1 Octave to +1 Octave. Center is unison with VCO1.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Oscillator 1 \u0026amp; 2 Saw\/Square Waveform Selector – Selects a Sawtooth wave (LED OFF) or Square wave (LED ON) Signal for VCO1 and 2.  \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCO1 Level – Sets the level of VCO1\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCO2 Level – Sets the level of VCO2\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF Cutoff – Sets the Cutoff Frequency of the 4-pole Moog Lowpass VCF from 20Hz to 20KHz \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF Resonance – This sets the gain for the amount of signal from the output of the VCF fed back to the input of the VCF. This creates a peak in Frequency response at the Cutoff Frequency that can be increased all the way to self-oscillation.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF EG Amount – Bi-polar control sets the (+) or (-) Amount of Envelope Generator modulation of the VCF. Center is no Envelope Generator modulation.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•LFO Rate – Sets the frequency of the LFO. Range is from 0.01Hz to 100Hz\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•LFO VCO Amount – Sets the Amount that the LFO modulates the VCO\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•LFO VCF Amount – Sets the Amount that the LFO modulates VCF\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCA EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCA EG Decay\/Release – Sets both the decay time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On\/Off switch.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCA EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF EG Decay\/Release – Sets both the decay Time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On\/Off switch.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•VCF EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Release On\/Off Switch – Enables (LED On_ or Disables (LED Off) the Release segments of both Envelope Generators.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Glide On\/Off Switch – Enables\/ Disables the Glide function\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Glide – Sets the rate of Glide when the note controlling the MINITAUR changes.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Volume – The Master Volume of the MINITAUR’s synth Engine.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Fine Tune – Adjusts the frequency of the VCOs +\/- 1 semitone.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•MIDI Indicator LED – Indicates incoming MIDI activity\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•LFO Rate Indicator LED – Indicates the rate of the LFO.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eBack Panel:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e•Audio Out – 1\/4\" Unbalanced jack.\u003c\/p\u003e\r\n\u003cp\u003e•Headphones -- Jack for stereo headphone output.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Audio In – 1\/4\" Unbalanced jack accepts  line-level input.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eAnalog CV Inputs:\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Pitch CV – 1\/4\" TRS Jack accepts 0 to +5V signal (internally processed for 1 V\/Octave) via passive Expression Pedals or CVs.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Filter CV – 1\/4\" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Volume CV – 1\/4\" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•Gate – 1\/4\" Jack accepts a 0 (Off)\/ +5V(On) Gate signal to trigger the unit’s EGs.\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003eMIDI:\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•MIDI (DIN) – Standard DIN MIDI input for MIDI Control of the MINITAUR\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e•MIDI (USB) – Type B USB connector for connecting MINITAUR to host for USB MIDI.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41346892955821,"sku":"moog_minitaur","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/minitauranglepp.jpg?v=1645036228"},{"product_id":"korg-ms-20-mini","title":"KORG MS-20 MINI","description":"\u003cdiv class=\"box_type_d_description\"\u003e\r\n\u003cp\u003eKorg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. \u003cbr\u003eOver 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, and the iMS-20 iPad app.\u003cbr\u003e\u003cbr\u003eToday, the sounds of the MS-20 have been reborn as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fitted it into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original that remains unfaded despite the passage of time.\u003cbr\u003eThe MS-20 mini will amaze you with its absolutely authentic analog synth sound.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_d_description\"\u003e\r\n\u003ch3 class=\"header3\"\u003eComments from the developers\u003c\/h3\u003e\r\n\u003cp\u003eFifty years have passed since Korg was founded, and we have once again put our hand to an analog synthesizer. We took particular care to deliver smooth parameter adjustments, which are a distinctive feature of analog synthesizers. We also took special care to completely reproduce the original specifications of the MS-20. The analog circuits we designed 35 years ago still deliver the same unbeatable, powerful sound, from the ultra-low to the ultra-high range.\u003c\/p\u003e\r\n\u003cdiv class=\"title_type_q\"\u003e\r\n\u003ch2 class=\"header2\"\u003eThe original analog circuitry\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003cp\u003eThe MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully. \u003cbr\u003eIn fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003ch3 class=\"header3\"\u003e2VCO \/ 2VCF \/ 2VCA \/ 2EG \/ 1LFO structure\u003c\/h3\u003e\r\n\u003cp\u003eThe MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it’s been modified to produce less noise than the original.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSelf-oscillating high-pass\/low-pass filters with distinctive distortion\u003c\/h3\u003e\r\n\u003cp\u003eOne of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. \u003cbr\u003eThe filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003ch3 class=\"header3\"\u003eExternal signal processor (ESP) for processing an external signal\u003c\/h3\u003e\r\n\u003cp\u003eThe ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.\u003c\/p\u003e\r\n\u003ch3 class=\"header3\"\u003eExtremely flexible patching system\u003c\/h3\u003e\r\n\u003cp\u003eThe patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input\/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that’s printed on the panel, even the beginner can start taking advantage of these possibilities right away.\u003c\/p\u003e\r\n\u003ch2 class=\"header2\"\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003eC – C: 37-notes (3 octaves), mini keyboard designed specifically for the MS-20 mini\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eManual controller\u003c\/dt\u003e\n\u003cdd\u003eControl wheel (center click), 　 Momentary switch --\u0026gt;GND\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInput and Output\u003c\/dt\u003e\n\u003cdd\u003eSignal In: Amplifier Out, \u003cbr\u003e　 Band pass filter Out, \u003cbr\u003e　 CV Out (0 - +8.4V), \u003cbr\u003e　 ENV Out (0 - +5V), \u003cbr\u003e　 Trig Out (+5V--\u0026gt;GND), \u003cbr\u003e\u003cbr\u003eSignal out: Signal output (mono 1\/8\" mini phone jack, 2Vp-p output impedance 3.5k Ω) \u003cbr\u003e\u003cbr\u003eHead phones: Head phones output (Stereo 1\/8\" mini phone jack, 33 Ω 48mW), \u003cbr\u003e\u003cbr\u003eUSB: Type B, USB-MIDI Input\/Output \u003cbr\u003e*Only note messages (velocity is not used) can be transmitted and received. \u003cbr\u003e\u003cbr\u003eMIDI: MIDI Input \u003cbr\u003e*Only note messages (velocity is not used) can be transmitted and received.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eDC9V\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions:\u003cbr\u003e(W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e493 ×257 ×208 mm \/ 19.41 x 10.12 x 8.19 inches\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e4.8 kg \/ 10.58 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC adaptor (9V\/1.7A), Patch Cord x 10\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41346898755757,"sku":"korg_ms20_mini","price":899.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/ms20front.png?v=1645036427"},{"product_id":"korg-volca-beats","title":"KORG VOLCA BEATS","description":"\u003ch1 class=\"header1\"\u003ePeerless beats generated by solid analog drum sounds and an Electribe-style sequencer\u003c\/h1\u003e\r\n\u003cp\u003eEven today, more than thirty years after the age dominated by analog synthesizers, we just can't let go of the sound of analog rhythm machines. Those thick sounds have the power to stand up to guitar and acoustic drums, and are still indispensable for track-making or live performance.\u003cbr\u003eThe volca beats gives you those analog drums plus the easy-to-use step sequencer of the Electribe; it lets you turn your inspiration into reality and generate beats with the best high quality sounds.\u003c\/p\u003e\r\n\u003ch1 class=\"header1\"\u003eThree true-analog synthesizers with built-in sequencers to generate the ultimate analog leads, basses, or rhythms\u003c\/h1\u003e\r\n\u003cp\u003eFollowing in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the Volca series. Volca is a new lineup of EDM production tools comprised of three distinct models: the Volca Keys lead synthesizer, the volca Bass synthesizer, and the Volca Beats rhythm machine. These powerful and fun-to-use true-analog devices deliver a diverse array of fat sounds that can be obtained only from an analog synthesizer. Each is also equipped with sequencing\/recording capabilities for intuitively generating performances. Multiple volcas can be used in tandem via the vintage-style sync in\/out, and with your favorite DAW software or MIDI keyboard via MIDI In. Battery operation and built-in speakers mean that you can conveniently play anywhere and anytime. These are the next-generation analog synthesizers, bringing you the ultimate sounds and grooves with ease and depth. Whether used together or by themselves, the volca series is poised to inject true analog power into any performance or studio setup!\u003c\/p\u003e\r\n\u003cdiv class=\"title_type_q\"\u003e\r\n\u003ch2 class=\"header2\"\u003ePowerful analog drum sounds\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eReal analog sounds created with reference to classic rhythm machines\u003c\/h3\u003e\r\n\u003cp\u003eThe volca beats provides six of the sounds for which the greatness of analog shines most clearly: Kick, Snare, Hi Tom, Lo Tom, Closed Hi Hat, and Open Hi Hat. Paying careful attention to the standard sounds that are indispensable for dance music and that are included on numerous synthesizers and sampling CDs, we've designed powerful new sounds that could not be produced by any means other than analog.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eMaximum impact from minimal parameters - a unique advantage of analog\u003c\/h3\u003e\r\n\u003cp\u003eThe volca beats provides a carefully selected minimal set of parameters that let you quickly create the drum sound you want. For example, simply by using the three knobs Click, Pitch, and Decay, you can create an incredible variety of kick sounds, ranging from rough sounds that dominate the low range to tight sounds that keep a precise beat.\u003cbr\u003eRegardless of the settings, all of these sounds will have great presence and density, and will deliver the convincing power that's possible only from an analog sound generator.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003ePCM sound engine covers sounds for which analog is unsuited\u003c\/h3\u003e\r\n\u003cp\u003eThe PCM sound engine is used to cover sounds for which an analog synth is unsuited, such as Clap, Claves, Agogo, and Crash. We've also paid attention to the PCM engine, and have reproduced the rough lo-fi sound of the '80s. These sounds are a good match with the analog drums, and you can also create even more distinctive sounds by changing the PCM Speed to dramatically raise or lower the pitch.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003e\u003c\/dt\u003e\n\u003cdt class=\"header3\"\u003e\u003c\/dt\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003e　\u003c\/dt\u003e\n\u003cdd\u003eMulti touch trigger pad \/ step key\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSynthesizer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eType：\u003c\/dt\u003e\n\u003cdd\u003eAnalog synthesis (Kick, Snare, Hi Tom, Lo Tom, Closed Hi Hat\/Open Hi Hat) \u003cbr\u003ePCM synthesis (Clap, Claves, Agogo, Crash)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eKick\u003c\/dt\u003e\n\u003cdd\u003eClick, Pitch, Decay, Part Level\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eSnare\u003c\/dt\u003e\n\u003cdd\u003eSnappy, Pitch, Decay, Part Level\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eTom\u003c\/dt\u003e\n\u003cdd\u003eHi Pitch, Lo Pitch, Decay, Part Level\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eHi Hat\u003c\/dt\u003e\n\u003cdd\u003eClosed Decay, Open Decay, Grain, Part Level\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003ePCM\u003c\/dt\u003e\n\u003cdd\u003ePCM Speed, Part Level\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of part\u003c\/dt\u003e\n\u003cdd\u003e10\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Steps\u003c\/dt\u003e\n\u003cdd\u003e16\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Recording Patterns\u003c\/dt\u003e\n\u003cdd\u003e8\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAudio Output\u003c\/dt\u003e\n\u003cdd\u003eHeadphones (3.5mm stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eSync In (3.5mm monaural mini jack, Maximum input level: 20V) , Sync Out (3.5mm monaural mini jack, Maximum Output level: 5V)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 10 hours (using alkaline batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003ePower supply\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6\u003cbr\u003eAA nickel-metal hydride battery ×6\u003cbr\u003eAC adapter “KA-350” (optional)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eOthers\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6 (for verifying operation)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eOptions\u003c\/dt\u003e\n\u003cdd\u003eAC adapter “KA-350”\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003cbr\u003e(W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e193 × 115 ×45 mm \/ 7.61 x 4.54 x 1.78 inches\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e372 g \/ 0.82lbs (Excluding batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41346898886829,"sku":"korg_volca_beats","price":149.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/volcabeatsfront.png?v=1645036433"},{"product_id":"korg-volca-keys","title":"KORG VOLCA KEYS","description":"\u003ch1 class=\"header1\"\u003eThe ideal introductory synthesizer, with a simple – yet powerful – polyphonic analog sound engine and loop sequencer\u003c\/h1\u003e\r\n\u003cp\u003eVolca Keys is a long-awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. Volca keys is a 27-key analog lead synth that generates unbelievably powerful sound from its compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design. \u003cbr\u003eWith a simple structure that includes delay effect and a sequencer, it's also an ideal choice as a first analog synth. It offers the richly expressive sounds that are distinctive of an analog synth, providing the enjoyment of simple yet deep sound-creation.\u003c\/p\u003e\r\n\u003ch1 class=\"header1\"\u003eThree true-analog synthesizers with built-in sequencers to generate the ultimate analog leads, basses, or rhythms\u003c\/h1\u003e\r\n\u003cp\u003eFollowing in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the Volca series. Volca is a new lineup of EDM production tools comprised of three distinct models: the Volca Keys lead synthesizer, the volca Bass synthesizer, and the Volca Beats rhythm machine. These powerful and fun-to-use true-analog devices deliver a diverse array of fat sounds that can be obtained only from an analog synthesizer. Each is also equipped with sequencing\/recording capabilities for intuitively generating performances. Multiple volcas can be used in tandem via the vintage-style sync in\/out, and with your favorite DAW software or MIDI keyboard via MIDI In. Battery operation and built-in speakers mean that you can conveniently play anywhere and anytime. These are the next-generation analog synthesizers, bringing you the ultimate sounds and grooves with ease and depth. Whether used together or by themselves, the volca series is poised to inject true analog power into any performance or studio setup!\u003c\/p\u003e\r\n\u003cdiv class=\"title_type_q\"\u003e\r\n\u003ch2 class=\"header2\"\u003ePolyphonic performance\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSimple three-voice polyphonic analog synthesizer\u003c\/h3\u003e\r\n\u003cp\u003eWith its structure of 3VCO, 1VCF, 1VCA, 1LFO, and 1EG, the volca keys has a recognizable, versatile structure. The ability to generate diverse and powerful sounds with just a few carefully selected parameters is a distinctive characteristic of analog synthesizers. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds. This is also an ideal beginner's instrument for learning the enjoyment of creating your own sounds.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eVoicing function lets anyone create sounds easily\u003c\/h3\u003e\r\n\u003cp\u003eThe Voicing function makes it easy to specify how the three oscillators will be combined. Simply turn the knob to choose one of six combinations: Poly, Unison, Octave, Fifth, Unison Ring, or Poly Ring. Without complicating the volca's simple design, this feature makes it easy to obtain a wide variety of sounds.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eDelay effect for even more sonic possibilities\u003c\/h3\u003e\r\n\u003cp\u003eThe volca keys contains a delay effect that's indispensable for creating spacey synthesizer sounds. This effect also reproduces the pitch change that occurs when you change the delay time on an analog tape echo unit.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_p\"\u003e\r\n\u003ch2 class=\"header2\"\u003eSimple loop sequencer\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eLoop sequencer lets you record phrases just as you play them\u003c\/h3\u003e\r\n\u003cp\u003eThere's a loop sequencer with up to 16 steps, allowing you to record your performance on the touch panel keyboard just as you play. It's easy to create phrases that come to mind, and you can also use overdub recording to produce complex loops that could not be played individually. \u003cbr\u003eUp to eight sequence patterns can be stored in internal memory.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eUse the Motion Sequence function to meticulously craft your loops\u003c\/h3\u003e\r\n\u003cp\u003eThe Motion Sequence function lets you record knob movements, letting you apply time-varying changes to your sound that will enhance your loops and add originality to your live performances.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eUse the Active Step function and Flux function to add dynamic change to your sequences\u003c\/h3\u003e\r\n\u003cp\u003eActive Step is a function that lets you skip a step during sequence playback. It can create effects similar to a short loop or unexpectedly irregular rhythms, allowing dynamic performances just as though you were performing the sequence itself. \u003cbr\u003eBy turning on the Flex function, you can play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003ch2 class=\"header2\"\u003eConvenient functions for greater ease of use\u003c\/h2\u003e\r\n\u003cdiv class=\"content_box_type_h\"\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSelf-tuning function\u003c\/h3\u003e\r\n\u003cp\u003eUntil now, the problem with analog synthesizers has been that the pitch would drift with changes in temperature or the passage of time. The volca solves this by providing a Self-tuning function that constantly tunes the oscillators. You'll never need to tune during a performance, or wait for the pitch to stabilize after turning the power on.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSYNC jack and MIDI IN connector allow synchronized performance with multiple units or with your DAW\u003c\/h3\u003e\r\n\u003cp\u003eBy using the sync jack you can enjoy synchronized playback with multiple volcas or with a monotribe. You can also use the \"SyncKontrol\" iPhone app to wirelessly control tap tempo, swing settings, and synchronized playback with iOS music apps via WIST. \u003cbr\u003eThe MIDI IN connector lets you synchronize with other devices, as well as play the volca from any MIDI keyboard. You can also send note messages from your DAW and use the volca as an analog sound module.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.korg.com\/products\/software\/synckontrol\"\u003e\u003cstrong\u003e\u0026gt;Information about SyncKontrol\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eCompact size, battery-powered operation, and built-in speaker for enjoyment anywhere\u003c\/h3\u003e\r\n\u003cp\u003eWith its compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003e　\u003c\/dt\u003e\n\u003cdd\u003eMulti touch Keyboard\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSynthesizer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eType\u003c\/dt\u003e\n\u003cdd\u003eAnalog synthesis\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eMaximum Polyphony\u003c\/dt\u003e\n\u003cdd\u003e3\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003e3VCO, 1VCF, 1VCA, 1LFO, 1EG\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCO\u003c\/dt\u003e\n\u003cdd\u003eOctave, Ring Modulation, Detune, Portamento, EG Int.\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCO Wave\u003c\/dt\u003e\n\u003cdd\u003eSawtooth, Square\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCF\u003c\/dt\u003e\n\u003cdd\u003eCutoff, Peak, EG Int\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCF Type\u003c\/dt\u003e\n\u003cdd\u003eLow Pass Filter, 12 db\/oct\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eLFO\u003c\/dt\u003e\n\u003cdd\u003eRate, Pitch Int, Cutoff Int, Wave (Sawtooth, Triangle, Square)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eEG\u003c\/dt\u003e\n\u003cdd\u003eAttack, Decay\/Release, Sustain\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eEffects\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eDelay\u003c\/dt\u003e\n\u003cdd\u003eTime, Feedback, Temp Sync\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of parts\u003c\/dt\u003e\n\u003cdd\u003e1\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Steps\u003c\/dt\u003e\n\u003cdd\u003e16\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Recording Patterns\u003c\/dt\u003e\n\u003cdd\u003e8\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAudio Output\u003c\/dt\u003e\n\u003cdd\u003eHeadphones (3.5mm stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eSync In (3.5mm monaural mini jack, Maximum input level: 20V)\u003cbr\u003eSync Out (3.5mm monaural mini jack, Maximum Output level: 5V)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 10 hours (using alkaline batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003ePower supply\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6\u003cbr\u003eAA nickel-metal hydride battery ×6\u003cbr\u003eAC adapter “KA-350” (optional)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eOthers\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6 (for verifying operation)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eOptions\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (KA-350)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003cbr\u003e(W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e193 × 115 ×46 mm \/ 7.61 x 4.54 x 1.81 inches\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e377 g \/ 0.83 lbs (Excluding batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41346898919597,"sku":"korg_volca_keys","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/volcakeysfront.png?v=1645036439"},{"product_id":"korg-volca-bass","title":"KORG VOLCA BASS","description":"\u003ch1 class=\"header1\"\u003ePowerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines\u003c\/h1\u003e\r\n\u003cp\u003eAggressive sounds that stand up to the drums; fat sounds that support the rhythm; funky sounds that generate a groove - the volca bass is an analog bassline groove box that has what you need for a wide range of bass lines. \u003cbr\u003eAlthough simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate \"free form\" bass loops that will stimulate your inspiration.\u003c\/p\u003e\r\n\u003ch1 class=\"header1\"\u003eThree true-analog synthesizers with built-in sequencers to generate the ultimate analog leads, basses, or rhythms\u003c\/h1\u003e\r\n\u003cp\u003eFollowing in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the Volca series. Volca is a new lineup of EDM production tools comprised of three distinct models: the Volca Keys lead synthesizer, the volca Bass synthesizer, and the Volca Beats rhythm machine. These powerful and fun-to-use true-analog devices deliver a diverse array of fat sounds that can be obtained only from an analog synthesizer. Each is also equipped with sequencing\/recording capabilities for intuitively generating performances. Multiple volcas can be used in tandem via the vintage-style sync in\/out, and with your favorite DAW software or MIDI keyboard via MIDI In. Battery operation and built-in speakers mean that you can conveniently play anywhere and anytime. These are the next-generation analog synthesizers, bringing you the ultimate sounds and grooves with ease and depth. Whether used together or by themselves, the volca series is poised to inject true analog power into any performance or studio setup!\u003c\/p\u003e\r\n\u003cdiv class=\"title_type_q\"\u003e\r\n\u003ch2 class=\"header2\"\u003eAnalog bass sounds with awesome presence\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eThree oscillators generate a variety of bass sounds\u003c\/h3\u003e\r\n\u003cp\u003eGenerating the thick and modulated sounds that you expect from an analog synthesizer, the three oscillators can be used in a variety of ways from one-part unison to three-part chords, giving you an incredible diversity of bass sounds. \u003cbr\u003eBy creating a sequence that uses each oscillator individually, you can create a complex pattern in which three different phrases are woven together. Using the oscillators in a 2+1 combination lets you place one set of oscillators at a low pitch and the other at a higher pitch, producing a bass line and melody simultaneously. When using the three oscillators together, you can slightly detune their pitch to generate thick unison sounds; alternatively, setting their pitch to 0, +3, and +7 will produce a chord.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eBright, crisp sound from Korg's legendary analog filter\u003c\/h3\u003e\r\n\u003cp\u003eThe analog filter has been fine-tuned specifically for the volca bass. Turning the Cutoff knob to open the filter will make the sound brighter and more expansive; closing the filter produces a rounder and milder sound. Using the Peak knob to raise the resonance will initially produce a clean peak, and further increases will create great-sounding distortion. The resonance distortion that's so important for acid music has been tuned especially to accommodate bass sounds.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSimple structure with a single VCF, VCA, LFO, and EG\u003c\/h3\u003e\r\n\u003cp\u003eIn addition to the three VCOs, the volca bass provides a carefully selected parameter structure consisting of a single VCF, VCA, LFO, and EG, ensuring that the sound that you want can be created intuitively. This is also the standard structure of a synthesizer, making the volca bass an ideal introductory instrument for learning the fundamentals of synthesizers - the enjoyment of creating your own sounds.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_p\"\u003e\r\n\u003ch2 class=\"header2\"\u003eLoop sequencer distilled from the Electribe\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eThe Electribe's step sequencer\u003c\/h3\u003e\r\n\u003cp\u003eThis step sequencer is designed to make editing easy and to let you add or remove parts in an improvisational way. You can use the 16 step keys to intuitively enter notes while visually monitoring the timing of the notes within the measure. You can also enter completely different phrases for each of the three oscillators, and play the touch panel keyboard to record in real time, andpp to eight sequence patterns can be stored in internal memory.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSlide function that’s indispensable for EDM\u003c\/h3\u003e\r\n\u003cp\u003eWith its distinctively \"sticky” sounding pitch and filter, acid bass is an indispensable type of sound for an analog synthesizer. The volca bass provides a Slide function that creates the impression of connected steps, making it easy for anyone to produce acid sounds. The slide can be specified for each step.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003eActive Step function generates new bass lines by removing or inserting steps\u003c\/h3\u003e\r\n\u003cp\u003eActive Step is a function that lets you skip a step during sequence playback. It can create effects similar to a short loop or unexpectedly irregular rhythms, allowing dynamic performances just as though you were performing the sequence itself.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003ch2 class=\"header2\"\u003eConvenient functions for ease of use\u003c\/h2\u003e\r\n\u003cdiv class=\"content_box_type_h\"\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSelf-tuning function overcomes pitch drift\u003c\/h3\u003e\r\n\u003cp\u003eUntil now, the problem with analog synthesizers has been that the pitch would drift with changes in temperature or the passage of time. The volca solves this by providing a Self-tuning function that constantly tunes the oscillators. You'll never need to tune during a performance, or wait for the pitch to stabilize after turning the power on.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eSYNC jack and MIDI IN connector allow synchronized performances with multiple units or with your DAW\u003c\/h3\u003e\r\n\u003cp\u003eBy using the sync jack you can enjoy synchronized playback with multiple volcas or with a monotribe. You can also use the \"SyncKontrol\" iPhone app to wirelessly control tap tempo, swing settings, and synchronized playback with iOS music apps via WIST.\u003cbr\u003eThe MIDI IN connector lets you synchronize with other devices as well as play the volca from your MIDI keyboard. You can also send note messages from your DAW and use the volca as an analog sound module.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.korg.com\/products\/software\/synckontrol\"\u003e\u003cstrong\u003e\u0026gt;Information about SyncKontrol\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003eCompact size, battery-powered operation, and built-in speaker for enjoyment anywhere\u003c\/h3\u003e\r\n\u003cp\u003eWith its compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003e　\u003c\/dt\u003e\n\u003cdd\u003eMulti touch Keyboard \/ step key\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSynthesizer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eType\u003c\/dt\u003e\n\u003cdd\u003eAnalog synthesis\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003e3VCO, 1VCF, 1VCA, 1LFO, 1EG\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCO Wave\u003c\/dt\u003e\n\u003cdd\u003eSaw, Square\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCF\u003c\/dt\u003e\n\u003cdd\u003eCutoff, Peak, EG Int\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCF Type\u003c\/dt\u003e\n\u003cdd\u003eLow Pass Filter, 12 db\/oct\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCA\u003c\/dt\u003e\n\u003cdd\u003eEG on\/of, Sustain on\/off\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eLFO\u003c\/dt\u003e\n\u003cdd\u003eRate, Int, Target (Amp, Pitch, Cutoff), Wave (Triangle, Square）\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eEG\u003c\/dt\u003e\n\u003cdd\u003eAttack, Decay\/Release, Sustain\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of parts\u003c\/dt\u003e\n\u003cdd\u003e3\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Steps\u003c\/dt\u003e\n\u003cdd\u003e16\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eNumber of Recording Patterns\u003c\/dt\u003e\n\u003cdd\u003e8\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAudio Output\u003c\/dt\u003e\n\u003cdd\u003eHeadphones (3.5mm stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eSync In (3.5mm monaural mini jack, Maximum input level: 20V) \u003cbr\u003eSync Out (3.5mm monaural mini jack, Maximum Output level: 5V)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 10 hours (using alkaline batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003ePower supply\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6 \u003cbr\u003eAA nickel-metal hydride battery ×6\u003cbr\u003eAC adapter “KA-350” (optional)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\u003cdt class=\"header3\"\u003eOthers\u003c\/dt\u003e\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery ×6 (for verifying operation)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eOptions\u003c\/dt\u003e\n\u003cdd\u003eAC adapter “KA-350”\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eDimensions\u003cbr\u003e(W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e193 × 115 × 46 mm \/ 7.61 x 4.54 x 1.82 inches\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e370 g \/ 0.82 lbs (Excluding batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41346899476653,"sku":"korg_volca_bass","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/volcabassfront.png?v=1645036445"},{"product_id":"moog-theremini","title":"MOOG THEREMINI","description":"\u003cp\u003e\u003cstrong\u003eThe Theremini is a re-imagination of one of the oldest electronic musical instruments in history, and Bob Moog’s first love – the Theremin. Its design fuses the experience of performing with an instrument you don’t actually touch, with a powerful sound engine derived from Moog’s award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eAssistive pitch quantization allows each player to adjust the instrument's level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it \u003cem\u003eimpossible\u003c\/em\u003e to play a wrong note. As this control is decreased, more expressive control of pitch and vibrato becomes possible. When set to minimum, the Theremini will perform as a traditional Theremin - the analog heterodyning oscillator controls pitch and there is absolutely no assistance.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eA built-in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a user's playing position, and educating younger players about pitch and scales.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eThe presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale \u0026amp; root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRecessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via the front panel headphone jack. Simply plug in ear-buds or headphones and the built-in speaker becomes silent.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eFor live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I\/O and connectivity.\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFEATURES\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e• Pitch correction w\/ selectable scales and root note\u003c\/p\u003e\r\n\u003cp\u003e• Built in tuner allows you to learn pitch and scales\u003c\/p\u003e\r\n\u003cp\u003e• 32 Wavetable based presets\u003c\/p\u003e\r\n\u003cp\u003e• Built in speaker\u003c\/p\u003e\r\n\u003cp\u003e• Headphone output\u003c\/p\u003e\r\n\u003cp\u003e• Two 1\/4\" audio outputs\u003c\/p\u003e\r\n\u003cp\u003e• Single Pitch CV output w\/ selectable range\u003c\/p\u003e\r\n\u003cp\u003e• User selectable scale and root note (stored per preset)\u003c\/p\u003e\r\n\u003cp\u003e• User selectable range: highest note and lowest note (stored per preset)\u003c\/p\u003e\r\n\u003cp\u003e• Adjustable Stereo Ping-Pong Delay\u003c\/p\u003e\r\n\u003cp\u003e• Removable pitch antenna - built in storage compartment on bottom-side\u003c\/p\u003e\r\n\u003cp\u003e• Built in 3\/8” Mic stand and Camera stand adaptor\u003c\/p\u003e\r\n\u003cp\u003e• High quality rubberized feet\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFRONT PANEL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLCD SCREEN:\u003c\/strong\u003e  128 X 64 pixel LCD with white backlight.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHEADPHONE JACK:\u003c\/strong\u003e  1\/8” (3.5mm) TRS headphone jack. Inserting a headphone plug will disable the internal speaker\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eVOLUME KNOB:\u003c\/strong\u003e  Controls headphone volume and built in speaker volume.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePITCH BIAS KNOB:\u003c\/strong\u003e  Determines the amount of pitch correction from 0% to 100%\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSCALE BUTTON:\u003c\/strong\u003e  Select from a list of built in scales\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eROOT BUTTON:\u003c\/strong\u003e  Select the root note to be used by the scale\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSETUP BUTTON\u003c\/strong\u003e:  Provides access the setup and calibration functions - also acts as a shift key.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDELAY LENGTH BUTTON:  \u003c\/strong\u003eSelects the length of delay: SHORT, MEDIUM, LONG, or OFF\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDELAY AMOUNT KNOB:\u003c\/strong\u003e  Controls the amount of delay mixed with the dry signal.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePRESET KNOB:\u003c\/strong\u003e  Selects the preset played from a built in list of 32 presets\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eREAR PANEL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eLEFT OUTPUT: \u003c\/strong\u003e Line Level ¼” unbalanced TS\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRIGHT OUTPUT:\u003c\/strong\u003eLine Level  ¼” unbalanced TS\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCV OUTPUT:\u003c\/strong\u003e  ¼” TS – 0-5V or 0-10V selectable\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eUSB:\u003c\/strong\u003e  MiniB USB2.0 for USB MIDI - Note data in not yet supported\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eKENSINGTON LOCK SLOT \u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePOWER SWITCH:\u003c\/strong\u003e  Push ON \/ Push OFF\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003ePOWER JACK:\u003c\/strong\u003e  12VDC\/1.2A from 100–240VAC external supply(included)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS:\u003c\/strong\u003e22.75”L  x 6.5”D x 15”H w\/antenna (4”H without)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWEIGHT\u003c\/strong\u003e: 3lbs\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41346904490157,"sku":"moog_theremini","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/straight_front.jpg?v=1645036798"},{"product_id":"doepfer-dark-energy-ii","title":"DOEPFER DARK ENERGY II : DISCONTINUED","description":"\u003ctable border=\"0\" cellpadding=\"4\" bgcolor=\"#FFFFFF\"\u003e\r\n\u003ctbody\u003e\r\n\u003ctr\u003e\r\n\u003ctd colspan=\"2\" align=\"left\" valign=\"top\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAs the \u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy (I)\u003c\/a\u003e had to be discontinued because an important electronic part (CEM3394) is no longer available we decided to do a redesign of the Dark Energy. The new Dark Energy II looks like the\u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy I\u003c\/a\u003e at first sight. But the basic sound of Dark Energy II is clearly different from version I because of the new circuits for VCO, VCF and VCA. In the following description of the Dark Energy II the\u003cspan style=\"color: #0000ff;\"\u003edifferences to Dark Energy I are marked blue:\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd colspan=\"2\" align=\"left\" valign=\"top\"\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cem\u003e\u003cstrong\u003eDark Energ\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003ey\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e\u003cstrong\u003eI\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eI\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e is a monophonic stand-alone synthesizer with USB and Midi interface. The sound generation and all modulation sources are 100% analog, only the USB\/Midi interface contains digital components. Dark Energy is built into a rugged black metal case with wooden side plates. High quality potentiometers with metal shafts are used and each potentiometer - \u003cspan style=\"color: #0000ff;\"\u003eexcept the filter mode control \u003c\/span\u003e- is fixed to the case (no wobbly shafts and knobs). The distance between the controls is a bit wider compared to A-100 modules and knobs with vintage look are used.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"color: #0000ff;\"\u003eSawtooth\u003c\/span\u003e based VCO core\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual tune control (with an internal jumper the range can be set to ~ +\/-1 half an octave or ~ +\/-2.5 octaves)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003erange switch -1 \/ 0 \/ +1 octave\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003efrequency range about 32 Hz\/C0 (reference note and octave switch in position -1) to about 4.2 kHz\/C8 (reference note plus 5 octaves and octave switch in position +1)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFM (frequency modulation) control with modulation source switch (LFO1 \/ off \/ ADSR)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual pulsewidth control for rectangle waveform\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ePWM control with modulation source switch (LFO2 \/ off \/ ADSR)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ewaveform switch (sawtooth \/ off \/\u003cspan style=\"color: #0000ff;\"\u003e clipped\/inverted sawtooth\u003c\/span\u003e) \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ethe sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexternal CV input for VCO frequency (1V\/octave)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexternal CV input for external PWM of the rectangle\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003einternal CV input for frequency (1V\/octave) connected to the CV1 output of the built-in USB\/Midi interface\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ebecause of the pure analog circuit and the temperature control it may take up to 30 minutes until the VCO is in tune.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003e12dB multimode filter with lowpass, notch, highpass and bandpass \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003emode control for continuous transition from lowpass via notch to highpass and along to bandpass\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual frequency control\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003etracking switch half - off - full (internally connected to the external frequency CV input of the VCO, i.e. the VCF tracks to the VCO if the switch is set to \"half\" or \"full\" position)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexponential frequency modulation control (XFM) with modulation source switch (LFO2 \/ off \/ ADSR),\u003cspan style=\"color: #0000ff;\"\u003e the XFM control has \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003epolarizer\u003c\/span\u003e function, i.e. the modulation source (LFO2 or ADSR) selected by the Source switch may affect the filter frequency in a positive (right half of the control range) or negative way (left half of the control range)\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual resonance control (up to self oscillation)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexternal audio input (this signal is added to the VCO signal)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexternal CV input for filter frequency\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e1V\/octave tracking for usage of the VCF as a sine wave oscillator over a few octaves  (not as precise as the VCO and not temperature compensated, but much better than most of the other filters)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual amplitude control (initial gain)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAM (amplitude modulation) control with modulation source switch (LFO1 \/ off \/ ADSR)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eexternal CV input for VCA amplitude\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"color: #0000ff;\"\u003eexponential scale\u003c\/span\u003e.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eLFO1 and LFO2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual frequency control\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ewaveform switch (triangle \/ off \/ rectangle)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003erange switch (low, audio, medium)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eLED display (dual green\/red color for positive\/negative share of the signal)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ethe LFO1 signal is available as an additional socket (to use the LFO1 signal for external modules)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ean internal jumper can be used to select between the LFO1 signal or the inverted LFO1 signal\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eADSR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003emanual controls for Attack, Decay, Sustain, Release\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003erange switch (long, short, medium)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eblue LED display\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eADSR signal is available as an additional socket (to use the ADSR signal for external modules)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eExternal Gate input (normalled via switching contact of the socket to the Gate output of the built-in USB\/Midi interface)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eUSB\/Midi-Interface\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eMidi channel and reference note are adjusted by means of a learn button and LED at the rear panel\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe interface generates the gate signal that controls the envelope generator and three analog control voltages: CV1 is used to control the pitch of the VCO, CV2 the VCF frequency (free assignable Midi controller) and CV3 is available as an additional socket at the rear panel (controlled by volume\/velocity). It can be patched e.g. to the VCA control input.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV voltage range 0... +5V (corresponds to  5 octaves)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe threes CVs and the gate signal are also available at the rear panel as jack sockets\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ecascading of several units via internal Midi Out\/Midi In connection, because of shortage of space the unit has no Midi Out socket available this connection has to be established internally, for this the metal case has a hole on both sides so that the Midi Out\/In connection can be made via this hole provided that both units are mounted to one another, the Midi Out has Midi Thru function with one exception: the signal does not include the Midi note messages that have been processed already, consequently polyphonic cascading (all daisy-chained Dark Energies on the same Midi channel) or monophonic cascading (different Midi channels) is possible, it's possible to connect only the first unit to USB and pass on the Midi data via the internal Midi link to other devices)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eIn\/Outputs (all monophonic 3.5 mm jack sockets, except USB, Midi and power supply)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003efront panel:\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV In VCO frequency (1V\/oct)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV In VCO pulsewidth (about 5V range for full scale)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV In VCF frequency (~ 1V\/oct)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV In VCA amplitude (0...+5V)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eGate In (0\/+5...12V)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eExternal Audio In (typ. 1Vss without distortion)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003einverted LFO1 Out (~ -2.5 ... +2.5V)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eEnvelope Out (~ 0 ... +6V)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAudio Out (line output, typ. 1Vss, monophonic)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003erear panel:\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eUSB\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eMidi In\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eLearn button\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eGate Out (with LED for Gate display and learn function), 0\/+5V\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV1: controlled by Midi note messages, 1V\/Oct, 0...+5V, internally connected to VCO CV input\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV2: controlled by Midi pitch bend, ~ -2.5...+2.5V or ~ 0...+5V (can be selected by an internal jumper), no internal connection, the socket can be patched e.g. to the VCO or VCF CV input at the front panel\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV3: controlled by Midi velocity, 0...+5V,  no internal connection, the socket can be patched e.g. to the VCF or VCA CV input at the front panel\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eCV4: controlled by Midi control change messages, free assignale controller in learn mode, no internal connection, the socket can be patched e.g. to the VCF or VCO pulsewidht input at the front panel\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ethe CV4 socket can be used also as audio output, the function of the socket can be selected by an internal jumper, factory setting is CV4, when changed to audio output no cable at the front panel is required (unless one wants to patch something), in this case CV4 is not available\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003epower supply (12...15V \u003cspan style=\"text-decoration: underline;\"\u003eAC\u003c\/span\u003e, min. 400mA)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003einternal connections\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eMidi out (pin header with 2 pins for internal routing of the Midi signal to another Dark Energy)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eMidi in (pin header with 2 pins for internal routing of the Midi signal from another Dark Energy)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eBy means of this internal connections several Dark Energy devices can be daisy-chained. Only the first device has to be connected to the Midi or USB transmitter. For this purpose the side plates of the metal case are equipped with holes that allow the internal connection of 2 or more Dark Energy devices. For this the metal cases have to be mounted directly to each other without wooden sideplate between the units. If a wooden side plate is desired between the devices one has to drill a hole to enable the internal connection.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eSeveral devices can be daisy-chained multiple monophonic (i.e. each Dark Energy received at a different Midi channel) or polyphonic (i.e. all devices are adjusted to the same Midi channel). For polyphonic applications a special stack mode is available. In this mode the device in question does not transmit note messages at the Midi output that are used to generate the tone in the device. Only \"unused\" note messages are transmitted.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003eAdditional remarks and specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eAs the LFO frequencies can go up to moderate audio range (~ 5kHz) even audio FM effects of VCO (pitch and pulsewidth), VCF and ADSR are possible !\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eIf the VCO is turned off (waveform switch = center position, pulsewidth control = fully CCW) and the VCF resonance is set to maximum the module can be used as a sine oscillator. The sine can be modulated in a linear manner from the triangle wave of the VCO and by LFO2 in an exponential manner at the same time !\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003efrom the factory the socket labelled \"LFO1\" outputs the inverted LFO1 signal. But as the module has several internal pin headers available even another signal may appear at this socket by changing the internal module patch. These six pin headers are available: LFO1 output, LFO2 output, ADSR output, inverter input, inverter output, output socket. The internal default patch is LFO1 -\u0026gt;  inverter input, inverter output -\u0026gt; output socket (i.e. socket = inverted LFO1). But even another signal can be patched to this socket (e.g. inverted ADSR, non-inverted LFO1, inverted or non-inverted LFO2). It is also possible to add a blind panel next to the A-111-5 with a couple of sockets that are connected to the corresponding pins of the A-111-5 pc board. The inputs and outputs of the VCO, VCF and VCA are not available as pin headers because the VCO, VCF and VCA are internally connected in the circuit which is used in this module.\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe attenuators for VCO FM and VCF FM are exponential types to enable a better resolution of the modulation depth in the lower range\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eWeight: about 1.2 kg (without power supply)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eDistance between the knobs (center - center): ~ 25 mm, diameter of the knobs: ~ 16 mm\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe metal case is made of 1 mm steel, black coated with white printing\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eOverall dimensions: about 185 x 145 x 75 mm\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eDimension of the metal case only (without side plates and knobs): about 145 x 135 x 55\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eSide plates dimensions: about 145 x 65 x 12.5 mm \u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe wooden side plates can be removed if desired. They are mounted by means of two screws to the metal box. The holes in the metal box can be used also to mount several devices together (e.g. with common wooden side plates on both ends).\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe device can be positioned horizontal (desk top) or vertical\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThese parts are included: power supply (12 \u003cspan style=\"text-decoration: underline;\"\u003eAC\u003c\/span\u003e\/min.\u003cspan style=\"color: #0000ff;\"\u003e 800mA\u003c\/span\u003e) for 230V mains voltage with European mains plug, one adapter cable 3.5 mm - 6.3 mm \/1\/4\" jack plug (1.5 m length), one USB cable (type A-B, 2 m length) and two A-100 patch cables (50 cm length)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ePowering the device via USB is not possible, because the analog circuits require a dual voltage (+\/-12V).\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003eA lot of additional functions are available as internal pin headers (e.g. VCO outputs, linear FM input for VCO, hard SYNC input for VCO, VCF outputs, LFO outputs, LFO connections for optional reset\/direction features, ADSR outout, inverter input and output). \u003cspan style=\"text-decoration: underline;\"\u003eImportant note\u003c\/span\u003e: warranty is void if a defect caused by wrong wiring of these additional pin headers is discovered !\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eFor detailed information the user's manual (\u003ca href=\"http:\/\/www.doepfer.de\/pdf\/Dark_Energy_II_Manual.pdf\"\u003eDark_Energy_II_Manual.pdf\u003c\/a\u003e) and a document with additional technical information (e.g. for modifications, adjustment) is available (\u003ca href=\"http:\/\/www.doepfer.de\/pdf\/Dark_Energy_II_technical_information.pdf\"\u003eDark_Energy_II_technical_information.pdf\u003c\/a\u003e). The glide option contains a pre-wired glide potentiometer with two nuts and a Dark Energy style rotary knob.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eIn addition there are some answers on our FAQ pages: \u003ca href=\"http:\/\/www.doepfer.de\/faq\/Dark_Energy_faq.htm\"\u003eDark Energy FAQ\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #ff0000; font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eRemark:\u003c\/strong\u003e\u003c\/span\u003e The supply connector at the rear panel of the first series of Dark Energy II is labelled \"15V AC\/400mA\". That's wrong ! The correct power supply is 12V AC \/ min. 800 mA (i.a. 800 mA or more). The power supplies delivered with the Dark Energy II are the right ones !\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd colspan=\"2\" align=\"left\" valign=\"top\" bgcolor=\"#FFFFFF\" height=\"31\"\u003e\u003chr size=\"1\"\u003e\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd colspan=\"2\" align=\"center\" valign=\"top\" bgcolor=\"#FFFFFF\" height=\"31\"\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003eOnce again the differences between \u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy I and II\u003c\/a\u003e as summary:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003e\u003cstrong\u003e12dB multimode filter \u003c\/strong\u003ewith \u003cstrong\u003elowpass, notch, highpass and bandpass\u003c\/strong\u003e (instead of 24dB lowpass of \u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy I\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ethe previous LM control of the filter becomes the filter type control \u003cstrong\u003eMode\u003c\/strong\u003e (\u003cstrong\u003econtinuous crossfade\u003c\/strong\u003e lowpass - notch - highpass - bandpass)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ethe modulation level control of the filter \"\u003cstrong\u003eXFM\u003c\/strong\u003e\" has so-called \"\u003cstrong\u003epolarizer\u003c\/strong\u003e\" function. The modulation source (LFO2 or ADSR) selected by the Source switch may affect the filter frequency in a positive (right half of the control range) or negative way (left half of the control range)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ethe waveform switch is used to select between saw and clipped, inverted saw (in the center position the saw is off)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ethe \u003cstrong\u003ebasic waveform\u003c\/strong\u003e of the VCO is \u003cstrong\u003esaw\u003c\/strong\u003e (not triangle like the \u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy I\u003c\/a\u003e).\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ethe \u003cstrong\u003eVCA\u003c\/strong\u003e has a \u003cstrong\u003eexponential scale\u003c\/strong\u003e (not the combined linear\/exponential scale of \u003ca href=\"http:\/\/www.doepfer.de\/Dark_Energy_e.htm\"\u003eDark Energy I\u003c\/a\u003e)\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003ebecause of the pure analog circuit and the temperature control it may take up to 20-30 minutes until the VCO is in tune.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003eThe sound of the Dark Energy II differs clearly from the Dark Energy I (mainly because of the completely different filter type). If you already own a Dark Energy I the Dark Energy II can be used as an expansion. But you will not be able to copy sounds of the Dark Energy I with the Dark Energy II (and vice versa) ! \u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #0000ff; font-family: Arial; font-size: small;\"\u003eFor users with electronic knowledge the Dark Energy II offers much more internal expansion features than the Dark Energy I. For example terminals (pin headers) for these features are available: VCO Hard Sync, linear VCO FM, rectangle and sawtoooth output of the VCO, lowpass\/bandpass\/highpass output of the VC, Reset\/Sync\/Direction for each LFO, rectangle and triangle output for each LFO. In addition an improved version of the glide option is is the planning stage that allows to turn on\/off the glide function via Midi control change messages.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr\u003e\r\n\u003ctd colspan=\"2\" align=\"left\" valign=\"top\" bgcolor=\"#FFFFFF\" height=\"31\"\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eDuring the Musikmesse 2012 the first prototype of Dark Energy II has been presented. A few videos and sound examples are available:\u003c\/span\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eSonicstate: \u003ca href=\"http:\/\/www.sonicstate.com\/news\/2012\/03\/24\/messe12-doepfer-dark-energy-ii\/\"\u003ehttp:\/\/www.sonicstate.com\/news\/2012\/03\/24\/messe12-doepfer-dark-energy-ii\/\u003c\/a\u003e (English)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\n\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eMusikmachen \/ Keyboards: \u003c\/span\u003e\u003ca href=\"http:\/\/www.musikmachen.de\/Messe-News\/Musikmesse-2012\/Doepfer-Dark-Energy-2\"\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003ehttp:\/\/www.musikmachen.de\/Messe-News\/Musikmesse-2012\/Doepfer-Dark-Energy-2\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e (German)\u003c\/span\u003e\n\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eDebug: \u003ca href=\"http:\/\/de-bug.de\/musiktechnik\/archives\/5784.html\"\u003ehttp:\/\/de-bug.de\/musiktechnik\/archives\/5784.html\u003c\/a\u003e (German)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e","brand":"DOEPFER","offers":[{"title":"Default Title","offer_id":41346916384941,"sku":"doepfer_dark_energy_ii","price":625.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/dark_energy_ii_oblique.jpg?v=1645037145"},{"product_id":"abstrakt-instruments-avalon-filter-cartridge-sem","title":"ABSTRAKT INSTRUMENTS AVALON FILTER CARTRIDGE - SEM","description":"\u003cdiv class=\"content_top\"\u003eThe avalon bassline is a high quality analog bassline synthesizer and sequencer. The core circuitry of the avalon is based on the revered Roland? TB-303 bassline synthesizer, to which a new layer of analog and digital circuitry has been added to position the avalon as the premier bassline synthesizer. \u003c\/div\u003e\r\n\u003cdiv class=\"content_top\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\n\u003cspan\u003e• \u003c\/span\u003e\u003cspan\u003eTransistor Ladder Filter\u003c\/span\u003e\u003cbr\u003eThis filter is based on the Minimoog ladder filter and includes 12dB \u0026amp; 24dB modes.\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\n\u003cspan\u003e• SEM State Variable Filter \u003c\/span\u003e\u003cbr\u003eTrue to the orginal design of the beloved Oberheim SEM filter. It is designed using SMD parts in a similar manner to the current Tom Oberheim SEM modules. Includes low-pass \u0026amp; high-pass modes.\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\n\u003cspan\u003e• \u003c\/span\u003e\u003cspan\u003eJP Low Pass Filter\u003c\/span\u003e\u003cbr\u003eBased on the original jupiter 8 \u0026amp; juno 6\/60 low pass filter. Includes both 12dB \u0026amp; 24dB modes.\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\n\u003cspan\u003e• \u003c\/span\u003e\u003cspan\u003e 4075 Low Pass Filter\u003c\/span\u003e\u003cbr\u003eThis filter is true to the design of the Arp 4075 low pass filter and includes 12dB \u0026amp; 24dB modes.\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"content_left\"\u003e\n\u003cspan\u003e•  Wasp Multimode Filter\u003c\/span\u003e\u003cbr\u003eAn accurate surface mount version of the Wasp 12dB multimode filter.\u003c\/div\u003e","brand":"ABSTRAKT INSTRUMENTS","offers":[{"title":"Default Title","offer_id":41346945286317,"sku":"abstrakt_avalon_sem_filter","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/cart_svf31.jpg?v=1645038279"},{"product_id":"grendel-ra-9-grenadier","title":"GRENDEL RA-9 GRENADIER","description":"\u003ch1 class=\"entry-title\"\u003eGrendel Grenadier\u003c\/h1\u003e\r\n\u003cdiv class=\"entry-content\"\u003e\r\n\u003cp\u003eThe Grendel RA-9 Grenadier.  New from Rare Waves for 2015.  A unique semi modular CV-Gate synthesizer with analog sequencer and filterbank. \u003c\/p\u003e\r\n\u003cp\u003eThe Grendel RA-9 Grenadier is a 1-oscillator analog monosynth with CV-Gate control.  It has a semi-modular design in a tabletop enclosure with 1\/4″ audio output.  The Grenadier can be played stand-alone by using its keypad with 4 independently tuneable keys, or you can activate its onboard sequencer for minimal rhythm loops and tone sequences. Patch in a 1v\/oct MIDI-CV converter (not included) and the Grenadier can play sequences from a MIDI workstation or computer.\u003c\/p\u003e\r\n\u003cp\u003eThe Grenadier’s unique palette of analog tones comes from its triple bandpass filterbank with syncable modulation. Its voice is designed for electronic basslines and melodic sequences, as well as slow drones, electro percussion loops, bass drums, and more. The filterbank can also become a tone source by setting it to self-oscillate with warm low frequency overdrive.\u003c\/p\u003e\r\n\u003cp\u003eThe Grenadier’s VCO offers square and triangle waveform. Its pitch can be modulated by the envelope generator for bass drops and other tuned analog percussion effects. The VCO waveform is synced to gate, for better bass output with staccato sequences.\u003c\/p\u003e\r\n\u003cp\u003eThe decay envelope generator offers a wide range of decay times up to 60 seconds. The contour of the envelope can be reversed with the bipolar Envelope Depth knob, putting it solidly in the electro funk zone.  The Grenadier’s LFO covers a wide range of 0.05 Hz (that’s once cycle every 20 seconds) up to 60 Hz, and can be reset by gate events for tempo-sync effects.\u003c\/p\u003e\r\n\u003cp\u003eThe patch bay allows semi-modular control and multiplies the creative options when patching to itself, another Grenadier, MIDI-CV converters, and modular systems.** Fourteen patch points are provided including CV and gate in and out, clock in and out, LFO rate CV, and external audio input. It accepts Eurorack-type 1\/8” (3.5mm) mono phone plugs.\u003c\/p\u003e\r\n\u003cp\u003eThe Grendel Grenadier has a straightforward knob-per-function layout that avoids confusing context-sensitive controls. Each switch on the front panel has a red status LED that is easy to see, but not glaringly bright. The case is built of laser-cut steel with durable powder coat and silkscreened graphics. It has a sturdy-feeling build, weighing in at nearly 2 pounds. Grippy rubber feet elevate it above the table, and a pair of polished metal handles double as a roll cage to protect its control surface.\u003c\/p\u003e\r\n\u003cp\u003eThe Grenadier is built to satisfy the need for creative analog equipment that stands the test of time.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eHow does the Grenadier’s sequencer work?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe sequencer has two basic components:\u003c\/p\u003e\r\n\u003cp\u003eIts 4-step analog sequencer outputs control voltage in a repeating cycle I-II-III-IV. Voltage of each step is controlled by the knob above each key I-IV. It steps once to the right each time it is triggered. The analog sequencer normally controls the VCO frequency for simple melodic sequences, and can be patched to sequence the filterbank, LFO rate, or an external module.\u003c\/p\u003e\r\n\u003cp\u003eThe other component is the programmable trigger loop. It is normally synchronized to the LFO, or you can patch 16\u003cspan\u003eth\u003c\/span\u003e-notes tempo clock to CLK IN. Program a rhythmic sequence of events in a 32-step (2 measure) endless loop by tapping the PROG-+ button in real time. Your input is quantized to the clock and repeats as long as clock is present. The trigger events can step the analog sequencer, trigger the envelope, or trigger an external module using the TRIG OUT patch point.\u003c\/p\u003e\r\n\u003cp\u003eBriefly stated, the Grenadier’s onboard sequencer is good for minimal rhythms and melodies constrained to a 4-note cycle. It does not have start\/stop or reset input, presets, or programmable melody.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat can the Grenadier’s LFO do?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eThe LFO rate can be controlled with the LFO CV IN patch point. Its response is exponential (~0.5v\/oct) and its frequency range is 0.05-60 Hz. The symmetry of the triangle wave is variable and the pulse wave output can be varied from 20..80% width by using the Symmetry knob. Activate the TRIG button and the LFO will sync (restart) with each gate event. This can give the impression of tempo-synced LFO effects, and also lets you use the LFO like a second envelope generator for the filterbank. The LFO Depth knob sets the level of filterbank modulation, and is a bipolar gain type control.  The LFO Out patch point is post-LFO Depth.  The CLK Out patch point normally sends unattenuated LFO square wave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIs the Grenadier a little bit like the Grendel Formant Filter?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eYes, somewhat. The Grenadier also has a filterbank with parallel VC-BPFs (three in the case of the Grenadier, compared to the Formant Filter’s four). Grenadier also has 2-axis voltage control of its filterbank with the Alpha and Beta parameters, similar to the Formant Filter’s Articulator X and Articulator Y parameters. However while the Formant Filter’s tuning range is optimized specifically for vowel filtering, the Grenadier’s filterbank has a wider frequency range. It is able to get squelchy acid effects and a broader palette of throaty midrange tones, plus solid bass frequency output, although at the expense of some vowel-filtering ability.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eIs the Grenadier a little bit like the Grendel Drone Commander?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eYes, it is true in some ways. Grenadier can mimic the Drone Commander’s LFO and envelope modulations. The Drone button cancels the volume envelope for endless sustained notes. And its filterbank can be driven into deep-pitched overdriven self-oscillations. The Drone Commander has two fixed oscillators, while the Grenadier has one VCO. But the Grenadier goes further with the addition of a VCA and envelope generator, plenty of CV connections, and a minimal onboard sequencer.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eCan it ‘talk’ to the Drone Commander?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eYes, in some ways. The Drone Commander’s Clock Out will connect to Grenadier’s Clock In or Gate In, making Grenadier’s sequencer run in time with Drone Commander’s LFO. Or you can patch Grenadier’s LFO OUT or ENV OUT to the Drone Commander’s Filter CV input. Also, you can process the Drone Commander’s audio with the Grenadier’s external input.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWhat are the Grenadier’s CV patch points for?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe Grenadier has CV and Gate Output from its keypad. You can use it as a controller to play another CV-Gate synth.\u003c\/li\u003e\r\n\u003cli\u003eCV In and Gate In allow connection to a MIDI-CV converter (1v\/oct), so you can control the Grenadier with a MIDI workstation, keyboard controller, computer, etc.\u003c\/li\u003e\r\n\u003cli\u003eClock In lets you sync the Grenadier’s sequencer with an external tempo source, such as a square wave LFO or the analog clock outputs from a MIDI-CV converter.\u003c\/li\u003e\r\n\u003cli\u003eClock Out is a square wave signal from the Grenadier’s LFO, and acts as a thru for CLK IN.\u003c\/li\u003e\r\n\u003cli\u003eAlpha In and Beta In are CV inputs to control the filterbank’s 2-axis parameters.\u003c\/li\u003e\r\n\u003cli\u003eENV Out is the output of the decay envelope generator, after it is processed by the bipolar gain control Envelope Depth.\u003c\/li\u003e\r\n\u003cli\u003eLFO Out is the LFO’s output, processed by the bipolar gain control LFO Depth.\u003c\/li\u003e\r\n\u003cli\u003eTrig Out sends trigger pulses of 5 volts amplitude and 10 ms duration. The trigger events are programmable on a 32-step loop.\u003c\/li\u003e\r\n\u003cli\u003eOsc Out is the VCO’s raw output (triangle or square waveform). Patching to Osc Out cancels the internal connection of the VCO to the filterbank. This lets you use it as an FX send.\u003c\/li\u003e\r\n\u003cli\u003eExt In is an audio input to the filterbank. It can work as an FX return or mix in an external VCO.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cstrong\u003e** Is the Grenadier compatible with Eurorack systems?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eYes, but not 100%, because the Grenadier’s inputs and outputs work within a 0..+5 volt range only. Some Eurorack modules such as LFOs which send bipolar signals may not work as expected (negative voltages are limited to zero volts). The Grenadier has internal protection so there is no risk in experimenting with patching it to other synthesizer equipment. It uses Eurorack-type 1\/8” (3.5mm) patch cables.  Patching an attenuator module between a Eurorack output and Grenadier input may be useful.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDoes the Grenadier run on battery?\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eNo, there is no internal battery. However for convenience its DC input can accept either tip positive or tip negative AC adapters. You can daisy-chain it with FX pedals or other tabletop MIDI gear powered from a 9- to 12-volt adapter.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"http:\/\/rarewaves.net\/wp-content\/uploads\/2014\/12\/Grendel-RA-9-Grenadier-User-Guide-1.3.pdf\"\u003eUser Guide 1.3\u003c\/a\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ghUjtDgo3NI?feature=player_embedded\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e\r\n\u003cp\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/oZ8AvhxGkKM?feature=player_detailpage\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"RARE WAVES GRENDEL","offers":[{"title":"Default Title","offer_id":41346955477165,"sku":"grendel_ra-9_grendadier","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/ra9-front-left-corner-angled-black-bkgnd.jpg?v=1645038990"},{"product_id":"waldorf-pulse-2","title":"WALDORF PULSE 2","description":"\u003cp\u003ePulse 2 Analog Synthesizer is proof positive that good things can come to those who wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic music dominating sounds have been severely sought-after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century. \u003cbr\u003e\u003cbr\u003eAs an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time — three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB\/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords — a fantastic feature found on our recently-released Rocket Synthesizer.\u003cbr\u003e\u003cbr\u003ePulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix — logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.\u003cbr\u003e\u003cbr\u003eConnectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output — not forgetting, of course, CV Out (supporting both the V\/octave and Hz\/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI ‘note’ information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that’s not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!\u003c\/p\u003e\r\n\u003cp\u003e\u003ca class=\"linkthumb\" title=\"Pulse2 back\" href=\"http:\/\/www.waldorf-music.info\/images\/stories\/Pulse2\/Pulse2_back.jpg\" rel=\"lightbox[id393]\" target=\"_blank\"\u003e\u003cimg class=\"thumb\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/2325012ac4aa04b21531c4139199a300.jpg?v=1645039291\" alt=\"Pulse2 back\" width=\"500\" height=\"157\"\u003e\u003c\/a\u003e\u003cbr\u003eAlongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels — high and low only — capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) — all of which, of course, contribute to kickstarting those still sought-after sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than \u003cbr\u003eenough to keep the most diehard synthesist smiling! What’s more, all are backwards-compatible with the original Pulse series, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).\u003cbr\u003e\u003cbr\u003eThanks, then, to the timely arrival of the Pulse 2 Analog Synthesizer, readily reincarnated ballsy bass tones and legendary leads beyond compare can all be yours with much more besides in a truly 21st Century compact and bijou performance package priced to go!\u003c\/p\u003e\r\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv\u003e\r\n\u003cdiv id=\"_mcePaste\"\u003e\u003cstrong\u003eAnalog Monophonic Synthesizer\u003c\/strong\u003e\u003c\/div\u003e\r\n\u003cdiv id=\"_mcePaste\"\u003e \u003c\/div\u003e\r\n\u003cdiv id=\"_mcePaste\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 analog oscillators + 1 noise generator\u003c\/li\u003e\r\n\u003cli\u003ePulse width modulation\u003c\/li\u003e\r\n\u003cli\u003eHard sync\u003c\/li\u003e\r\n\u003cli\u003eFilter FM from Oscillator 3\u003c\/li\u003e\r\n\u003cli\u003eRing Modulation from Oscillator 3\u003c\/li\u003e\r\n\u003cli\u003eXOR Osc Mode\u003c\/li\u003e\r\n\u003cli\u003e8\/4 Voice Paraphonic modes\u003c\/li\u003e\r\n\u003cli\u003eCascade Filter\u003c\/li\u003e\r\n\u003cli\u003e24dB\/12db Lowpass, 12db Highpass\/Bandpass filter modes\u003c\/li\u003e\r\n\u003cli\u003ePowerful Arpeggiator\u003c\/li\u003e\r\n\u003cli\u003e8-slot Modulation Matrix\u003c\/li\u003e\r\n\u003cli\u003eUSB\u003c\/li\u003e\r\n\u003cli\u003eMIDI\u003c\/li\u003e\r\n\u003cli\u003eExternal analog signal input\u003c\/li\u003e\r\n\u003cli\u003eStereo line out\u003c\/li\u003e\r\n\u003cli\u003eHeadphone out\u003c\/li\u003e\r\n\u003cli\u003eBackwards compatible with classic Pulse\u003c\/li\u003e\r\n\u003cli\u003e128x64 character backlit LCD\u003c\/li\u003e\r\n\u003cli\u003e8 stainless steel knobs\u003c\/li\u003e\r\n\u003cli\u003e500 Sound Programs\u003c\/li\u003e\r\n\u003cli\u003eElectron-absorbing black case\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv id=\"_mcePaste\"\u003e\n\u003ca title=\"Waldorf Pulse 2 Manual\" href=\"http:\/\/www.waldorf-music.info\/downloads\/pulse2_downloads\/pulse2_manual.pdf\" target=\"_blank\"\u003eMANUAL\u003c\/a\u003e \u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":41346968420525,"sku":"waldorf_pulse2","price":899.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/pulse2_side.jpg?v=1645039286"},{"product_id":"waldorf-streichfett","title":"WALDORF STREICHFETT","description":"\u003cdiv\u003eStreichfett combines the best of the previously extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and an eight voice solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser and Reverb. Additionally, the Animate Effect can be used to modulate the strings registration, allowing spectacular sound morphs.\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eThe Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.\u003c\/div\u003e\r\n\u003cdiv\u003e\n\u003cbr\u003eAlthough the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to deliver rich and creamy pads unlike any other instrument.\u003c\/div\u003e\r\n\u003cdiv\u003e\n\u003cbr\u003eTwelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e128 voice fully polyphonic Strings section\u003c\/li\u003e\r\n\u003cli\u003eContinuos morphing of Violin, Viola, Cello, Brass, Organ, Choir and more Registrations\u003c\/li\u003e\r\n\u003cli\u003eAnimate Effect for Modulation of Strings Registration\u003c\/li\u003e\r\n\u003cli\u003eEnsemble Effect for Strings\u003c\/li\u003e\r\n\u003cli\u003eEight voice polyphonic Solo section\u003c\/li\u003e\r\n\u003cli\u003eLayer\/Split for Solo section\u003c\/li\u003e\r\n\u003cli\u003eContinuos morphing of Bass, E-Piano, Clavi, Synth, and Pluto for Solo Tone\u003c\/li\u003e\r\n\u003cli\u003eTremolo for Solo section\u003c\/li\u003e\r\n\u003cli\u003ePhaser\u003c\/li\u003e\r\n\u003cli\u003eReverb\u003c\/li\u003e\r\n\u003cli\u003e12 programmable patches\u003c\/li\u003e\r\n\u003cli\u003eStereo output\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output\u003c\/li\u003e\r\n\u003cli\u003eUSB\u003c\/li\u003e\r\n\u003cli\u003eMIDI in\/out\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cstrong\u003eControls\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVolume Pot\u003c\/li\u003e\r\n\u003cli\u003eStrings Section with organic preset select, Crescendo and Release pots\u003c\/li\u003e\r\n\u003cli\u003e3-state Octave switch (Base\/Both\/8va)\u003c\/li\u003e\r\n\u003cli\u003e3-state Ensemble Mode switch\u003c\/li\u003e\r\n\u003cli\u003eEnsemble Effect pushbutton\u003c\/li\u003e\r\n\u003cli\u003eSolo Section with organic solo sound select pot\u003c\/li\u003e\r\n\u003cli\u003eTremolo pot\u003c\/li\u003e\r\n\u003cli\u003e3 state split switch (low\/layer\/high)\u003c\/li\u003e\r\n\u003cli\u003e2 state sustain switch\u003c\/li\u003e\r\n\u003cli\u003eBalance pot\u003c\/li\u003e\r\n\u003cli\u003eEffect Section with 3 state switch (Chorus\/Phase\/Animate)\u003c\/li\u003e\r\n\u003cli\u003eEffect Depth pot\u003c\/li\u003e\r\n\u003cli\u003e3 state switch for memory bank position (A, B, C)\u003c\/li\u003e\r\n\u003cli\u003e4 pushbuttons for program number (1 to 4)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cstrong\u003eConnections\u003c\/strong\u003e\u003cbr\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo Audio out (Left\/Stereo, Right\/Mono)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone out\u003c\/li\u003e\r\n\u003cli\u003eUSB MIDI\u003c\/li\u003e\r\n\u003cli\u003eMIDI in\/out\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"WALDORF","offers":[{"title":"Default Title","offer_id":41346969534637,"sku":"waldorf_streichfett","price":449.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/streichfett.jpg?v=1645039307"},{"product_id":"tom-oberheim-two-voice-pro-synthesizer","title":"TOM OBERHEIM TWO VOICE PRO SYNTHESIZER","description":"\u003cp align=\"center\"\u003e\u003cspan class=\"style25\"\u003eNew!\u003cbr\u003eTwo Voice Pro Synthesizer \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"style6\" align=\"justify\"\u003ePeople often ask me: \"Tom, what was the favorite one of your synthesizers from before?\" And my answer is always: \"the Two Voice\"! So, I am bringing back the Two Voice, very similar to the original, but with the addition of a few interesting upgrades.\u003c\/p\u003e\r\n\u003cp class=\"style28\"\u003eFeatures:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli class=\"style6\"\u003eMini-Sequencer is enhanced - you still generate a sequence with the knobs ( up to 16 positions ) but you can store sequences from the knobs into flash memory\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eTwo sequences can be played simultaneously (or play one sequence while also playing on the keyboard, like the old one)\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eAfter sequences are stored in flash memory, you can edit them to add 2-way, 3-way or 4-way ratcheting and you can program the gate length from zero (like a rest) up to almost the complete step length\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSequences can be chained into songs, and each step in a song can be programmed for sequence number, transpose amount and number of repeats\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSequencer syncs to Midi Clock\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eKeyboard outputs velocity and pressure\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eEach module (both SEMs, Mini-Sequencer, Keyboard Control) has mini-jack patch points (56 patchpoints)\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003ePitch and Modulation wheels\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003ePan pots\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eHeadphone output\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSeparate Vibrato LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"TOM OBERHEIM","offers":[{"title":"Default Title","offer_id":41346970583213,"sku":"oberheim_two_voice_pro","price":3495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tvs-pro-lg.jpg?v=1645039342"},{"product_id":"doepfer-a-100bs2-basic-system-2-psu3","title":"DOEPFER A-100BS2 BASIC SYSTEM 2 PSU3","description":"\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eThe \u003cspan style=\"text-decoration: underline;\"\u003eA-100 Basic System 2\u003c\/span\u003e A-100BS2 is nearly identical with to the Basic System 1 but i\u003cspan style=\"text-decoration: underline;\"\u003encludes a MIDI-Interface\u003c\/span\u003e. The modules \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"http:\/\/www.doepfer.de\/a150.htm\"\u003eA-150\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e (VC Switch) and \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"http:\/\/www.doepfer.de\/a162.htm\"\u003eA-162\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e (Trigger Delay) are replaced by the USB\/Midi-to-CV\/Gate\/Sync interface  \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"http:\/\/www.doepfer.de\/a1904.htm\"\u003eA-190-4\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e and a 2HP blind plate. In addition one of the two standard LFOs \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e\u003ca href=\"http:\/\/www.doepfer.de\/a145.htm\"\u003eA-145\u003c\/a\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e is replaced by the variable waveform LFO \u003ca href=\"http:\/\/www.doepfer.de\/a146.htm\"\u003eA-146\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp align=\"left\"\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eThese modules are included in the Basic System 2:\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e2x Standard VCO \u003ca href=\"http:\/\/www.doepfer.de\/a110.htm\"\u003eA-110\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e2x ADSR \u003ca href=\"http:\/\/www.doepfer.de\/a140.htm\"\u003eA-140\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x LFO \u003ca href=\"http:\/\/www.doepfer.de\/a145.htm\"\u003eA-145\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x LFO \u003ca href=\"http:\/\/www.doepfer.de\/a146.htm\"\u003eA-146\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1x Ring Modulator \u003ca href=\"http:\/\/www.doepfer.de\/a114.htm\"\u003eA-114\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Audio Divider \u003ca href=\"http:\/\/www.doepfer.de\/a115.htm\"\u003eA-115\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x VC Waveform Processor \u003ca href=\"http:\/\/www.doepfer.de\/a116.htm\"\u003eA-116\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Noise\/Random \u003ca href=\"http:\/\/www.doepfer.de\/a118.htm\"\u003eA-118\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x VCF1 \u003ca href=\"http:\/\/www.doepfer.de\/a120.htm\"\u003eA-120\u003c\/a\u003e (24dB low pass 1)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x XP VCF \u003ca href=\"http:\/\/www.doepfer.de\/a1066.htm\"\u003eA-106-6\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x linear VCA \u003ca href=\"http:\/\/www.doepfer.de\/a130.htm\"\u003eA-130\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x exponential VCA \u003ca href=\"http:\/\/www.doepfer.de\/a130.htm\"\u003eA-131\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x linear Mixer \u003ca href=\"http:\/\/www.doepfer.de\/a138.htm\"\u003eA-138a\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x exponential Mixer \u003ca href=\"http:\/\/www.doepfer.de\/a138.htm\"\u003eA-138b\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Dual S\u0026amp;H \u003ca href=\"http:\/\/www.doepfer.de\/a148.htm\"\u003eA-148\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Trigger Divider \u003ca href=\"http:\/\/www.doepfer.de\/a160.htm\"\u003eA-160\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Trigger Sequencer \u003ca href=\"http:\/\/www.doepfer.de\/a161.htm\"\u003eA-161\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Dual Slew Limiter \u003ca href=\"http:\/\/www.doepfer.de\/a170.htm\"\u003eA-170\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x Multiple I \u003ca href=\"http:\/\/www.doepfer.de\/a180.htm\"\u003eA-180\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003e1 x USB\/Midi-to-CV\/Gate\/Sync-Interface \u003ca href=\"http:\/\/www.doepfer.de\/a1904.htm\"\u003eA-190-4\u003c\/a\u003e\u003c\/span\u003e\u003c\/li\u003e\r\n\u003cli\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e30 patch cables (mixed)\u003c\/span\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eBy default the modules of Basic System 2 are mounted into a 6U frame with built in power supply and bus boards. \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eBut the system is also available built into any A-100 case. Unused rows are closed with blind panels (e.g. A-100BS2 built into A-100LC9 or A-100P9). \u003c\/span\u003e\u003cspan style=\"color: #000000; font-family: Arial; font-size: small;\"\u003eThe valid prices for all combinations of systems and case are available in the \u003ca href=\"http:\/\/www.doepfer.de\/preise.htm\"\u003eprice list\u003c\/a\u003e in the \u003ca href=\"http:\/\/www.doepfer.de\/preise.htm#A-100%20Modular%20System\"\u003eA-100 section\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"DOEPFER","offers":[{"title":"Default Title","offer_id":41346978611373,"sku":"doepfer_a100bs2_p6","price":2299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/a100_bs2_p6.jpg?v=1645039561"},{"product_id":"moog-mother-32","title":"MOOG MOTHER 32","description":"\u003cp\u003eThe Moog Mother-32 is the first tabletop semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.\u003c\/p\u003e\r\n\u003cp\u003eMother-32 comes secured in a rugged extruded aluminum enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patchbay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Semi-Modular design requires no patching for swift, inspired music creation\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Voltage Controlled 32 Step Sequencer with 64 Sequence Locations\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Low Pass \u0026amp; High Pass Moog Ladder Filter (20Hz–20kHz) with voltage controlled resonance\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• External audio input for processing outside sound sources\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Definitive Moog oscillator with Pulse and Sawtooth wave outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• 5-pin MIDI input and MIDI to CV converter\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• 32 Modular Patch Points (Includes 5 patch cables)\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• 2 Voltage controlled mixers\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Superb companion to Werkstatt 01, Minitaur and other synthesizers\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Main module can be easily transferred into a Eurorack skiff or case\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Mount 2 or 3 units vertically with optional 2 and 3 Tier kits\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e• Complete solution for new Eurorack users – no other items required\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVOLTAGE CONTROLLED OSCILLATOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSingle VCO with simultaneous Sawtooth and Pulse wave Outputs (+\/-5V)\u003c\/li\u003e\r\n\u003cli\u003e1 V\/Octave from 8Hz to 8KHz (16KHz max with LFO\/CV)\u003c\/li\u003e\r\n\u003cli\u003ePanel Frequency control (+\/-1 Octave)\u003c\/li\u003e\r\n\u003cli\u003eToggle Selector for waveform routed to the mixer\u003c\/li\u003e\r\n\u003cli\u003ePulse Width control\u003c\/li\u003e\r\n\u003cli\u003eLinear FM and 1V\/Octave Exponential FM inputs (+\/-5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eNOISE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOutput normalled to Ext Audio input\u003c\/li\u003e\r\n\u003cli\u003eWhite Noise output (+\/-5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVOLTAGE CONTROLLED MIXER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCrossfades between selected VCO waveform and Ext Audio input (normalled to White Noise)\u003c\/li\u003e\r\n\u003cli\u003eMix CV input (+\/-5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVOLTAGE CONTROLLED FILTER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e20Hz to 20KHz switchable Low Pass\/High Pass 4-pole Transistor Ladder Filter with voltage controlled Resonance\u003c\/li\u003e\r\n\u003cli\u003eVCF Cutoff input (+\/-5V)\u003c\/li\u003e\r\n\u003cli\u003eVCF Resonance input (+\/-5V)\u003c\/li\u003e\r\n\u003cli\u003eVCF Output (+\/-5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVOLTAGE CONTROLLED AMPLIFIER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable CV Source: EG or ON (drone)\u003c\/li\u003e\r\n\u003cli\u003eVCA CV input (0 to +8V in EG mode and +\/-5V in ON mode, summed with signals from ON\/EG switch)    \u003c\/li\u003e\r\n\u003cli\u003eOutput Volume Control (VCA Out and Line\/Headphone Out)\u003c\/li\u003e\r\n\u003cli\u003eVCA output (+\/-5V) and rear panel 1\/4\" Headphone\/Audio Output (+\/-1.7V peak)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSquare wave output (+\/-5V)\u003c\/li\u003e\r\n\u003cli\u003eTriangle wave output (+\/-5V)\u003c\/li\u003e\r\n\u003cli\u003eSelectable waveshape to VCO and VCF MOD sections\u003c\/li\u003e\r\n\u003cli\u003ePanel Rate control .1Hz to 350Hz  (600Hz max)\u003c\/li\u003e\r\n\u003cli\u003eLFO Rate CV input (+\/-5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eENVELOPE GENERATOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVariable controls for Attack and Decay\u003c\/li\u003e\r\n\u003cli\u003eSustain ON\/OFF for single-trigger (ASD) or multi-trigger (AD) behavior\u003c\/li\u003e\r\n\u003cli\u003eExternal Gate input (0 to +5V; Tolerant of 10V gates)\u003c\/li\u003e\r\n\u003cli\u003eEG output (0 to +7.5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVCO MODULATION \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable Source: EG\/VCO MOD or LFO (EG normalled to VCO MOD in)\u003c\/li\u003e\r\n\u003cli\u003eVCO Mod input (normalled to EG\/VCO MOD switch position)\u003c\/li\u003e\r\n\u003cli\u003eVariable Modulation Amount control\u003c\/li\u003e\r\n\u003cli\u003eSelectable Modulation Destination: VCO Pitch or PWM (PWM summed with Pulse Width panel control)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVCF MODULATION\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable Source: EG or LFO\u003c\/li\u003e\r\n\u003cli\u003eVariable Modulation Amount control\u003c\/li\u003e\r\n\u003cli\u003eSelectable VCF Modulation Polarity (+\/-)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eVOLTAGE CONTROLLED MIXER\/ATTENUATOR\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVoltage controlled crossfade\/mix circuit for mixing two DC coupled signals\u003c\/li\u003e\r\n\u003cli\u003eMix 1 Input (Normalled to ground)\u003c\/li\u003e\r\n\u003cli\u003eMix 2 Input (Normalled to +5V)\u003c\/li\u003e\r\n\u003cli\u003eMix Control CV input (-5V to +5V)\u003c\/li\u003e\r\n\u003cli\u003eMix Output: Un-inverted output (-5 to +5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eMULTIPLE\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1x input 2x output signal multiplier\u003c\/li\u003e\r\n\u003cli\u003eMult Input: Buffered signal\u003c\/li\u003e\r\n\u003cli\u003eMult Outputs: 1 and 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eKEYBOARD\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSingle octave 13-note keyboard (In Step Edit Mode this is used to select, mute and enable sequencer steps.)\u003c\/li\u003e\r\n\u003cli\u003eOctave Up\/Down buttons select from 8 available octave settings\u003c\/li\u003e\r\n\u003cli\u003eGlide Time control\u003c\/li\u003e\r\n\u003cli\u003eKB CV output (-5 to +5V)\u003c\/li\u003e\r\n\u003cli\u003eGate Output  (0 to +5V)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eSEQUENCER\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDual-mode 32 step sequencer with 64 sequence locations\u003c\/li\u003e\r\n\u003cli\u003ePerformance Modes:\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e-     In KB Mode, the Keyboard is used to play the instrument, enter sequence data and transpose sequences.\u003c\/p\u003e\r\n\u003cp\u003e-     In Step Mode, the keyboard functions as the step sequencer interface and is used to enable and mute steps, update note data and select sequence banks.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eEach sequence step includes: Note Value, Gate Length (Tie), Rest On\/Off, Accent On\/Off, Glide On\/Off and Ratchet count (up to 4 note-repeats occurring in the duration of a single note)\u003c\/li\u003e\r\n\u003cli\u003eSequencer Panel Controls: Tempo, Swing, Run\/Stop, Hold, and Reset\u003c\/li\u003e\r\n\u003cli\u003eSequencer Control Inputs: Tempo, Run\/Stop (also used for sync), Reset and Hold\u003c\/li\u003e\r\n\u003cli\u003eSequencer Control Outputs: KB, Gate, Accent Pulse\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePATCHBAY\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eThe patchbay contains 32 patch points (3.5mm)\u003c\/li\u003e\r\n\u003cli\u003eAvailable Inputs: External Audio, Mix CV, VCA CV, VCF Cutoff, VCF Resonance, VCO 1V\/Octave, VCO Linear FM, VCO Modulation, LFO Rate, Mix 1, Mix 2, VC Mix Control, Mult, Gate, Tempo, Run\/Stop, Reset and Hold\u003c\/li\u003e\r\n\u003cli\u003eAvailable Outputs: VCA, Noise, VCF, VCO Saw, VCO Pulse, LFO Triangle, LFO Square, VC Mix, Mult 1, Mult 2, Assign, EG, KB, Gate\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eASSIGNABLE OUTPUT\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e        • Multipurpose control output for selecting from 16 available functions: Sequencer Accent, Sequencer Clock, Sequencer Clock \/2 Sequencer Clock \/4, Decimated \"Ramp”,                   Decimated \"Saw”, Decimated \"Triangle”, Stepped Random, STEP 1, MIDI Note On Velocity, MIDI Channel Aftertouch, MIDI Pitch Bend, MIDI CC1 Mod Wheel, MIDI CC2,                 MIDI CC4 and MIDI CC7\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e        •  \u003cstrong\u003eDimensions\u003c\/strong\u003e: 12.57“W x 4.21“H (with knobs) x 5.24“D\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        •  Weight\u003c\/strong\u003e: 3.5 lbs.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        •  Power Consumption\u003c\/strong\u003e: 2.8W\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        •  Included Power Supply\u003c\/strong\u003e: 100-250VAC, 50-60Hz, +12VDC 1A\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        •  Patchbay\u003c\/strong\u003e: 32x 3.5mm jacks\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        • Rear Panel Audio Out\u003c\/strong\u003e: ¼” Headphone \/ Audio\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEURORACK SPECS\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e        • \u003cstrong\u003eCurrent Draw\u003c\/strong\u003e: 230mA (+12V – from 10-pin header)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e        •  Mounting Dims\u003c\/strong\u003e: 60HP (.69” 26mm Module Depth)\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/GCJacEzcU7A?feature=player_embedded\" frameborder=\"0\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41346982412461,"sku":"moog_mother_32","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/mother_32_angled_black_med.jpg?v=1645039658"},{"product_id":"doepfer-dark-energy-glide-option-kit","title":"DOEPFER DARK ENERGY GLIDE OPTION KIT : DISCONTINUED","description":"\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eThe glide option is available as a kit: It consists of rotary potentiometer with Dark Energy style knob and nut, 2-wire cable and 2-pin connector. All parts are assembled, no soldering required. Please contact the dealer in your country for price and delivery time.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003eTo install the glide option the bottom cover of the Dark Energy has to be removed (four crosshead screws at the edges). The jumper installed on the pin header labelled JP4 of the interface\/supply board (i.e. the board mounted to the rear panel) has to be removed. Instead of that the connector of the glide option is put on the pin header JP4. The orientation does not matter. JP4 is located behind the CV3 socket. A picture that shows the complete interface\/supply board is available here: \u003c\/span\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003ca href=\"http:\/\/www.doepfer.de\/pdf\/Dark_Energy_technical_information.pdf\"\u003eDark_Energy_technical_information.pdf\u003c\/a\u003e \u003cspan lang=\"DE\"\u003e(valid for \u003cstrong\u003eDark Energy I\u003c\/strong\u003e) \u003c\/span\u003eor \u003ca href=\"http:\/\/www.doepfer.de\/pdf\/Dark_Energy_II_technical_information.pdf\"\u003eDark_Energy_II technical_information.pdf\u003c\/a\u003e\u003cspan lang=\"DE\"\u003e (valid for \u003cstrong\u003eDark Energy II\u003c\/strong\u003e)\u003c\/span\u003e. Then the plastic cap at the front side has to be removed and the potentiometer is mounted into the hole by means of two nuts. Finally the knob is put on the potentiometer and the bottom cover is screwed tightly again.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan style=\"font-family: Arial; font-size: small;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eImportant Notes:\u003c\/span\u003e If the glide option is removed later the former jumper has to be installed to JP4 again ! Otherwise the CV connection between the interface and the VCO is interrupted and the pitch of the VCO is not controlled by the USB\/Midi interface. If the VCO pitch does not respond to incoming USB\/Midi data please double check if the jumper has been re-installed to JP4 !\u003cbr\u003e\u003cspan style=\"color: #ff0000;\"\u003eThe glide option only affects the internal CV coming from the built-in Midi\/USB interface. It does not affect the CV input (socket labelled \"VCO F\").\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"DOEPFER","offers":[{"title":"Default Title","offer_id":41347008299181,"sku":"doepfer_glide_kit","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/dark_energy_glide_kit.jpg?v=1645040310"},{"product_id":"waldorf-blofeld-black","title":"WALDORF BLOFELD","description":"\u003cp\u003eOffspring from a noble house - the little synthesizer machine with the big and evil sound.\u003cbr\u003eWaldorf is back in the game. With the Blofeld. This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.\u003cbr\u003e\u003cbr\u003eThe engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II\/XT, or even the flagship Wave.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eYes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with \"Wave\" in their names.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eThis unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003eIn fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cstrong\u003eOscilators\u003c\/strong\u003e\u003cbr\u003eEach of the three oscillators offers authentic circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle and, as found in relatively few analog synthesizers these days, sine wave.Furthermore, oscillators 1 and 2 feature the two wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series.\u003cbr\u003eNot only that, the Blofeld includes all ROM Wavetables from the mighty flagship Waldorf Wave as well as Microwave II\/XT. Plus, lo and behold, the desperately requested \"Upper Wavetable\" from the good old PPG Wave! But, for the first time in the history of Waldorf and PPG, each of these two oscillators can have its own wavetable.\u003cbr\u003e\u003cbr\u003eWhat's more, you have control over the brilliance of these wavetables, which is especially important for waves with lots of harmonics in the bass end. You decide if you prefer pure and perfect harmonics or the same edgy timbre you know and love from the earlier Waldorf and PPG synthesizers.\u003cbr\u003eBrilliance also affects the sawtooth and pulse oscillator models. From warm and soft (for those typical L.A. string pads) to the hard shapes you need for punchy and biting bass sounds. But note, Brilliance is not a simple filter applied after the oscillators, the model itself is modified.\u003cbr\u003eEach of the three oscillators can be frequency-modulated by any of the other oscillators, the noise generator or one of the LFOs. With low FM amounts, you can add a little dirt to the oscillator sound, with higher amounts you get typical FM effects.\u003cbr\u003eOn top of all that, oscillator 2 can be hard-synced to oscillator 3.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eRing Modulation\u003c\/strong\u003e\u003cbr\u003eOscillators 1 and 2 can be ring-modulated to create bell-like or metallic sounds, eerie sound effects as well as pumping basses and leads.\u003cbr\u003eThe noise generator delivers white noise that can be filtered low or high pass, depending on the Noise Colour setting.\u003cbr\u003eThe three oscillators, the ring modulator and the noise generator can be freely mixed into filter 1 and filter 2. This allows fine control over the harmonic content of each of the tone generators.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003cbr\u003eThe Blofeld has two multimode filters per voice that can be routed in series or in parallel. Each Filter has its own Pan parameter for easy creation of stereo sounds.\u003cbr\u003e\u003cbr\u003eThe selection of filter types includes low pass, band pass, high pass and notch (band reject), each with 12dB\/oct or 24dB\/oct slope. The filter models are based on several famous Waldorf filter algorithms found in all our products. They offer resonance up to self-oscillation as well as frequency modulation (filter FM).\u003cbr\u003e\u003cbr\u003eFurthermore, the Blofeld features the same comb filter types (with positive and negative feedback) that we first introduced in the Waldorf Q. These can be used to thicken bass and pad sounds or to create percussive, string or flute sounds reminiscent of physical modelling.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eOverdrive, Saturation, Distortion, Shaping\u003c\/strong\u003e\u003cbr\u003eYou name it. The Blofeld offers a freely controllable \"Drive\" behind each filter with more than a dozen curves. These include such standards as the drive from the Q and Micro Q, low\/medium\/hard saturation, tube saturation, two types of electric pickups, a rectifier, digital overflow as well as esoteric stuff such as \"binary distortion\", a sinusoidal waveshaper and even a distortion controlled by oscillator 1. And because the Blofeld has two filters that can be routed in series, you can control the timbre of the drive output of Filter 1 by dampening or emphasizing certain frequencies with filter 2.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eThe Blofeld has two effect slots with various types. In Multimode, the first effect slot is available per Part, while the second one is used for all 16 Parts (i.e. global) with controllable mix levels. Part 1 determines the settings of the second effect.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe first effect slot offers such modulation effects as chorus, flanger as well as a combined type called \"Triple FX\". The latter gives you several effects at once, but with a reduced parameter set.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe second effect slot offers all the same types as the first, but with the addition of delay, clocked delay and reverb.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cdiv\u003eFour envelopes with different types and trigger modes affect any sound parameters you choose.\u003cbr\u003e\u003cbr\u003eEach envelope can be either polyphonic or single trigger. This is especially interesting with the monophonic voice allocation, as the filter envelope can be set to be triggered only by the first note(s) while the Amp Envelope is triggered anew (i.e. on each note). Think \"organ percussion register\", for instance.\u003cbr\u003e\u003cbr\u003eThe Envelope types include the standard ADSR as well as an enhanced ADSR-variant (with controllable attack level and two decay and sustain stages), two different loop envelopes and a \"one shot\" Envelope.\u003cbr\u003e\u003cbr\u003eThe Loop types can be used to act as additional LFOs, while the One Shot is perfectly suited for percussion sounds (which typically ignore the note release).\u003c\/div\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cdiv\u003e\r\n\u003cp\u003e\u003cstrong\u003eLFOs\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003eEach of the three LFOs offers sine, triangle, square and sawtooth waveforms, plus sample \u0026amp; hold and random.\u003cbr\u003e\u003cbr\u003eLFOs can be synchronized to MIDI clock, they can be polyphonic or monophonic, reset on key trigger to a freely definable phase, and the speed can be scaled by MIDI note (key follow). There are separate delay and fade in\/out parameters for e.g. delayed vibrato (positive Fade values) or a burst of vibrato at the start of each note (negative Fade values).\u003cbr\u003e\u003cbr\u003eOne important feature of the Blofeld LFOs is that higher rates reach well into the audio frequency range, thus making them useful extra FM sources. There are two basic modes: either linear FM as seen in classic digital synths, or logarithmic FM, which is primarily the domain of analog modular systems.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModulations\u003c\/strong\u003e\u003cbr\u003eHere's where the real Waldorf power lies. Each and every instrument designed and built by Waldorf lets you connect dozens of modulation sources to all the important sound generation parameters.\u003cbr\u003e\u003cbr\u003eIndividual or multiple oscillator pitches, their pulsewidths and waveforms, their levels and filter-balances, FM modulation amounts, individual filter cutoff and resonance, filter FM amounts and stereo panning, or just the good old sound output level – everything can be controlled from internal modulation sources or from a variety of MIDI messages such as velocity, keytrack, continuous controllers (including wheels, breath and foot controllers) etc.\u003cbr\u003e\u003cbr\u003eYou can of course \"modulate the modulators\" i.e. control LFO speeds and individual envelope rates and levels. But in Blofeld you can even specify that these sources modulate themselves – recursive modulation! For instance, modulating an envelope rate by the same envelope (or another one) can alter the shape of the slope dramatically from the standard exponential curve to linear to inverse exponential.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eModifiers\u003c\/strong\u003e\u003cbr\u003eAnd how many slots do you get in the mod matrix? Two? Three? Four? No, we're talking big here. You get 16 freely definable slots plus all the pre-routed modulation destinations such as pitch, Osc 1, 2 and 3 frequency and PWM (pulse width modulation), filter 1 and 2 cutoff, panorama and amp level modulation. And let's not forget that the filter envelope is already routed to filter 1 and 2 cutoff, and the amp envelope is routed to the amp level. Makes a total of 33 simultaneous connections if we counted correctly.\u003c\/p\u003e\r\n\u003cdiv\u003e What if you want something really really crazy, like controlling a pitch vibrato done by LFO 3 with the modulation wheel. Although there are a few such composite modulation sources such as \"LFO1*MW\" (LFO 1 controlled by Modulation Wheel) and \"LFO2*Press\" (LFO 2 controlled by monophonic Aftertouch), there's nobody doing the \"LFO3*MW\" thing for you.\u003c\/div\u003e\r\n\u003cp\u003e\u003cbr\u003eBut, don't worry, that's where the Modifiers come into play. In seconds you can set up a new modifier, with the two sources set to LFO 3 and modulation wheel, and the \"operation\" set to \"*\" (multiply). You can use such custom-made modulation sources in any of the modulation slots described above.\u003cbr\u003e\u003cbr\u003eOkay, maybe you are more the regular musician who simply wants to perform a binary OR between two modulation sources? Okay, go for it! This operation is just one of several at your service.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv\u003e\u003cspan\u003eOkay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...\u003c\/span\u003e\u003c\/div\u003e\r\n\u003cp\u003eIt features variable clock divisions from 1\/64 triplets to more than 1000 bars, with variable swing\/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.\u003cbr\u003e\u003cbr\u003eBut more importantly, it has the most powerful Pattern Editor we have ever seen.\u003cbr\u003e\u003cbr\u003eYou can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.\u003cbr\u003e\u003cbr\u003eThen you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.\u003cbr\u003e\u003cbr\u003eNo wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv\u003e\n\u003cspan\u003e• Unbeatable price tag\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• sturdy Metal Enclosure\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 7 endless stainless steel Dials\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Graphic Display 128 x 64 pixels, b\/w, white background LED\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• more than 1000 Sounds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 3 Oscillators per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Frequency Modulation between the Oscillators\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• All Q Oscillator Models\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• All Microwave II\/XT\/XTk Wavetables\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 2 independent Multi Mode Filters per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Filter FM\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 2 Drive stages per voice with selectable Drive Curves\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 3 fast LFOs per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• 4 fast Envelopes per voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• powerful Arpeggiator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• freely programmable Arpeggiator Pattern with up to 16 Steps per Sound\u003c\/span\u003e\n\u003c\/div\u003e","brand":"WALDORF","offers":[{"title":"Black","offer_id":42371989373101,"sku":"waldorf_blofeld_black","price":899.0,"currency_code":"USD","in_stock":false},{"title":"White","offer_id":42371989405869,"sku":"waldorf_blofeld_white-2","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/blofeld_black_top.jpg?v=1645040643"},{"product_id":"make-noise-system-cartesian-black-and-gold","title":"MAKE NOISE SYSTEM CARTESIAN [BLACK AND GOLD]","description":"\u003cp\u003e\u003cspan\u003eA complete modular synth that travels to ALL COASTs and puts the René Cartesian Sequencer to fantastic use along the way. This system is capable of Subtractive Synthesis, Additive Synthesis, FM Synthesis, Phase Modulation Synthesis, Ring Modulation, Amplitude Modulation and more... often simultaneously.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eNew School Cartesian Sequencing: René 2018\u003c\/li\u003e\r\n\u003cli\u003eAnalog Oscillator: STO\u003c\/li\u003e\r\n\u003cli\u003eSub-Oscillator: STO\u003c\/li\u003e\r\n\u003cli\u003eDigital Multi-Voice Oscillator: tELHARMONIC\u003c\/li\u003e\r\n\u003cli\u003eDual Analog Control Voltage generator: MATHS\u003c\/li\u003e\r\n\u003cli\u003eComplex Random Voltage Generator: Wogglebug\u003c\/li\u003e\r\n\u003cli\u003eDual Low Pass Gate: LxD\u003c\/li\u003e\r\n\u003cli\u003eBalanced Modulation and Mixing: modDemix\u003c\/li\u003e\r\n\u003cli\u003eMixing and Monitoring: Rosie\u003c\/li\u003e\r\n\u003cli\u003eSKIFF case w\/ power supply and AC Adapter, Ready to Play\u003c\/li\u003e\r\n\u003cli\u003eShips with 20 Ad Infinitum patch cables\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e\r\n\u003ch3\u003especifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSize: 3U\u003c\/li\u003e\r\n\u003cli\u003eTotal HP: 104\u003c\/li\u003e\r\n\u003cli\u003eUtilized HP: 104\u003c\/li\u003e\r\n\u003cli\u003eExpansion HP: 0\u003c\/li\u003e\r\n\u003cli\u003eDimensions:\u003cbr\u003e21.5 x 5.14 x 3.5 (inches)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 6.8 lbs.\u003c\/li\u003e\r\n\u003cli\u003eRetail value: $2263\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eSpecial Price: $2100\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003emanual:\u003c\/li\u003e\r\n\u003cli\u003epatchsheet:\u003c\/li\u003e\r\n\u003cli\u003e\u003ca href=\"http:\/\/www.makenoisemusic.com\/manuals\/systemcartesian.pdf\" target=\"_blank\"\u003esystemcartesian.pdf\u003c\/a\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/3dU_ySyao3w?list=PL0jGFC0FWQshgP5KjDWMZAWtNNhJ1kga-\" frameborder=\"0\" width=\"858\" height=\"360\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":41347031236781,"sku":"mn_system_cartesian","price":2125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/cartesian-black-sep12_1.jpg?v=1645041071"},{"product_id":"korg-minilogue","title":"KORG MINILOGUE","description":"\u003ch1 class=\"header1\"\u003eA next-generation polyphonic analog synthesizer - and so much more.\u003c\/h1\u003e\r\n\u003cp\u003eMeet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer.\u003cbr\u003e\u003cbr\u003eminilogue’s newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFlexible, powerful four-voice analog synthesizer \u003c\/li\u003e\r\n\u003cli\u003eFully programmable, with 200 program memories (100 sounds included)\u003c\/li\u003e\r\n\u003cli\u003eVoice Mode lets you flexibly configure the four voices\u003c\/li\u003e\r\n\u003cli\u003eAutomatable 16-step polyphonic note and motion sequencer\u003c\/li\u003e\r\n\u003cli\u003eOscilloscope function shows the waveform visually\u003c\/li\u003e\r\n\u003cli\u003eRugged and stylish with aluminum top panel, chassis-mounted pots, rubber-coated knobs, and real wood back panel\u003c\/li\u003e\r\n\u003cli\u003eMIDI, USB MIDI, and Audio Sync for all types of in-studio and live connectivity, including direct sync with SQ1, volca, electribe, and more\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan\u003eA new Voice Mode lets users choose how the four available voices are configured; from Polyphonic to Duophonic to Unison and beyond. In addition to offering up information on presets and editable parameters, the OLED display also features a real-time oscilloscope, providing functional and eye-catching visual feedback on the sound being played; a feature never before seen on a hardware synth.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe inviting layout, uniquely curved sand-blasted aluminum panel and real Pyinkado wood back panel gives the roadworthy minilogue a standout look to complement its powerful and dynamic sound creation capabilities.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\r\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\r\n\u003cp\u003e\u003cspan\u003e- Four-voice, fully programmable polyphonic analog with presets and a powerful, flexible architecture for amazing versatility in sound creation and exploration. Voice Mode allows the user to configure voices: Polyphonic, Duopohonic, Monophonic, Chord, Unison, and more!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 16-step poly note and motion sequencer \u0026amp; tape-style delay (both savable per preset); OLED display with oscilloscope for educational and fun visuals of the sound being played.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Superior build and a fantastically standout new look featuring curved aluminum panel, rugged chassis-mounted metal shaft pots, rubber-coated knob and a solid pyinkado wood rear panel!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- 200 editable preset locations with 100 preloaded.  \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"title_type_a\"\u003e\r\n\u003ch2 class=\"header2\"\u003eTrue analog sound.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_a\"\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003cp\u003eThe synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it’s a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.\u003cbr\u003e\u003cbr\u003eThe structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators’ harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_c\"\u003e\r\n\u003ch2 class=\"header2\"\u003ePolyphony and Presets – Perfect.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_c\"\u003e\r\n\u003cdiv class=\"box_text_type_c\"\u003e\r\n\u003cp\u003eminilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue’s engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_a\"\u003e\r\n\u003ch2 class=\"header2\"\u003eVoice modes.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_a\"\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003cp\u003eSelectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.\u003cbr\u003e\u003cbr\u003e\u003csmall\u003e\u003cstrong\u003eEight voice modes\u003c\/strong\u003e\u003cbr\u003e- \u003cstrong\u003ePOLY\u003c\/strong\u003e - operates as a four-voice polyphonic synthesizer\u003cbr\u003e- \u003cstrong\u003eDUO \u003c\/strong\u003e- operates as a unison two-voice polyphonic synthesizer\u003cbr\u003e- \u003cstrong\u003eUNISON\u003c\/strong\u003e - operates as an all-unison mono synthesizer\u003cbr\u003e- \u003cstrong\u003eMONO\u003c\/strong\u003e - operates as a mono synth with sub-oscillator\u003cbr\u003e- \u003cstrong\u003eCHORD\u003c\/strong\u003e - produces chords\u003cbr\u003e- \u003cstrong\u003eDELAY\u003c\/strong\u003e - voices 2--4 sound consecutively at a delay following voice 1\u003cbr\u003e- \u003cstrong\u003eARP\u003c\/strong\u003e - an arpeggiator operates with up to four voices\u003cbr\u003e- \u003cstrong\u003eSIDE CHAIN \u003c\/strong\u003e- when a note sounds, the volume of the preceding voice is lowered\u003c\/small\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_c\"\u003e\r\n\u003ch2 class=\"header2\"\u003e16-step sequencer.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_c\"\u003e\r\n\u003cdiv class=\"box_text_type_c\"\u003e\r\n\u003cp\u003eGet creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_a\"\u003e\r\n\u003ch2 class=\"header2\"\u003eOscilloscope visualizes the sound.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_a\"\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003cp\u003eThe OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_c\"\u003e\r\n\u003ch2 class=\"header2\"\u003eBuild quality.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_c\"\u003e\r\n\u003cdiv class=\"box_text_type_c\"\u003e\r\n\u003cp\u003eThe uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"title_type_a\"\u003e\r\n\u003ch2 class=\"header2\"\u003eSync with groove machine.\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column_text_type_a\"\u003e\r\n\u003cdiv class=\"box_text_type_a\"\u003e\r\n\u003cp\u003eIn addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch2 class=\"header2\"\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003e37-keys (Slim-key, velocity sensitive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSound Generation\u003c\/dt\u003e\n\u003cdd\u003eAnalog synthesis\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Polyphony\u003c\/dt\u003e\n\u003cdd\u003e4 voices\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eProgram\u003c\/dt\u003e\n\u003cdd\u003e200 programs (100 Presets \/ 100 Users)\u003cbr\u003eEach program includes voice mode and sequence data settings\u003cbr\u003eUp to eight favorite programs can be registered\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eVoice Modes\u003c\/dt\u003e\n\u003cdd\u003e8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain)\u003cbr\u003eVOICE MODE DEPTH can vary different parameters in each mode\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003cp\u003eMain Synthesis Parameter\u003c\/p\u003e\r\n\u003cdl\u003e\n\u003cdt\u003eVCO1\u003c\/dt\u003e\n\u003cdd\u003eOctave, Wave (Saw, Triangle, Square), Pitch, Shape\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCO2\u003c\/dt\u003e\n\u003cdd\u003eOctave, Wave (Saw, Triangle, Square), Pitch, Shape\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eVCO2 MODULATION\u003c\/dt\u003e\n\u003cdd\u003eCross Mod Depth, Pitch EG Int, Sync, Ring\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eMIXER\u003c\/dt\u003e\n\u003cdd\u003eVCO1, VCO2, Noise\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eFILTER\u003c\/dt\u003e\n\u003cdd\u003eCutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eAMP EG\u003c\/dt\u003e\n\u003cdd\u003eAttack, Decay, Sustain, Release\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eEG\u003c\/dt\u003e\n\u003cdd\u003eAttack, Decay, Sustain, Release\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt\u003eLFO\u003c\/dt\u003e\n\u003cdd\u003eWave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)\u003c\/dd\u003e\n\u003c\/dl\u003e\r\n\u003cdiv class=\"side-margin\"\u003e\r\n\u003cdiv class=\"box_type_v\"\u003e\u003cdl\u003e\n\u003cdt\u003eDELAY\u003c\/dt\u003e\n\u003cdd\u003eHi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"side-margin\"\u003e\r\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\n\u003cdd\u003e16-step polyphonic sequencer\u003cbr\u003eMotion sequence can be used on up to four parameters\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControls\u003c\/dt\u003e\n\u003cdd\u003e41 dedicated panel controls deliver immediate parameter access\u003cbr\u003eA slider can control different parameters for each program\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisplay\u003c\/dt\u003e\n\u003cdd\u003eReal-time OLED oscilloscope provides visual feedback of parameter changes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\n\u003cdd\u003eHeadphones (6.3mm stereo phone jack)\u003cbr\u003eOutput (6.3mm monaural phone jack)\u003cbr\u003eAudio In (6.3mm monaural phone jack)\u003cbr\u003eSync In (3.5mm monaural mini jack)\u003cbr\u003eSync Out (3.5mm monaural mini jack)\u003cbr\u003eMIDI In\u003cbr\u003eMIDI Out\u003cbr\u003eUSB Type B\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC9V) KA350\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Consumption\u003c\/dt\u003e\n\u003cdd\u003e8 W\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions (W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e500 x 300 x 85 mm \/ 19.69\" x 11.81\" x 3.35\"\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e2.8 kg \/ 6.17 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eIncluded Items\u003c\/dt\u003e\n\u003cdd\u003eAC adapter\u003c\/dd\u003e\n\u003c\/dl\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41347039461549,"sku":"korg_minilogue","price":699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/minilogue_oblique.jpg?v=1645041289"},{"product_id":"mfb-tanzmaus","title":"MFB TANZMAUS","description":"\u003cdiv class=\"column one column_column\"\u003e\n\u003cspan\u003e* MFB 503 Follower with five powerful analogue Instruments and two samples sections with 16 different 12 bit samples\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Direct access with ultratight chase sequencer and many soundparameters \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Samples with Tune, Attack and Decay, different transienta for BD, SD, TT and CP\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Individual step lenght each instrument and global shuffle quantisizing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Four accents each instrument und five LFO, Flam function with 16 different trigger patterns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* 64 storable Patterns with A\/B and chain mode with up to 16 patterns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Parameter lock for each Step, also in realtime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Five individual outs and one stereo main output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Midi IN, Out\/Thru, CC and Dump\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Compact and stabil metal chassis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Alternative Samples will be offered at our website\u003c\/span\u003e\n\u003c\/div\u003e\r\n\u003cdiv class=\"column one column_column\"\u003e \u003c\/div\u003e\r\n\u003cdiv class=\"column one column_column\"\u003eThe Tanzmaus drumcomputer is a further development of our MFB 503. He offers five analogue percussion instruments and two sample sections, who have access to 16 samples. Furthermore you can program an alternative sample. A chase sequencer stores up to 64 patterns. You can chain up to 16 different patterns, A\/B let you switch or alternate between A and B. Moreover you can program up to 16 different Flam algorithm. Step lenght is individual selectable for each instrument - polyrhythms are easy to get. 32 steps, 16th or 16th\/8th triplets are the basic metrics and a 15 different shuffles can be set globally. Four different accents are available. Five independed LFOs can be used to modulate the pitch of Bassdrum, Claps, Tom, Sample 1 and Sample 2. They offers four waveforms and can be programmed independly for each step. All Soundparameter can be recorded in step- or realtime mode. The sequencer sends Midi notes and can trigger other soundsources. Tanzmaus send and get Midi Clock. Beside Master Volume each instrument has its own volume pot and mute function. You have five individual outs and one stereo out, Claps are in stereo. The compact chassis is built from steel plate. We offer an selection of exchangeable samples at our MFB website. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTANZMAUS\u003c\/strong\u003e has the following dimensions: 200x140x40mm. An external power supply is included. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstruments Parameters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eBassdrum :\u003c\/span\u003e Attack Level, Decay Time, Noise Level, Noise Decay Time, Pitch, Tune, Attack Type, Distortion, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eSnare:\u003c\/span\u003e Tune, Noise Level, Noise Decay Time, Tone Decay Time, Attack Type\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eRimshot:\u003c\/span\u003e -\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eClaps:\u003c\/span\u003e Filter, Reverb Decay Time, Intensity, Number and Patterns of Attacks, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eTom:\u003c\/span\u003e Decay Time, Tune, Pitch, Attack Level, Attack Type, Panning, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eSample 1 (Alt) and 2 (Alt):\u003c\/span\u003e Decay Time, Attack Time, Tune, LFO\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\r\n\u003cdiv class=\"column one column_divider\"\u003e\u003chr\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"column one column_divider\"\u003e\u003chr\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"column one-second column_column\"\u003e\n\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eMANUAL\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"scale-with-grid aligncenter wp-caption has-hover aligncenter\"\u003e\r\n\u003cdiv class=\"photo hover-mask\"\u003e\u003ca href=\"http:\/\/mfberlin.de\/wp-content\/uploads\/Tanzmaus_en.pdf\" rel=\"\" target=\"_blank\"\u003e\u003cimg class=\"scale-with-grid\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/PDF-e1424820509355.png?v=1645041315\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"column one-second column_column\"\u003e\n\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eOS\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"scale-with-grid aligncenter wp-caption has-hover aligncenter\"\u003e\r\n\u003cdiv class=\"photo hover-mask\"\u003e\u003ca href=\"http:\/\/mfberlin.de\/wp-content\/sysex\/mfb%20tanzmaus%20update.rar\" rel=\"\" target=\"_blank\"\u003e\u003cimg class=\"scale-with-grid\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/sysex.png?v=1645041317\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"MFB","offers":[{"title":"Default Title","offer_id":41347040116909,"sku":"mfb_tanzmaus","price":590.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tanzmaus_site-1.jpg?v=1645041313"},{"product_id":"mfb-tanzbar-lite","title":"MFB TANZBAR LITE","description":"\u003cp\u003e\u003cspan\u003e* MFB 522 Follower with nine powerful analogue Instruments\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Direct access with ultratight chse sequnencer and many soundparameters\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Individual step lenght each instrument and global shuffle quantisizing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Four accents each instrument und five LFO, Flam function with 16 different trigger patterns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* 64 storable Patterns with A\/B and chain mode with up to 16 patterns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Parameter lock for each Step, also in realtime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Five individual outs and one stereo main output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Midi IN, Out\/Thru, CC and Dump\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e* Compact and stabil metal chassis\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"column one column_column\"\u003eThe Tanzbar Lite drumcomputer is a further development of our MFB 522. He offers nine powerful analogue percussion instruments. A chase sequencer stores up to 64 patterns. You can chain up to 16 different patterns, A\/B let you switch or alternate between A and B. Moreover you can program up to 16 different Flam algorithm. Step lenght is individual selectable for each instrument - polyrhythms are easy to get. 32 steps, 16th or 16th\/8th triplets are the basic metrics and a 15 different shuffles can be set globally. Four different accents are available. Five independed LFOs can be used to modulate the pitch of Bassdrum, Claps, Tom\/Conga, Cowbell and Clave. They offers four waveforms and can be programmed independly for each step. The compact chassis is built from steel plate. \u003cbr\u003e\u003cbr\u003eAll Soundparameter can be recorded in step- or realtime mode. The sequencer sends Midi notes and can trigger other soundsources. Tanzmaus send and get Midi Clock. Beside Master Volume each instrument has its own volume pot and mute function. You have five individual outs and one stereo out, Claps are in stereo. The compact chassis is built from steel plate. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTANZBÄR LITE has the following dimensions: 200x140x40mm. An external power supply is included. \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eInstruments Parameters\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eBassdrum :\u003c\/span\u003e Decay Time, Tune, Attack Level, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eSnare:\u003c\/span\u003e Tune, Noise Level, Noise Decay\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eRimshot:\u003c\/span\u003e Level\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eClaps:\u003c\/span\u003e Filter, Reverb Decay Time, Intensity, Number and Patterns of Attacks, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eTom\/Conga:\u003c\/span\u003e Decay Time, Tune, Panning, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eCowbell:\u003c\/span\u003e Decay Time, Tune, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eClaves:\u003c\/span\u003e Decay Time, Tune, LFO\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eCymbal:\u003c\/span\u003e Decay Time, Tune, Blend Ping\/Cymbal\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eOpen Hihat:\u003c\/span\u003e Decay Time, Tune\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"my_green\"\u003eClosed Hihat:\u003c\/span\u003e Decay Time, Tune\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\r\n\u003cdiv class=\"column one column_divider\"\u003e\u003chr\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"column one column_divider\"\u003e\u003chr\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"column one-second column_column\"\u003e\n\u003cbr\u003e\u003cbr\u003e\r\n\u003ch3\u003eMANUAL\u003c\/h3\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cdiv class=\"scale-with-grid aligncenter wp-caption has-hover aligncenter\"\u003e\r\n\u003cdiv class=\"photo hover-mask\"\u003e\u003ca href=\"http:\/\/mfberlin.de\/wp-content\/uploads\/Tanzb%C3%A4r_Lite_en.pdf\" rel=\"\" target=\"_blank\"\u003e\u003cimg class=\"scale-with-grid\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/PDF-e1424820509355.png?v=1645041315\" alt=\"\"\u003e\u003c\/a\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MFB","offers":[{"title":"Default Title","offer_id":41347040411821,"sku":"mfb_tanzbar_lite","price":540.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tanzbaer_front-1.jpg?v=1645041325"},{"product_id":"make-noise-0-coast","title":"MAKE NOISE 0-COAST","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe 0-COAST is a single voice patchable synthesizer. It’s name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka “East Coast,” and “West Coast,” due to their locations), but is loyal to neither and thus implements “no coast synthesis.” \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWhile the 0-COAST utilizes classic modular synthesis techniques, we designed it to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUsing the included Patch Cables you can get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM-induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you’ve ever known.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- 2 Channels of MIDI to CV and MIDI to Gate\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Dual mode MIDI Controlled Arppegiator\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Sync to MIDI Clock\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Compatible w\/ Eurorack Modular Synthesizer Signals\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Patchable w\/ 13 Sources and 14 Destinations\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Triangle Core Analog VCO\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Uncommon Timbral Animation using OVERTONE \u0026amp; MULTIPLY\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Unique Transistor Based Low Pass Gate DYNAMICS\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Voltage Control of all circuits\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- External Audio Input for combining w\/ outside sounds\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Headphone and Line Level Amplifier\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e- Small Rugged Steel Enclosure\u003c\/span\u003e\u003c\/p\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":41347064692909,"sku":"mn_0-coast","price":499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/makenoise_0-coast_face.jpg?v=1645041986"},{"product_id":"sequential-tom-oberheim-ob-6-keyboard","title":"SEQUENTIAL - TOM OBERHEIM OB-6 KEYBOARD","description":"\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\r\n\u003cp\u003eThe OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\r\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\r\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\r\n\u003cp\u003eThis analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eOB-6 Specifications\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMIXER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSTATE-VARIABLE FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAMPLIFIER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eX-MOD\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAFTERTOUCH\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCLOCK\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePERFORMANCE CONTROLS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\r\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\r\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\r\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePATCH MEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePHYSICAL SPECS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm)\u003c\/li\u003e\r\n\u003cli\u003e20 lbs (9.5 kg)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eWalnut end panels\u003c\/p\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347065675949,"sku":"sequential_ob-6_2700","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/ob-6-top.jpg?v=1645042047"},{"product_id":"sequential-prophet-6-desktop","title":"SEQUENTIAL PROPHET-6 DESKTOP","description":"\u003ch3\u003eVintage Analog Sound — Small Enough to Fit in a Backpack\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet-6 desktop module is every bit as powerful and easy to use as its counterpart, the Prophet-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use — with absolutely no menu diving. As with the Prophet-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\r\n\u003cp\u003eHow does it sound? Awesome — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic sound that has been earning raves from customers and reviewers alike.\u003c\/p\u003e\r\n\u003cp\u003eWe’ve also added a poly chain feature so that any two Prophet-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\r\n\u003ch3\u003eVintage with a Modern Twist\u003c\/h3\u003e\r\n\u003cp\u003eBoth the Prophet-6 desktop module and keyboard are Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.\u003c\/p\u003e\r\n\u003ch3\u003eClassic Tone, Classic Vibe\u003c\/h3\u003e\r\n\u003cp\u003eCentral to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Mod and Poly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs and 500 rewritable user programs. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\r\n\u003cp\u003eAll of this awe-inspiring sound is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\r\n\u003ch3\u003eProphet-6 Desktop Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo newly designed, discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eTriangle sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator slop amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMIXER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eHIGH-PASS FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, high-pass filter per voice\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW-PASS FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter\u003c\/li\u003e\r\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAMPLIFIER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOLY MOD\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAFTERTOUCH\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCLOCK\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePERFORMANCE CONTROLS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, and key modes\u003c\/li\u003e\r\n\u003cli\u003ePreset switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePATCH MEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including Prophet 5-style single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eLow-pass filter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePHYSICAL SPECS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e21.25” L x 7.43” W x 4.4″ H (54.0 cm x 18.9 cm x 11.2 cm)\u003c\/li\u003e\r\n\u003cli\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\r\n\u003cli\u003eWalnut end panels and trim\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347065774253,"sku":"sequential_prophet6_desktop_1600","price":2299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/dave_smith_sequential_prophet_6_desktop_front_angle.jpg?v=1645042052"},{"product_id":"moog-minimoog-model-d-2022","title":"MOOG MINIMOOG MODEL D MAHOGANY","description":"\u003cp\u003eFor the first time since 1981, Moog Music has officially resumed production of the Minimoog Model D. The Minimoog Model D was the world’s first portable synthesizer and served as the archetype for all electronic keyboards that followed. First released in the early 1970’s, the instrument gained worldwide acclaim for combining the colossal sound of Moog’s large-format modular synthesizers with the accessibility of pre-wired modules. Over the last 40 years, some of the world’s most influential artists like Trent Reznor, Gary Numan, Dr. Dre, Keith Emerson and Herbie Hancock have shaped their unique sounds and forged new musical genres using the Minimoog Model D. This valuable sonic tool is now made available to veteran synthesists and the next generation of electronic pioneers. \u003c\/p\u003e\r\n\u003cp\u003eEach newly built Minimoog Model D is lovingly handcrafted by the employee-owners at the Moog Factory in Asheville, NC. This 3-oscillator, monophonic, analog synthesizer is securely housed in a locally-sourced Appalachian hard-wood enclosure and hand-finished aluminum chassis. The circuit boards retain the exact component placement and through-hole design of a beloved 1970’s era Minimoog Model D.\u003c\/p\u003e\r\n\u003cp\u003eThough no changes have been made to the original sound engine or audio signal path, the Minimoog Model D now includes a series of popular functional modifications that expand this legendary instrument’s sonic capabilities. These modifications include a premium Fatar keybed with velocity and after pressure available via top panel CV jacks, a dedicated analog LFO with triangle and square waveshapes, CV outputs for pitch, gate, velocity and after pressure, basic MIDI integration, and a mixer overload modification, which when engaged, allows the Minimoog Model D to conjure thicker and far more overdriven sounds than before.\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003eNOTE: Due to the complexity of the build process coupled with the demand for other Moog instruments, we are only able to produce a small number of Minimoog Model D units per month.\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e• 3 vintage Moog oscillators\u003cbr\u003e• Classic Moog low pass ladder filter with resonance\u003cbr\u003e• Analog circuit boards recreated using original designs and component placement\u003cbr\u003e• Custom reissued transistors critical to sound quality and character\u003cbr\u003e• Military spec precision resistors\u003cbr\u003e• Precision Linear System matched JFETs in oscillators\u003cbr\u003e• Classic thermoset, gnarled pitch and mod wheels\u003cbr\u003e• CV Modifications: outputs added for Pitch, Aftertouch, Velocity and Gate (Aftertouch and Velocity have dedicated output level attenuators) \u003cbr\u003e• Modulation Modifications: analog Triangle\/Square wave LFO and Filter Envelope added as modulation sources, as well as an External Modulation CV input\u003cbr\u003e• Overload Modification: the output of the Minimoog Model D is automatically scaled and fed back to the External Audio Input for instantly available overdrive\u003cbr\u003e• Improved circuit board connectors for touring reliability\u003cbr\u003e• Fatar TP-9 keybed with velocity and aftertouch\u003cbr\u003e• MIDI in, out and thru\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eSOUND SOURCES (5)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eOscillators x 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNoise Generator\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eExternal Input\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOSCILLATORS\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFrequency Range: 0.1 to 20 kHz (In Six Overlapping Ranges)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscillator Stability (short term) \u0026gt; 0.25 %\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWaveforms: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTriangle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTriangle-Sawtooth (Oscillator–1, Oscillator–2) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReverse Sawtooth (Oscillator–3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSawtooth\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRectangle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWide Pulse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNarrow Pulse\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNOISE GENERATOR\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWhite \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePink\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLFO\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eRate: 0.05Hz to 200 Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWaveform: Triangle (knob down); Square (knob up)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExternal Input\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eInput Range: +10 millivolts to +2 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInput Impedance: 1MEG Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eFilter Type: Voltage Controlled Low Pass (Moog Ladder Filter)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCutoff Frequency Range: 10 Hz to 20 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter Slope: 24 dB per Octave\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter Resonance: At Cutoff Frequency\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eContour Generators\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAttack Time: 1 millisecond to 10 seconds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDecay Time: 4 milliseconds to \u0026gt;35 seconds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSustain Level: 0 to 100% of Contour peak\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter Contour Width: 0 to 4 Octaves\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVoltage Controlled Amplifiers (VCA)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLoudness Contour Dynamic Range: 80 dB\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio Input Levels\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e1\/4” External Signal Input \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVoltage : +10 millivolts (min); +10 volt (max.) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNominal Input Impedance: 1000K Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio Output Levels\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eHigh Level Output\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTypical Voltage: 0.5 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaximum Voltage: 4.2 volts (peak-to-peak) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNominal Output Impedance: 3K Ohms \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLow Level Output (30 dB below High level)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTypical Voltage: 15 millivolts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNominal Output Impedance: 1K Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHeadphone Output (stereo)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMaximum Voltage: 0.3 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOutput Impedance: 8 Ohms\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKeyboard\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eKey Action: Synthesizer (Spring)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNumber of Keys: 44\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKey Range: F0 to C4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePriority (Low, High, Last): User Selectable\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardwired Connections: \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscillator–1 (Pitch)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscillator–2 (Pitch)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter Contour (Trigger)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLoudness Contour (Trigger)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSwitchable Connections:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOscillator–3 (Pitch)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter (Keyboard Tracking 1\/3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter (Keyboard Tracking 2\/3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTypical Voltage: 0.5 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaximum Voltage: 4.2 volts (peak-to-peak) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNominal Output Impedance: 3K Ohms\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGlide Rate (octave): 1 millisecond to 10 seconds\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePitch Bend Range: (+\/-) 5 semitones (minimum)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Voltage Outputs\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAfter Pressure (aftertouch): 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0 to +5 volts with user adjustable trimpot \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePitch: 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e-3 volts to +7 volts. C=0 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGate: 1\/4” TS \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0 to +5 volts\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVelocity: 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSelectable 0 to +5 volts or 0 to +10 volts with user adjustable trimpot \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Voltage Inputs\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLoudness: 1\/4” TRS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e0 to +5 volts; +5 volts = Unity Gain\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRing connector allows pedal control via Moog EP-3 Expression Pedal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFilter (Cutoff Frequency): 1\/4” TRS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 volt per octave of change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRing connector allows pedal control via Moog EP-3 Expression Pedal Oscillators (Pitch): 1\/4” TRS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1 volt per octave of change\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRing connector allows pedal control via Moog EP-3 Expression Pedal Modulation Source: 1\/4” TRS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRing=Noise Send; Tip=Modulation Receive (This jack makes a normalled connection with no cable present.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrigger: +5 volt V-Trigger; 1\/4” TS\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eActivates both Contour Generators\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI Jacks (5-pin din style)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eMIDI In \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNote On (Trigger), Note #\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMIDI Out \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNote On (Trigger); Note #; Pitch CV; Velocity; Aftertouch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMIDI Thru Mirror of the MIDI In signal\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eSelf-switching external supply; 100–240 volts; \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e50\/60 Hz; \u0026lt;12 Watt nominal consumption. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLocking XLR-4 connector.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDimensions (with panel fully lowered)\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eWidth: 28.625” \/ 727 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth: 17.125” \/ 435 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight: 5.75” \/ 146 mm \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNet Weight: 32 lbs. \/ 14.5 kg. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTEMPERATURE\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eStorage Temperature: 5F to 140F (2C to 60C)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNominal Operating Temperature: 10 – 35 C (50 – 95 F)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOperational Temperature: 10 – 50 C (50 – 122 F)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpecifications Subject To Change Without Notice\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cem\u003e\u003ca class=\"dl-collapse-control\"\u003eINFO | DL\u003c\/a\u003e\u003ca class=\"dl-collapse-control\"\u003eINFO | DL\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003ctable class=\"views-table cols-6\"\u003e\r\n\u003cthead\u003e\r\n\u003ctr\u003e\n\u003cth class=\"views-field views-field-tid\"\u003eCategory \u003c\/th\u003e\n\u003cth class=\"views-field views-field-title\"\u003eName \u003c\/th\u003e\n\u003cth class=\"views-field views-field-created\"\u003eAdded \u003c\/th\u003e\n\u003cth class=\"views-field views-field-upload-fid\"\u003eFormat \u003c\/th\u003e\n\u003c\/tr\u003e\r\n\u003c\/thead\u003e\r\n\u003ctbody\u003e\r\n\u003ctr class=\"odd views-row-first\"\u003e\r\n\u003ctd class=\"views-field views-field-tid\"\u003eManual \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-title\"\u003eMinimoog Model D Manual \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-created\"\u003e2016-07-18 \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-upload-fid\"\u003ePDF \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-body\"\u003e \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-upload-fid-1\"\u003e\u003cspan class=\"cell-external\"\u003e\u003cspan class=\"cell-internal\"\u003e\u003ca href=\"https:\/\/www.moogmusic.com\/sites\/default\/files\/Minimoog_Model_D_Users_Manual_Web.pdf\"\u003eMinimoog_Model_D_Users_Manual_Web.pdf\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003ctr class=\"even views-row-last\"\u003e\r\n\u003ctd class=\"views-field views-field-tid\"\u003eManual \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-title\"\u003eMinimoog Model D Patch Sheets \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-created\"\u003e2016-07-18 \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-upload-fid\"\u003ePDF \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-body\"\u003e \u003c\/td\u003e\r\n\u003ctd class=\"views-field views-field-upload-fid-1\"\u003e\u003cspan class=\"cell-external\"\u003e\u003cspan class=\"cell-internal\"\u003e\u003ca href=\"https:\/\/www.moogmusic.com\/sites\/default\/files\/Minimoog_Model_D_Patch_Sheets.pdf\"\u003eMinimoog_Model_D_Patch_Sheets.pdf\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\r\n\u003c\/tr\u003e\r\n\u003c\/tbody\u003e\r\n\u003c\/table\u003e\r\n\u003cp\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41347071475885,"sku":"","price":3999.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/Moog_Model_D_Partner-5.jpg?v=1668686130"},{"product_id":"korg-monotron-delay","title":"KORG MONOTRON DELAY","description":"\u003ch1 class=\"header1\"\u003eThe monotron DELAY features a Space Delay that can produce intense, analog-like echo effects.\u003c\/h1\u003e\r\n\u003cp\u003e\u003cspan\u003eGo Anywhere Analog: That was the theme behind the remarkable battery-powered and palm-sized analog synthesizer that Korg dubbed the monotron. Now the powerful and fun-to-play monotron is joined by two new siblings. Each is played from a ribbon controller keyboard with newly added features. The monotron’s simple operation and ease of use (5 knobs and 1 switch) is alive and well, inviting hours of enjoyment and musical exploration.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSpace Delay offers analog-style echoes\u003c\/li\u003e\r\n\u003cli\u003eNew LFO with selectable triangle or square waveshape\u003c\/li\u003e\r\n\u003cli\u003eWide-range ribbon controller keyboard\u003c\/li\u003e\r\n\u003cli\u003eOriginal Analog (VCF) Filter taken from the classic MS-10 \u0026amp; MS-20\u003c\/li\u003e\r\n\u003cli\u003eAux input jack lets you apply filter\/delay to any audio source\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in speaker and battery power for Go Anywhere Analog sound\u003c\/li\u003e\r\n\u003cli\u003eHeadphone jack for private use\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41347072884909,"sku":"korg_monotron_delay","price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/7582573dc0e1f0dc3b6b42d23febc52b_pc.png?v=1645042382"},{"product_id":"korg-electribe-2-synth","title":"KORG ELECTRIBE 2 SYNTH","description":"\u003cp\u003e\u003cspan\u003eThe electribe is a synthesizer-based production machine that turns inspiration into sound at maximum speed. It contains numerous analog oscillators and a wide variety of filters. Whether you're selecting sounds or editing them, all operations are performed simply by using the top panel knobs. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the electribe, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe latest \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"http:\/\/www.korg.com\/us\/products\/dj\/electribe\/index.php#v2\"\u003esystem version 2\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colorful with the new metallic blue model. And we've also provided \u003c\/span\u003e\u003ca href=\"http:\/\/www.korg.com\/us\/products\/dj\/electribe\/index.php#bp\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003ebonus patterns\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e that reveal even greater sonic potential. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaking your beat-making ideas rapidly take shape. It's the electribe; a synthesizer + sequencer that's thoroughly optimized for speed.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong style=\"font-size: large;\"\u003eA new metallic blue model – a nod to the legacy of electribe\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eFollowing the chic gray unit, the lineup has been joined by a metallic blue model that's reminiscent of the previous model, the ELECTRIBE MX. Complemented by the numerous colorfully illuminated LEDs, this unit will energize your playing.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch2 class=\"header2\"\u003eMany new functions added via system update\u003c\/h2\u003e\r\n\u003cp\u003e\u003cspan\u003eUpdates make the electribe evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an electribe can update their unit and then enjoy playing.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch2 class=\"header2\"\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv class=\"box_type_v\"\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSound System\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eType\u003c\/dt\u003e\n\u003cdd\u003eAnalog modeling sound engine + PCM sound engine\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMaximum Polyphony\u003c\/dt\u003e\n\u003cdd\u003e24 voices \u003cbr\u003e* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type. \u003cbr\u003e* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eOscillator\u003c\/dt\u003e\n\u003cdd\u003eType (409), Pitch\/Glide, Edit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eOscillator Types\u003c\/dt\u003e\n\u003cdd\u003eKick (56), Snare (58), Clap (16), HiHat (42), Cymbal (14), Tom (16), Percussion (55), Voice (16), Synth FX (18), Synth Hit (18), Inst Hit (16), Synth (55), Instrument (28), Audio In (1)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003eFilter (Cutoff), Resonance, EG Int, LPF\/HPF\/BPF (16)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eType (72), Depth, Speed\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAmp\/Envelope Generator\u003c\/dt\u003e\n\u003cdd\u003eLevel, Pan, Attack, Decay\/Release, Amp EG On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eScale Types\u003c\/dt\u003e\n\u003cdd\u003e35\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eGate Arpeggiator Types\u003c\/dt\u003e\n\u003cdd\u003e50\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAD\/DA Conversion\u003c\/dt\u003e\n\u003cdd\u003e24 bit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eEffect\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eInsert Effect\u003c\/dt\u003e\n\u003cdd\u003eOne unit (can be used on each of the 16 parts) \u003cbr\u003eType (38), Edit, Insert FX On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMaster Effect\u003c\/dt\u003e\n\u003cdd\u003eOne unit \u003cbr\u003eType (32), Touch Pad, Master FX On\/Off, Master FX Hold On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Steps\u003c\/dt\u003e\n\u003cdd\u003e16 steps x 4\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Parts\u003c\/dt\u003e\n\u003cdd\u003e16 parts \u003cbr\u003e(one part consists of a sound, steps, insert effect, modulation sequence, etc)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Patterns\u003c\/dt\u003e\n\u003cdd\u003e250 patterns (200 Presets \/ 50 Initial) \u003cbr\u003e(one pattern consists of parts, master effect, key, scale setting, etc)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMotion Sequences\u003c\/dt\u003e\n\u003cdd\u003eUp to 24 motion sequences can be stored (for each pattern)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eGroove Types\u003c\/dt\u003e\n\u003cdd\u003e25\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePattern Set\u003c\/dt\u003e\n\u003cdd\u003eUp to 64 patterns can be stored\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePattern Chain\u003c\/dt\u003e\n\u003cdd\u003eUp to 250 patterns can be chained\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eExport\u003c\/dt\u003e\n\u003cdd\u003eAbleton Live project file format, WAV file format (48 kHz, 16 bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eEvent Recording\u003c\/dt\u003e\n\u003cdd\u003eUp to 100 files can be saved\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eTrigger Pads\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Pads\u003c\/dt\u003e\n\u003cdd\u003e16 pads (Velocity sensitive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModes\u003c\/dt\u003e\n\u003cdd\u003eTrigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eTouch Pad\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModes\u003c\/dt\u003e\n\u003cdd\u003eGate Arp, Touch Scale, Master FX\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudio\u003c\/dt\u003e\n\u003cdd\u003eL\/Mono, R Output (Standard phone jack) \u003cbr\u003eHeadphones (Stereo mini jack) \u003cbr\u003eAudio Input (Stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out (Use an included MIDI adapter cable)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003eType micro B\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eIn, Out (Stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eExternal Storage Device\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eSD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurrent Consumption\u003c\/dt\u003e\n\u003cdd\u003eLess than 500 mA\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eChassis\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eZinc die cast\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eDimensions (W x D x H)\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e339 x 189 x 45 mm \/ 13.35” x 7.44” x 1.77”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e1.6 kg \/ 3.53 lbs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eColor Variations\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eMetallic Blue (electribe2-BL), Gray (electribe2)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eIncluded Items\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n","brand":"KORG","offers":[{"title":"Default Title","offer_id":41347089727661,"sku":"korg_electribe2_synth","price":459.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/electribe_2_synth.png?v=1645042889"},{"product_id":"korg-electribe-2-sampler","title":"KORG ELECTRIBE 2 SAMPLER","description":"\u003cp\u003e\u003cspan\u003eThe electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe latest \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"http:\/\/www.korg.com\/us\/products\/dj\/electribe_sampler\/#v2\"\u003esystem version 2\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colorful with the new metallic red model. And we've also provided \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"http:\/\/www.korg.com\/us\/products\/dj\/electribe_sampler\/#bp\"\u003ebonus patterns\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e that reveal even greater sonic potential. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMaking your beat-making ideas rapidly take shape. It's the electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003ch2 class=\"header2\"\u003eSpecifications\u003c\/h2\u003e\r\n\u003cdiv class=\"box_type_v\"\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSound System\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eType\u003c\/dt\u003e\n\u003cdd\u003ePCM sound engine + Analog modeling sound engine\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMaximum Polyphony\u003c\/dt\u003e\n\u003cdd\u003e24 voices \u003cbr\u003e* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type. \u003cbr\u003e* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSample\u003c\/dt\u003e\n\u003cdd\u003eType (920), Pitch\/Glide, Edit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSample Types\u003c\/dt\u003e\n\u003cdd\u003eAnalog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003eFilter (Cutoff), Resonance, EG Int, LPF\/HPF\/BPF (3)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eType (72), Depth, Speed\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAmp\/Envelope Generator\u003c\/dt\u003e\n\u003cdd\u003eLevel, Pan, Attack, Decay\/Release, Amp EG On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eScale Types\u003c\/dt\u003e\n\u003cdd\u003e35\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eGate Arpeggiator Types\u003c\/dt\u003e\n\u003cdd\u003e50\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAD\/DA Conversion\u003c\/dt\u003e\n\u003cdd\u003e24 bit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSampler\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eUser Samples\u003c\/dt\u003e\n\u003cdd\u003eUp to 499 samples\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMemory\u003c\/dt\u003e\n\u003cdd\u003eTotal maximum approximately 270 seconds (calculated as monaural) \u003cbr\u003e* Regardless of the capacity of the SD card \u003cbr\u003e* Including presets\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eEdits\u003c\/dt\u003e\n\u003cdd\u003eStart\/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eEffect\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eInsert Effect\u003c\/dt\u003e\n\u003cdd\u003eOne unit (can be used on each of the 16 parts) \u003cbr\u003eType (38), Edit, Insert FX On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMaster Effect\u003c\/dt\u003e\n\u003cdd\u003eOne unit \u003cbr\u003eType (32), Touch Pad, Master FX On\/Off, Master FX Hold On\/Off\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber o Steps\u003c\/dt\u003e\n\u003cdd\u003e16 steps x 4\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Parts\u003c\/dt\u003e\n\u003cdd\u003e16 parts \u003cbr\u003e(one part consists of a sound, steps, insert effect, modulation sequence, etc)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Patterns\u003c\/dt\u003e\n\u003cdd\u003e250 patterns (150 Presets \/ 100 Initial) \u003cbr\u003e(one pattern consists of parts, master effect, key, scale setting, etc)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMotion Sequences\u003c\/dt\u003e\n\u003cdd\u003eUp to 24 motion sequences can be stored (for each pattern)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eGroove Types\u003c\/dt\u003e\n\u003cdd\u003e25\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePattern Set\u003c\/dt\u003e\n\u003cdd\u003eUp to 64 patterns can be stored\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePattern Chain\u003c\/dt\u003e\n\u003cdd\u003eUp to 250 patterns can be chained\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eExport\u003c\/dt\u003e\n\u003cdd\u003eAbleton Live project file format, WAV file format (48 kHz, 16 bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eEvent Recording\u003c\/dt\u003e\n\u003cdd\u003eUp to 100 files can be saved\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eTrigger Pads\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Pads\u003c\/dt\u003e\n\u003cdd\u003e16 pads (Velocity sensitive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModes\u003c\/dt\u003e\n\u003cdd\u003eTrigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eTouch Pad\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eModes\u003c\/dt\u003e\n\u003cdd\u003eGate Arp, Touch Scale, Master FX\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudio\u003c\/dt\u003e\n\u003cdd\u003eL\/Mono, R Output (Standard phone jack) \u003cbr\u003eHeadphones (Stereo mini jack) \u003cbr\u003eAudio Input (Stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out (Use an included MIDI adapter cable)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003eType micro B\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eIn, Out (Stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eExternal Storage Device\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eSD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eCurrent Consumption\u003c\/dt\u003e\n\u003cdd\u003eLess than 500 mA\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eChassis\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eZinc die cast\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eDimensions (W x D x H)\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e339 x 189 x 45 mm \/ 13.35” x 7.44” x 1.77”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e1.6 kg \/ 3.53 lbs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eColor Variations\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eMetallic Red (electribe2s-RD), Black (electribe2s)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eIncluded Items\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41347089924269,"sku":"korg_electribe2_sampler","price":469.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/electribe_2_sampler.png?v=1645042897"},{"product_id":"roland-tb-03","title":"ROLAND TB-03","description":"\u003ch2\u003eTHE CLASSIC TB-303 SOUND IN THE PALM OF YOUR HAND\u003c\/h2\u003e\r\n\u003cp\u003e\u003cspan\u003eThe battery-powered TB-03 is a direct descendant of the famous TB-303 Bass Line Synth. The layout and controls are unchanged, so it works just like the original. It sounds like it too, thanks to Roland’s advanced ACB technology that recreates the hypnotic liquid grooves of the magic silver box. But the new TB-03 goes even further, with several enhancements not found on the original model. The four-digit LED display makes programming easier and more accurate, while overdrive and delay effects let you unleash a twisted, tribal wall of sound to send the crowd into a frenzy. Back in the studio, the TB-03 can send control information via MIDI or its USB port, the latter of which also functions as a audio interface.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"featuresHeading\"\u003eFEATURES\u003c\/div\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRealistic recreation of the iconic TB-303 Bass Line synth\u003c\/li\u003e\r\n\u003cli\u003eRetains the sound, character, and user interface of the original TB-303\u003c\/li\u003e\r\n\u003cli\u003eHands-on control over expressive parameters, including cutoff, resonance, envelope mod,\u003c\/li\u003e\r\n\u003cli\u003edecay, and accent\u003c\/li\u003e\r\n\u003cli\u003eNew features not found on the original TB-303, including four-digit LED display, overdrive\u003c\/li\u003e\r\n\u003cli\u003eand delay effects, MIDI, fine tempo control, and additional functions for pattern creation\u003c\/li\u003e\r\n\u003cli\u003eProgrammable via classic Pitch, Time, and Step write modes\u003c\/li\u003e\r\n\u003cli\u003eContinue playing a sequence even while switching between write and play modes\u003c\/li\u003e\r\n\u003cli\u003eCV\/Gate outputs for controlling vintage analog gear and modular synthesizers\u003c\/li\u003e\r\n\u003cli\u003eDedicated trigger input to drive the internal sequencer\u003c\/li\u003e\r\n\u003cli\u003eHighly portable for mobile music making\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality construction with metal front panel\u003c\/li\u003e\r\n\u003cli\u003eBattery-operated (4 x AA) or USB powered\u003c\/li\u003e\r\n\u003cli\u003e24 bit\/96 kHz stereo IN\/OUT USB audio interface\u003c\/li\u003e\r\n\u003cli\u003eControl information can be sent and received via MIDI and USB\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in powered mini-speaker for instant enjoyment\u003c\/li\u003e\r\n\u003cli\u003eCompatible with optional K-25m Keyboard Unit\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":41347091398829,"sku":"roland_tb-03","price":479.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tb-03_top_gal.jpg?v=1645042961"},{"product_id":"tom-oberheim-two-voice-pro-synthesizer-black-edition","title":"TOM OBERHEIM TWO VOICE PRO SYNTHESIZER BLACK EDITION","description":"\u003cp align=\"center\"\u003e\u003cspan class=\"style25\"\u003eNew!\u003cbr\u003eTwo Voice Pro Synthesizer \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"style6\" align=\"justify\"\u003ePeople often ask me: \"Tom, what was the favorite one of your synthesizers from before?\" And my answer is always: \"the Two Voice\"! So, I am bringing back the Two Voice, very similar to the original, but with the addition of a few interesting upgrades.\u003c\/p\u003e\r\n\u003cp class=\"style28\"\u003eFeatures:\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli class=\"style6\"\u003eMini-Sequencer is enhanced - you still generate a sequence with the knobs ( up to 16 positions ) but you can store sequences from the knobs into flash memory\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eTwo sequences can be played simultaneously (or play one sequence while also playing on the keyboard, like the old one)\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eAfter sequences are stored in flash memory, you can edit them to add 2-way, 3-way or 4-way ratcheting and you can program the gate length from zero (like a rest) up to almost the complete step length\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSequences can be chained into songs, and each step in a song can be programmed for sequence number, transpose amount and number of repeats\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSequencer syncs to Midi Clock\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eKeyboard outputs velocity and pressure\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eEach module (both SEMs, Mini-Sequencer, Keyboard Control) has mini-jack patch points (56 patchpoints)\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003ePitch and Modulation wheels\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003ePan pots\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eHeadphone output\u003c\/li\u003e\r\n\u003cli class=\"style6\"\u003eSeparate Vibrato LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"TOM OBERHEIM","offers":[{"title":"Default Title","offer_id":41347095134381,"sku":"oberheim_two_voice_black","price":3495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tom-oberheim-tvs-pro-black.jpg?v=1645043109"},{"product_id":"roland-k-25m","title":"ROLAND K-25m","description":"\u003ch2\u003ePORTABLE KEYBOARD FOR ROLAND BOUTIQUE MODULES\u003c\/h2\u003e\r\n\u003cp\u003eThe K-25m is a 25-key, velocity sensitive keyboard designed for use with the Roland Boutique series. Measuring less than 12″ across, the K-25m acts as a dock for any Roland Boutique module, and once in place the module can be tilted at two different angles for easier viewing and sound programming, or can be laid completely flat. The compact keyboard can also address a range from -4 to +5 octaves when used with the relevant module.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e25-note velocity sensitive keyboard for use with Roland Boutique modules\u003c\/li\u003e\r\n\u003cli\u003eThree-position stand tilts the module for better viewing angle – also lays flat\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality keyboard construction\u003c\/li\u003e\r\n\u003cli\u003eTransforms Roland boutique module into highly portable music making tool\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv id=\"content-container\"\u003e\u003cdl id=\"specs\"\u003e\n\u003cdt class=\"section\"\u003eSPECIFICATIONS\u003c\/dt\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdt\u003eConnector\u003c\/dt\u003e\n\u003cdd\u003e16 pin flat cable\u003c\/dd\u003e\n\u003cdt\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eOwner's manual\u003c\/dd\u003e\n\u003cdt\u003eApplicable Models\u003c\/dt\u003e\n\u003cdd\u003eJU-06, JP-08, JX-03\u003c\/dd\u003e\n\u003cdt class=\"section\"\u003e\u003c\/dt\u003e\n\u003cdt class=\"section\"\u003eSIZE AND WEIGHT\u003c\/dt\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdt\u003eWidth\u003c\/dt\u003e\n\u003cdd\u003e308 mm\u003cbr\u003e12-1\/8 inches\u003c\/dd\u003e\n\u003cdt\u003eDepth\u003c\/dt\u003e\n\u003cdd\u003e209 mm\u003cbr\u003e8-1\/4 inches\u003c\/dd\u003e\n\u003cdt\u003eHeight\u003c\/dt\u003e\n\u003cdd\u003e44 mm\u003cbr\u003e1-3\/4 inches\u003c\/dd\u003e\n\u003cdt\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e700 g\u003cbr\u003e1 lb 9 oz\u003c\/dd\u003e\n\u003c\/dl\u003e\u003c\/div\u003e\r\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":41347098312877,"sku":"roland_k-25m","price":148.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/k-25m_main.jpg?v=1645043203"},{"product_id":"korg-volca-kick","title":"KORG VOLCA KICK","description":"\u003ch1 class=\"header1\"\u003eAn analog kick generator that delivers powerful sounds from kick drum to kick bass\u003c\/h1\u003e\r\n\u003cp\u003eThe volca series has consistently brought renewed attention to classic groove machines and historical synthesis. It now has a new focus. This time, it's the most important sound in dance music: the kick. \u003cbr\u003e\u003cbr\u003eThe volca kick is an analog kick generator that's made for sound design. An analog circuit based on the powerful resonant sound of the original MS-20 filter, it lets you create a wide range of kick sounds only possible through analog circuitry, ranging from solid kick drums to crisp kick basses. The 16-step sequencer, a distinctive feature of the volca, now has a new Touch FX feature that lets you control an effect instantly, giving you even more live performance potential. Experience the stunning power of an analog kick that cannot be obtained from a plug-in or a sample.\u003c\/p\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch2 class=\"header2\"\u003eAnalog kick sounds generated by MS-20 filter oscillation\u003c\/h2\u003e\r\n\u003cp\u003eThe volca kick generates powerfully present kick sounds using a completely analog circuit. To create those sounds, it uses not a typical sine wave, but the sound of an oscillating filter from the original MS-20. The powerful Rev.1 filter of the MS-20 self-oscillates when resonance is increased to the maximum, and this is used to produce powerful kick sounds with complex overtones. \u003cbr\u003e\u003cbr\u003eSimple and effective parameters are provided, allowing you to freely design a wide range of kick sounds to your taste. Start the sound design process by using MS-20 RESONATOR (PITCH\/BEND\/TIME) to control the sense of pitch that generates the \"body resonance\" of the kick sound. Then use PULSE COLOUR\/LEVEL to adjust the clip components to control the sense of attack, and AMP ATTACK\/DECAY to intuitively control the decay of the sound. From tight kicks to fat, slow-decaying kicks, and pitched kick bass, it's possible to create kick sounds that are appropriate for every type of dance music.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003e \u003c\/h3\u003e\r\n\u003ch2 class=\"header2\"\u003eAggressively control the sound using DRIVE and TONE\u003c\/h2\u003e\r\n\u003cp\u003eIn addition to the analog kick generator circuit based on the MS-20 filter, there's an analog drive that includes multiple stages of distortion. The distortion level and type can be varied by a single knob, increasing the variety and power of the kick sounds. You can use the tone control to transform the character of the sound by adjusting the high-frequency range.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_q\"\u003e\r\n\u003ch3 class=\"header3\"\u003e \u003c\/h3\u003e\r\n\u003ch2 class=\"header2\"\u003ePowerful kick bass that rules the beat\u003c\/h2\u003e\r\n\u003cp\u003eThe volca kick is not just a kick drum machine. You can use the 16-key touch-panel keyboard to perform dynamic kick bass, and take advantage of the volca kick's powerful analog circuitry to generate the sub bass sound that's indispensable to dance music styles such as grime or trap. \u003cbr\u003e\u003cbr\u003eSince the volca kick covers a wide pitch range from low- to mid-frequencies, your sequences can include a variety of sounds including low tom, high tom, and sound effects.\u003c\/p\u003e\r\n\u003cdiv class=\"side-margin\"\u003e\r\n\u003cdiv class=\"container_p\"\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch2 class=\"header2\"\u003e16-step sequencer allows automation of all parameters\u003c\/h2\u003e\r\n\u003cp\u003eThe volca kick features a 16-step sequencer that gives you plenty of improvisatory freedom. You can use it to quickly lay out a kick drum pattern, and it also supports realtime recording, which is an ideal way to perform kick bass phrases. And the pattern chain function lets you connect multiple sequence patterns for successive playback, making it possible to construct large-scale developments of 32, 64, or even 256 steps by joining up to 16 sequences. \u003cbr\u003e\u003cbr\u003eThe volca kick’s motion sequence function records your knob movements, letting you add time-varying change to the sound. This is great way to polish your loops, and also lets you generate highly original live performances. Up to 16 sequence patterns and sounds can be stored in internal memory.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"text_type_p\"\u003e\r\n\u003ch3 class=\"header3\"\u003e \u003c\/h3\u003e\r\n\u003ch2 class=\"header2\"\u003eACTIVE STEP generates new beats and bass lines by removing or inserting steps\u003c\/h2\u003e\r\n\u003cp\u003eActive step is a function that lets you skip a step during sequence playback. It can create effects similar to a short loop or unexpectedly irregular rhythms, allowing dynamic performances using the sequencer itself as a performance tool.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"side-margin\"\u003e\r\n\u003cdiv class=\"content_box_type_h\"\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003e \u003c\/h3\u003e\r\n\u003ch2 class=\"header2\"\u003eUse ACCENT, SLIDE, and BEND REVERSE to power-up your sequences\u003c\/h2\u003e\r\n\u003cp\u003eThe volca kick lets you edit each step of the sequence in even more detail. The slightly unusual accent function lets you program accents per step (not per trigger) for groovy and sometimes glitchy sequences depending on how the ACCENT knob, which controls the depth of the added dynamics, has been set. The slide function creates the effect of a connection between steps, producing a smooth and distinctive kick bass. The bend reverse function can be specified for each step to play the bend backward, reversing the conventional kick pitch so that the pitch goes from low to high, and resulting in a unique sound. The volca kick lets you create unexpected and innovative sounds or sequences that transcend conventional kicks.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"box_type_h\"\u003e\r\n\u003ch3 class=\"header3\"\u003e \u003c\/h3\u003e\r\n\u003ch2 class=\"header2\"\u003eTOUCH FX controls realtime sequence effects with for instant cuts, breaks and fills\u003c\/h2\u003e\r\n\u003cp\u003eThe new Touch FX function further strengthens the performance potential of the volca kick. You can instantly trigger a sequence effect simply by touching a step key, transforming your realtime performance in kaleidoscopic ways. \u003cbr\u003e\u003cbr\u003eSequence effects include the roll function that plays a sound repeatedly, the octave function that raises the pitch by one or two octaves, and the sustain function that immediately maximizes the amp decay. These are great ways to create punchy and powerful breaks.\u003c\/p\u003e\r\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e　\u003c\/dt\u003e\n\u003cdd\u003eMulti touch keyboard \/ Step key\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eKick Generator\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eType\u003c\/dt\u003e\n\u003cdd\u003eAnalog synthesis\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMaximum Polyphony\u003c\/dt\u003e\n\u003cdd\u003e1 voice\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003eVCF (no input MS-20 Rev1 filter as resonator), Pulse Generator, VCA, analogue DRIVE, analogue TONE\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMS-20 Resonator\u003c\/dt\u003e\n\u003cdd\u003ePitch\/Octave, Bend, Time\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePulse\u003c\/dt\u003e\n\u003cdd\u003eColour, Level\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAmp\u003c\/dt\u003e\n\u003cdd\u003eAttack, Decay\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eDrive\u003c\/dt\u003e\n\u003cdd\u003e　\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003e  \u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eTone\u003c\/dt\u003e\n\u003cdd\u003eLow Pass Filter, 12 db\/oct\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eSequencer\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Parts\u003c\/dt\u003e\n\u003cdd\u003e1\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Steps\u003c\/dt\u003e\n\u003cdd\u003e16\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eNumber of Recording Patterns\u003c\/dt\u003e\n\u003cdd\u003e16 (each with its own sound program)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eControls\u003c\/dt\u003e\n\u003cdd\u003ePattern Chain, Motion Sequence, Touch FX, Active Step, Accent (On\/Off, Depth), Slide, Bend Reverse, Roll (1\/4, 1\/2, 1\/1, 4\/3, 2\/1, 3\/1), Octave (1 Oct Up, 2 Oct Up), Sustain, Swing\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eConnectors\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAudio Output\u003c\/dt\u003e\n\u003cdd\u003eHeadphones (3.5mm stereo mini jack)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eSync\u003c\/dt\u003e\n\u003cdd\u003eSync In (3.5mm monaural mini jack, Maximum input level: 20V) \u003cbr\u003eSync Out (3.5mm monaural mini jack, Output level: 5V)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003ePower\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery x 6 or AA nickel-metal hydride battery x 6 \u003cbr\u003eOr AC adapter (DC 9V) (optional)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eBattery Life\u003c\/dt\u003e\n\u003cdd\u003eApproximately 10 hours (using alkaline batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eDimensions (W x D x H)\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e193 x 115 x 46 mm \/ 7.60” x 4.53” x 1.81”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\u003c\/dt\u003e\n\u003cdd\u003e377 g \/ 13.29 oz. (Excluding batteries)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\u003cdt class=\"header3\"\u003eOthers\u003c\/dt\u003e\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eIncluded Items\u003c\/dt\u003e\n\u003cdd\u003eAA alkaline battery x 6 (for verifying operation), Sync Cable\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC adapter (DC 9V)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":41347101819053,"sku":"korg_volca_kick","price":169.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/f00edfcce3e226240a3772f9354593c9_pc.png?v=1645043323"},{"product_id":"sequential-tom-oberheim-ob-6-desktop","title":"SEQUENTIAL - TOM OBERHEIM OB-6 DESKTOP","description":"\u003ch3\u003eClassic Oberheim Sound — Made Portable\u003c\/h3\u003e\r\n\u003cp\u003eThe OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.\u003c\/p\u003e\r\n\u003cp\u003eHow does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.\u003c\/p\u003e\r\n\u003cp\u003eWe’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony!\u003c\/p\u003e\r\n\u003ch3\u003eTwo Legends. One Instrument\u003c\/h3\u003e\r\n\u003cp\u003eBoth the OB-6 desktop module and OB-6 keyboard are a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.\u003c\/p\u003e\r\n\u003ch3\u003eVintage SEM Tone\u003c\/h3\u003e\r\n\u003cp\u003eThe OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eX-Mod and Poly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eAlso present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\r\n\u003cp\u003eThis analog powerhouse is packed into a desktop module that’s small enough to fit in a backpack. It’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\r\n\u003ch3\u003eOB-6 Desktop Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eSquare wave sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator detune amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMIXER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSTATE-VARIABLE FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAMPLIFIER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eX-MOD\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAFTERTOUCH\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCLOCK\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePERFORMANCE CONTROLS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\r\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\r\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic portamento\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes\u003c\/li\u003e\r\n\u003cli\u003eManual switch: when on, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePATCH MEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eFilter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePHYSICAL SPECS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e20.75” L x 7.8” W x 4.4″ H (52.0 cm x 19.8 cm x 11.2 cm)\u003c\/li\u003e\r\n\u003cli\u003e13.0 lbs (5.9 kg)\u003c\/li\u003e\r\n\u003cli\u003eWalnut end panels\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347103424685,"sku":"sequential_ob-6_desktop_1700","price":2399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/ob-6-top-1_2.jpg?v=1645043387"},{"product_id":"jomox-mbase-11","title":"JOMOX MBASE 11","description":"\u003cp\u003eThe MBase11 can do only one thing, but it does it right:\u003cbr\u003ePhat kick drums!\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAnd it does this even better than in the past.\u003cbr\u003e\u003cbr\u003eThe MBase11 is the logical follower of the MBase01 and offers even better performance, more versatility and an even phatter sound!\u003cbr\u003e\u003cbr\u003eIt generates analog bass drums, from extremely powerful to soft and covers the whole range from 909-style to 808-fashioned. And much more...the LFO has 8 different waveforms including true sine that can be used to create very different envelopes. The resulting sounds are not simply *kicks*...this turns out to be a bass drum *synthesizer*.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLike the XBASE 999\/888, the MBase11 has a compression parameter to vary the thickness of decaying sound.\u003cbr\u003eAnd...it offers a variable gate time to to create very different sounding attacks.\u003cbr\u003eAnd...it also has a metalize parameter to have hundreds of variations on the attack noise.\u003cbr\u003e\u003cbr\u003eFor more intuitive editing, we have added an analog potentiometer that works alternatively to the parameter editing when scrolling the data wheel is too hard.\u003cbr\u003e\u003cbr\u003eThe MBase11 purposefully sounds a bit different to the XBASE 999\/888, making it a great sounding expansion for our other drum products and other analog percussion.\u003cbr\u003e\u003cbr\u003eThe kick sets in very precisely and the attack sounds very snappy at all kinds of sound variations.\u003cbr\u003e\u003cbr\u003eThe MBase11 can also be used as a real bass with some limitations. If decay is cranked up it is long enough for tones and the pitch can be played on the keyboard in semitones over three octaves.\u003cbr\u003e\u003cbr\u003eThe kick drum can be triggered by an external analog trigger input. This is especially useful for live drummers who want to thicken up their live drum kit. The trigger input works with regular piezo pickups or audio signals.\u003cbr\u003e\u003cbr\u003eLast but not least: one of the most convincing arguments for the MBase11 is the price: This is an inexpensive tool that helps you to create great kick sounds, without the timeconsuming searching accociated with mostly not satisfying samples. You save time and energy while reaching the sound quality you always imagined...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTweak the sound you need. Everything is REAL.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBass Drum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlthough the MBase11 uses almost the same principle or block schematic for analog sound production as the XBASE999\/888, the technology is different and results in a slightly different sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 500px; height: 359px;\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eTune\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVaries the pitch envelope of the VCO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePitch\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBasses as low as 10Hz reach up to 175Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDecay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 2 sec\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHarmonics\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eEnrichment of harmonics of the VCO - for the hardest kick drums on planet earth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePulse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChange of the pure pulse part of the attack - gate time affects this parameter also\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eChange of the pure noise part of the attack - gate time affects this parameter also\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLevel of the mixing of Pulse and Attack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFilters the bass drum with a low pass filter - for soft and 808ish kick drums\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eGate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVaries the gate time from 0.1ms to 16ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCompr\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCompression of decaying envelope - for slim and clicky kicks and all the depth that is needed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMetNze\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMetalized noise. A complex digital multitone pattern of 255 different combinations feeds the attack noise\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMidi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe midi controllers of the MBase11 are identical to the XB09\/X999\/X888\/AB\/JB. All parameters including LFO can be remotely controlled by midi. The MBase11 is also compatible with our midi editors and templates in the bass drum department.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLFO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MBase11 has an LFO that works on the pitch of the bass drum. \u003cbr\u003eThe LFO speed can be edited in BPM or be syncronized by midi clock. As on the XB09\/X999\/X888\/AB\/JB, the LFO can be synced by a note trigger or might run free. \u003cbr\u003eAnother feature is: we have implemented a one-shot LFO function that serves as an additional envelope.\u003cbr\u003eThe wave forms are: \u003c\/p\u003e\n\u003cp\u003esaw up, saw down, sine+\/-, triangle+\/- and rectangle+\/-. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable style=\"width: 100%;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"sub_title_detail\" valign=\"top\"\u003eSpecifications\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\" height=\"3\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"top\"\u003e\n\u003ctable style=\"width: 500px; height: 344px;\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInstrument\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBass Drum\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePresets\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e110 (10 User RAM, 100 FLASH)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSound Engine\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFully analog with storeable parameters\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eEnvelopes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnalog\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLFO\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8 waveforms: Saw +\/-, Sine +\/-, Tri +\/-, Rect +\/-, modulates the pitch, midi syncroniseable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLED 7-segment 3 digit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMidi\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMidi In, Midi Out\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUser interface\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 data wheel, 1 potentiometer, 5 buttons, 16 LEDs for parameters and functions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1 mono out 1\/4\" RCA jack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOutput Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAbout 0dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExternal analog trigger, sensivity adjustable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSupply\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExternal wall wart 9V DC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAbout 0.5 kg, 1.1lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e145x155x35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"JOMOX","offers":[{"title":"Default Title","offer_id":41347104833709,"sku":"jomox_mbase_11","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/12_copy.jpg?v=1645043444"},{"product_id":"dreadbox-hades-bass-synthesizer","title":"DREADBOX HADES BASS SYNTHESIZER REISSUE","description":"\u003ch5 data-mce-fragment=\"1\" class=\"vc_custom_heading us_custom_3cc617ae\"\u003e\u0026gt; All Analog Bass Synthesizer Faithful Reproduction of the 2016 Hades\u003c\/h5\u003e\n\u003ch5 data-mce-fragment=\"1\" class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; 1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control\u003c\/h5\u003e\n\u003ch5 data-mce-fragment=\"1\" class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; 3-pole Resonating Low Pass Filter\u003c\/h5\u003e\n\u003ch5 data-mce-fragment=\"1\" class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; 1 AD\/RS envelope and a AR Amp Envelope\u003c\/h5\u003e\n\u003ch5 class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; OTA VCA\u003c\/h5\u003e\n\u003ch5 class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; OTA Distortion\u003c\/h5\u003e\n\u003ch5 class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; Wide Range Triangle LFO\u003c\/h5\u003e\n\u003ch5 class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; 11 patch points for an astonishing spectacular modular experience\u003c\/h5\u003e\n\u003ch5 class=\"vc_custom_heading us_custom_eefc1572\"\u003e\u0026gt; Compact, USB powered, Eurorack Format (42HP)\u003c\/h5\u003e\n\u003ch2\u003eMonophonic Epicness\u003c\/h2\u003e\n\u003cdiv\u003e\u0026gt; Super Fat Oscillator\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u0026gt; 2x Sub Octaves for extra headroom\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u0026gt; Special Internal Bass Boost Circuit\u003c\/div\u003e\n\u003cdiv\u003e\u0026gt; Warm Filter\u003cbr\u003e\u0026gt; Drive effect for aggressive sounds\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u0026gt; CV outputs: Envelope, LFO, Mod Wheel, 1v\/oct\u003c\/div\u003e\n\u003cdiv\u003e\u0026gt; CV inputs: PW, Cutoff, VCA, CV, Gate\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column vc_column_container\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cstrong\u003eSpecifications \u0026amp; Connections\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eUSB powered (1.5 Watts)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e50 Playing hours with 20,000mA portable power bank\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMIDI IN via DIN5\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e¼ MONO TS Jack Out\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 21.5 x 13 x 6.5 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeight: 0.9 kg\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column vc_column_container\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch4\u003e\u003cspan\u003e\u003cb class=\"\"\u003e\u003cspan class=\"\"\u003eRequirements\u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cdiv class=\"\"\u003e\u003cspan\u003e\u0026gt; USB-A Adapter (5v) with 1000mA or more\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan\u003e\u0026gt; MIDI device or keyboard that is equipped with DIN5 midi output\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003e\u003cspan\u003e\u0026gt; Monitor, Amp or Headphones\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb class=\"\"\u003e\u003cspan class=\"\"\u003eIncluded in the box\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003cspan\u003e\u0026gt; Hades Eurorack module\u003cbr\u003e\u0026gt; 42 HP case\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cspan\u003e\u0026gt; 1x DIN5 to 3.5mm adapter (specs as found at \u003ca class=\"\" href=\"http:\/\/midi.org\/\"\u003emidi.org\u003c\/a\u003e)\u003cbr\u003e\u0026gt; 1x Ribbon cable\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DREADBOX","offers":[{"title":"Default Title","offer_id":41347143663789,"sku":"dreadbox_hades","price":319.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/hades-re-top-scaled.jpg?v=1670705305"},{"product_id":"sequential-prophet-rev2-16-voice-keyboard","title":"SEQUENTIAL PROPHET REV2 16 VOICE KEYBOARD","description":"\u003cp\u003eTo find out more about how each synth differs, view our \u003ca class=\"btn btn-orange btn-sm\" href=\"https:\/\/www.davesmithinstruments.com\/wp-content\/uploads\/2017\/03\/DSI-Synth-Comparison-Chart-4.1.pdf?x72411\" target=\"_blank\"\u003eSYNTH COMPARISON (PDF)\u003c\/a\u003e\u003c\/p\u003e\r\n\u003ch3\u003eA Modern Classic Reinvented\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.”\u003c\/p\u003e\r\n\u003cp\u003eThe Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\r\n\u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\r\n\u003ch3\u003e16-Voice Polyphony\u003c\/h3\u003e\r\n\u003cp\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments.\u003c\/p\u003e\r\n\u003ch3\u003eBold Sound\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\r\n\u003ch3\u003eWaveshape Modulation\u003c\/h3\u003e\r\n\u003cp\u003eA powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\r\n\u003ch3\u003eEffects Per Layer\u003c\/h3\u003e\r\n\u003cp\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\r\n\u003ch3\u003eExtended Mod Matrix\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\r\n\u003ch3\u003ePer-Knob Programmability\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\r\n\u003ch3\u003eEminently Playable\u003c\/h3\u003e\r\n\u003cp\u003eAll of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.\u003c\/p\u003e\r\n\u003ch3\u003eProphet Rev2 Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw\/triangle mix, and pulse waves (with pulse-width modulation)\u003c\/li\u003e\r\n\u003cli\u003eGlide (portamento): separate rates per oscillator\u003c\/li\u003e\r\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\r\n\u003cli\u003eAnalog VCAs\u003c\/li\u003e\r\n\u003cli\u003eHard sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTERS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eENVELOPES\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLFOS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 LFO’s with key sync per LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMODULATION\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8-slot modulation matrix\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eProgrammable arpeggiator with up, down, up+down, random, assign modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\r\n\u003cli\u003eNote repeat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCONTROLS \u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5-octave keyboard with semi-weighted action, velocity, and aftertouch\u003c\/li\u003e\r\n\u003cli\u003e52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving.\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel and assignable mod wheel\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMIDI In, Out, Thru\u003c\/li\u003e\r\n\u003cli\u003eMain stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eOutput B stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eSustain pedal input: accepts normally on or normally off momentary footswitch.\u003c\/li\u003e\r\n\u003cli\u003ePedal\/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output: 1\/4″ stereo phone jack.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\n\u003cspan\u003ePHYSICAL\u003c\/span\u003e SPECS\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOiled African mahogany wood end panels\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 20.5 lbs. (9.3 kg)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347187540141,"sku":"sequential_prophet_rev2_2816","price":2999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/prophetrev2_top_2.jpg?v=1645045622"},{"product_id":"sequential-prophet-rev2-8-voice-keyboard","title":"SEQUENTIAL PROPHET REV2 8 VOICE KEYBOARD","description":"\u003cp\u003eTo find out more about how each synth differs, view our \u003ca class=\"btn btn-orange btn-sm\" href=\"https:\/\/www.davesmithinstruments.com\/wp-content\/uploads\/2017\/03\/DSI-Synth-Comparison-Chart-4.1.pdf?x72411\" target=\"_blank\"\u003eSYNTH COMPARISON (PDF)\u003c\/a\u003e\u003c\/p\u003e\r\n\u003ch3\u003eA Modern Classic Reinvented\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 is Dave Smith’s reimagining of his Prophet ’08 poly synth — a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Dave puts it, “The Prophet Rev2 is the realization of our effort to enhance and improve everything we could about the original design — all at a more accessible price.”\u003c\/p\u003e\r\n\u003cp\u003eThe Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\r\n\u003cp\u003eBest of all, you can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\r\n\u003ch3\u003e16-Voice Polyphony\u003c\/h3\u003e\r\n\u003cp\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments.\u003c\/p\u003e\r\n\u003ch3\u003eBold Sound\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\r\n\u003ch3\u003eWaveshape Modulation\u003c\/h3\u003e\r\n\u003cp\u003eA powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\r\n\u003ch3\u003eEffects Per Layer\u003c\/h3\u003e\r\n\u003cp\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\r\n\u003ch3\u003eExtended Mod Matrix\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\r\n\u003ch3\u003ePer-Knob Programmability\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\r\n\u003ch3\u003eEminently Playable\u003c\/h3\u003e\r\n\u003cp\u003eAll of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet Rev2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.\u003c\/p\u003e\r\n\u003ch3\u003eProphet Rev2 Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw\/triangle mix, and pulse waves (with pulse-width modulation)\u003c\/li\u003e\r\n\u003cli\u003eGlide (portamento): separate rates per oscillator\u003c\/li\u003e\r\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\r\n\u003cli\u003eAnalog VCAs\u003c\/li\u003e\r\n\u003cli\u003eHard sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTERS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eENVELOPES\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLFOS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 LFO’s with key sync per LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMODULATION\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8-slot modulation matrix\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eProgrammable arpeggiator with up, down, up+down, random, assign modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\r\n\u003cli\u003eNote repeat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCONTROLS \u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e5-octave keyboard with semi-weighted action, velocity, and aftertouch\u003c\/li\u003e\r\n\u003cli\u003e52 knobs and 20 buttons enable deep and comprehensive editing with little to no menu diving.\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel and assignable mod wheel\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMIDI In, Out, Thru\u003c\/li\u003e\r\n\u003cli\u003eMain stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eOutput B stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eSustain pedal input: accepts normally on or normally off momentary footswitch.\u003c\/li\u003e\r\n\u003cli\u003ePedal\/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output: 1\/4″ stereo phone jack.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\n\u003cspan\u003ePHYSICAL\u003c\/span\u003e SPECS\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOiled African mahogany wood end panels\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 12.70″ (32.26 cm) W x 35.12″ (89.20 cm) L x 3.80″ (9.65 cm) H (2.30″ at front edge; the feet account for 0.25″ of the total height)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 20.5 lbs. (9.3 kg)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347187736749,"sku":"sequential_prophet_rev2_8_voice_2808","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/prophetrev2_top_3.jpg?v=1645045632"},{"product_id":"analogue-solutions-leipzig-v3","title":"ANALOGUE SOLUTIONS LEIPZIG V3","description":"\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cp\u003ePure analogue voice and modulation circuitry.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eFat analogue Moog style transistor ladder filter – 24db\/Octave 4 pole.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eTwo analogue VCOs with individual Glide (portamento).\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eSub-VCO for extra depth and power.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eOsc Sync \u0026amp; Cross-Mod.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eOption to overdrive the mixer and filter.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003ePlenty of modulation routing possibilities.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eVersatile analogue CV step sequencer – with plenty of clocking options.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003e16 step note sequencer, with transpose feature.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eUse the analogue sequencer as a modulation source.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eVersatile CV patch bay.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eRugged steel\/aluminium construction.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cp\u003eMIDI In for DAW\/software sequencing.\u003c\/p\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output.\u003c\/li\u003e\r\n\u003cli\u003eAll the sound character of the renowned previous version Leipzig-S.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cdiv\u003e \u003c\/div\u003e\r\n\u003ch3\u003eWhat’s different since Leipzig-S?\u003c\/h3\u003e\r\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\r\n\u003cp\u003eThe new version has been entirely redesigned to improve reliability, quality and other manufacturing considerations.\u003c\/p\u003e\r\n\u003cp\u003eThe format is now the more popular desktop type. This version is not rack mountable.\u003c\/p\u003e\r\n\u003cp\u003eSound wise it is the same - it retains that wonderful angry pure analogue sounds the previous version had. We kept the sound the same - it’s what people love - we just added some useful new features….\u003c\/p\u003e\r\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eWe added some useful new features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\r\n\u003cp\u003eHeadphone output.\u003c\/p\u003e\r\n\u003cp\u003ePatch input and outputs.\u003c\/p\u003e\r\n\u003cp\u003eExtended the capabilities of the sequencer.\u003c\/p\u003e\r\n\u003cp\u003eThe sequencer can turn off VCO2 square wave on selected beats.\u003c\/p\u003e\r\n\u003cp\u003eOther subtle tweaks, including adding an illuminated power switch.\u003c\/p\u003e\r\n\u003cp\u003eAnd more besides!\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003cp\u003eLeipzig-v3 is a 100% analogue synth using circuits that date back to the 1970s and 1980s – these give Leipzig a really old sound that is rich and full of character.\u003c\/p\u003e\r\n\u003cp\u003eThe circuits are not stabilised and sanitised by CPUs and the controls are not read by CPUs and quantised.\u003c\/p\u003e\r\n\u003cp\u003eLeipzig has a huge sound, especially when used for bass (something it excels at!), a fact often commented to us by our customers with great excitement! The mixer \/ filter can be really overdriven if required giving the synth a really hard sound. This can be toned down of course and nice soft synth sounds are possible too - and everything in between.\u003c\/p\u003e\r\n\u003cp\u003eThough a master at big bass sounds, Leipzig is exceptionally good at making electronic percussion. Not just the sounds, but also percussive loops by using the on board step sequencer. Patterns can quickly be produced, then either easily sync’ed to your DAW, or sampled in.\u003c\/p\u003e\r\n\u003cp\u003eAs well as bass and percussion, Leipzig will produce leads, effects, modular style and other sounds equally well.\u003c\/p\u003e\r\n\u003cp\u003eLeipzig is extremely powerful. Don’t be worried by the ‘complex’ looking front panel. The synth has been designed to be easy to use, ideal for beginners, but still have the depth and versatility to enable many years of superb sounds.\u003c\/p\u003e\r\n\u003cp\u003eThere are many modulation choices on the rotary select switches. All signal choices have been carefully chosen.\u003c\/p\u003e\r\n\u003cp\u003eLeipzig was designed by a musician of electronic music, and a popular choice by known music professionals. We like to think we know what makes a good synth and that is reflected in the design of Leipzig.\u003c\/p\u003e\r\n\u003cp\u003eThe on board analogue sequencer is not just for making simple melodies or percussive loops. Think of it also as a modulation source. Each step can be used to drastically change the sounds. This makes it also serve as a simple way of making ‘presets’. Just step to get the next sound. The sequencer can control the pitch of either VCO, and also the filter cut-off. \u003c\/p\u003e\r\n\u003cp\u003eLeipzig also has a 16 note digital sequencer too, for playing back melodies, that can then be manually transposed using your keyboard or DAW.\u003c\/p\u003e\r\n\u003cp\u003eSync’ing the sequencer to a MIDI sequencer or DAW couldn’t be easier. Sync is easy by sending it MIDI Note 000. That way you can clock the sequencer at any tempo, divide the tempo down (relative to your DAW’s tempo), stop it, start it, mute, etc, all from your DAW – something that you cannot do with MIDI Sync.\u003c\/p\u003e\r\n\u003cp\u003eSo Leipzig is ideal for both beginners, and more advanced synthesists and musicians. Use anywhere you want big analogue sounds that have a true vintage sounds. Ideal also if you have the budget for just one analogue synth since this synth covers so many bases (and basses!).\u003c\/p\u003e","brand":"ANALOGUE SOLUTIONS","offers":[{"title":"Default Title","offer_id":41347200319661,"sku":"analogue_solutions_leipzig-v3","price":1299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/analogue_solutions_leipzig_v3_transp_front.jpg?v=1645046108"},{"product_id":"moog-subsequent-37","title":"MOOG SUBSEQUENT 37","description":"\u003cp\u003e\u003cspan\u003eThe Subsequent 37 is a (2-note) \u003c\/span\u003e\u003cspan\u003eparaphonic\u003c\/span\u003e\u003cspan\u003e analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.\u003cbr\u003e\u003cbr\u003eThe SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer’s newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.\u003cbr\u003e\u003cbr\u003eIn addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded \u003c\/span\u003e\u003cspan\u003ekeybed\u003c\/span\u003e\u003cspan\u003efor improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin\/editor for both Windows and Mac platforms\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003cbr\u003eSUB 37 DESIGN – All the controls and features found on the Sub 37 Tribute Edition\u003cbr\u003eSOUND ENGINE EVOLUTION – Richer low end and greater sonic dimension\u003cbr\u003eMORE MULTIDRIVE – Wider range and dirtier than ever before\u003cbr\u003eROOM FOR TWO - More headroom means Duo mode sounds even better\u003cbr\u003e37 NOTE KEYBED – Lightweight with swift action and aftertouch.\u003cbr\u003eHIGH-POWER HEADPHONES – Cue up your next sound in the loudest of venues.\u003cbr\u003eEXTENSIVE MODULATION AND SEQUENCING - 2 assignable mod busses, 2 DAHDSR looping envelopes and an ultra-powerful arpeggiator\/sequencer\u003cbr\u003e256 PRESETS - 16 banks of 16 patches\u003cbr\u003eFREE SOFTWARE EDITOR – Works as a DAW plugin or as a standalone editor.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSOUND ENGINE:\u003c\/strong\u003e\u003cspan\u003e Analog\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePOLYPHONY:\u003c\/strong\u003e\u003cspan\u003e Selectable Monophonic or Paraphonic (Poly-chainable)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eKEYBED:\u003c\/strong\u003e\u003cspan\u003e 37 Note Semi-weighted with After Pressure\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLCD:\u003c\/strong\u003e\u003cspan\u003e 128 X 64 pixel LCD with White Backlight\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCONTROLLERS:\u003c\/strong\u003e\u003cspan\u003e Pitch Bend, Mod Wheel, After Pressure, Velocity\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSOUND SOURCES:\u003c\/strong\u003e\u003cspan\u003e 2 Variable Waveshape Oscillators, 1 Square Wave Sub Oscillator, 1 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnalog Noise Generator, 1 External Input\/Filter Feedback\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOSCILLATOR CALIBRATION RANGE:\u003c\/strong\u003e\u003cspan\u003e 22Hz-6.8KHz. Note range at 8’ = 18 - 116\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGLIDE MODULE:\u003c\/strong\u003e\u003cspan\u003e Assign to Osc1\/Osc2\/Both. Type - LCR, LCT, EXP, Gated, Legato\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFILTER:\u003c\/strong\u003e\u003cspan\u003e 20Hz-20KHz Moog Ladder Filter w\/ 6\/12\/18\/24 dB\/Oct Filter Slopes and MultiDrive\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTRANSPOSITION:\u003c\/strong\u003e\u003cspan\u003e +\/- 2 Octaves\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eARPEGGIATOR\/SEQUENCER:\u003c\/strong\u003e\u003cspan\u003e Up, Down, Order, Random, Latching, Back\/Forth, Invert, +\/-2 \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRange, Tie, Rest, MIDI Sync, 64-note sequencer\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMODULATION SOURCES:\u003c\/strong\u003e\u003cspan\u003e LFO (Triangle, Square, Saw, Ramp, Sample \u0026amp; Hold), Filter \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEG\/PGM\u003c\/strong\u003e\u003cspan\u003e - Amp Env, Constant ON, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, and Seq Mod.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMODULATION DESTINATIONS:\u003c\/strong\u003e\u003cspan\u003e Osc 1 Pitch, Osc 2, Osc 1 \u0026amp; 2 Pitch, Filter, LFO Rate, VCA Level, Osc 1 Wave, Osc 2 Wave, Osc 1 \u0026amp; 2 Wave, Noise Level, EG Time\/PGM - Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In\/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In\/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back\/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide OSC Choice, Glide Type, Glide Gate, Glide Legato, Glide On, LFO 1 Clock Division, LFO 1 Range, LFO 1 Sync, LFO 1 Keyboard Reset, LFO 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, LFO 2 Clock Division, LFO 2 Range, LFO 2 Sync, LFO 2 Keyboard Reset, LFO 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 DUO Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, and Bend Down.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLFO PANEL FEATURES:\u003c\/strong\u003e\u003cspan\u003e Hi\/Low Range from .01Hz–1kHz, MIDI Sync, KB Reset\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eENVELOPES:\u003c\/strong\u003e\u003cspan\u003e DAHDSR Envelopes with Multi-Trigger, Reset, Looping, MIDI Sync, Latch, and Variable control of EG Delay, Hold, Velocity Amount, KB Tracking.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEXTERNAL AUDIO INPUT:\u003c\/strong\u003e\u003cspan\u003e ¼” TS\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAUDIO OUTPUT:\u003c\/strong\u003e\u003cspan\u003e ¼” TS, ¼” TRS Headphones \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePRESETS:\u003c\/strong\u003e\u003cspan\u003e 256 Presets - 16 Banks x 16 presets\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMIDI I\/O:\u003c\/strong\u003e\u003cspan\u003e DIN In\/Out, and MIDI over USB\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCV\/GATE INPUTS:\u003c\/strong\u003e\u003cspan\u003e Filter CV, Pitch CV, Volume CV, KB Gate\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePOWER:\u003c\/strong\u003e\u003cspan\u003e 110VAC-240VAC Universal Power Supply with IEC connector\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWEIGHT:\u003c\/strong\u003e\u003cspan\u003e 22lbs\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDIMENSIONS:\u003c\/strong\u003e\u003cspan\u003e 6.75H x 26.75”W x 14.75”D\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003e\u003ca href=\"https:\/\/www.moogmusic.com\/sites\/default\/files\/Subsequent_37_Manual.pdf\"\u003eSubsequent_37_Manual.pdf\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41347222175917,"sku":"moog_subsequent_37","price":1899.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/subsequent-front.jpg?v=1645046800"},{"product_id":"sequential-prophet-rev2-desktop-8-voice","title":"SEQUENTIAL PROPHET REV2 DESKTOP 8 VOICE","description":"\u003ch3\u003eA Modern Classic Reinvented\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth.\u003c\/p\u003e\r\n\u003cp\u003eThe Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\r\n\u003cp\u003eYou can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\r\n\u003ch3\u003e16-Voice Polyphony\u003c\/h3\u003e\r\n\u003cp\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments. An 8-voice version of the desktop module is also available, which, like the Prophet Rev2 keyboard, can later be expanded to 16-voices with the \u003cspan\u003e\u003ca href=\"https:\/\/www.davesmithinstruments.com\/product\/prophet-rev2-expander-kit\/\"\u003eExpander Kit\u003c\/a\u003e \u003c\/span\u003eif desired.\u003c\/p\u003e\r\n\u003ch3\u003eBold Sound\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\r\n\u003ch3\u003eWaveshape Modulation\u003c\/h3\u003e\r\n\u003cp\u003eA powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\r\n\u003ch3\u003eEffects Per Layer\u003c\/h3\u003e\r\n\u003cp\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\r\n\u003ch3\u003eExtended Mod Matrix\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\r\n\u003ch3\u003ePer-Knob Programmability\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\r\n\u003ch3\u003eEminently Playable\u003c\/h3\u003e\r\n\u003cp\u003eAll of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.\u003c\/p\u003e\r\n\u003ch3\u003eProphet Rev2 Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw\/triangle mix, and pulse waves (with pulse-width modulation)\u003c\/li\u003e\r\n\u003cli\u003eGlide (portamento): separate rates per oscillator\u003c\/li\u003e\r\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\r\n\u003cli\u003eAnalog VCAs\u003c\/li\u003e\r\n\u003cli\u003eHard sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTERS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eENVELOPES\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLFOS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 LFO’s with key sync per LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMODULATION\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8-slot modulation matrix\u003c\/li\u003e\r\n\u003cli\u003e22 sources\u003c\/li\u003e\r\n\u003cli\u003e53 destinations\u003c\/li\u003e\r\n\u003cli\u003e5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eProgrammable arpeggiator with up, down, up+down, random, assign modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\r\n\u003cli\u003eNote repeat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCONTROLS \u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMIDI In, Out, Thru\u003c\/li\u003e\r\n\u003cli\u003eMain stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eOutput B stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eSustain pedal input: accepts normally on or normally off momentary footswitch.\u003c\/li\u003e\r\n\u003cli\u003ePedal\/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output: 1\/4″ stereo phone jack.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\n\u003cspan\u003ePHYSICAL\u003c\/span\u003e SPECS\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOiled African mahogany wood end panels\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 7.9″ (20 cm) W x 21.6″ (54.8 cm) L x 3.3″ (8.4 cm) H\u003c\/li\u003e\r\n\u003cli\u003eWeight: 7.5 lbs. (3.4 kg)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347224535213,"sku":"sequential_prophet_rev2_module_8voice_1808","price":1999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/rev2-module-top-angle_3.jpg?v=1645046855"},{"product_id":"sequential-prophet-rev2-desktop-16-voice","title":"SEQUENTIAL PROPHET REV2 DESKTOP 16 VOICE","description":"\u003ch3\u003eA Modern Classic Reinvented\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 desktop module is just as powerful and easy to use as its counterpart, the Prophet Rev2 keyboard. The module has the same controls with the same the same ease of use as the keyboard version. Best of all, it sounds just as awesome, because it’s exactly the same on the inside — Dave Smith’s reimagining of his now-classic Prophet ’08 poly synth.\u003c\/p\u003e\r\n\u003cp\u003eThe Prophet Rev2 retains all of the key features of the Prophet ’08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.\u003c\/p\u003e\r\n\u003cp\u003eYou can download any of the many existing libraries of Prophet ’08 sounds and they will not only sound identical, but can be enhanced with the new features.\u003c\/p\u003e\r\n\u003ch3\u003e16-Voice Polyphony\u003c\/h3\u003e\r\n\u003cp\u003eWith 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords via your MIDI controller, stack two 8-voice sounds for massive, complex textures, or split your controller into two completely separate 8-voice Prophet Rev2 instruments. An 8-voice version of the desktop module is also available, which, like the Prophet Rev2 keyboard, can later be expanded to 16-voices with the \u003cspan\u003e\u003ca href=\"https:\/\/www.davesmithinstruments.com\/product\/prophet-rev2-expander-kit\/\"\u003eExpander Kit\u003c\/a\u003e \u003c\/span\u003eif desired.\u003c\/p\u003e\r\n\u003ch3\u003eBold Sound\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet Rev2 gets its bold, punchy sound from its 2\/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet ’08, but in many classic instruments of the 70’s and 80’s. A separate Audio Mod control adds additional harmonic complexity and movement.\u003c\/p\u003e\r\n\u003ch3\u003eWaveshape Modulation\u003c\/h3\u003e\r\n\u003cp\u003eA powerful new feature unique to the Prophet Rev2 is waveshape modulation. You can now vary the “pulse width” of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.\u003c\/p\u003e\r\n\u003ch3\u003eEffects Per Layer\u003c\/h3\u003e\r\n\u003cp\u003eThe effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.\u003c\/p\u003e\r\n\u003ch3\u003eExtended Mod Matrix\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources\/destinations. It’s a veritable sound designer’s playground.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eThe polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.\u003c\/p\u003e\r\n\u003ch3\u003ePer-Knob Programmability\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to Prophet Rev2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.\u003c\/p\u003e\r\n\u003ch3\u003eEminently Playable\u003c\/h3\u003e\r\n\u003cp\u003eAll of this polyphonic muscle is packed into a compact desktop module with an integrated power supply, USB support, and a crisp OLED display. Whether you’re gigging or recording, it’s an analog powerhouse like no other.\u003c\/p\u003e\r\n\u003ch3\u003eProphet Rev2 Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 digitally controlled analog oscillators (DCOs) per voice (plus sub octave on oscillator 1) with selectable sawtooth, triangle, saw\/triangle mix, and pulse waves (with pulse-width modulation)\u003c\/li\u003e\r\n\u003cli\u003eGlide (portamento): separate rates per oscillator\u003c\/li\u003e\r\n\u003cli\u003eWhite noise generator\u003c\/li\u003e\r\n\u003cli\u003eAnalog VCAs\u003c\/li\u003e\r\n\u003cli\u003eHard sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTERS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1 analog Curtis low-pass filter per voice, selectable 2- and 4-pole operation (self-resonating in 4-pole mode)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eENVELOPES\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 envelope generators: filter, VCA, and assignable (four-stage ADSR + delay); Envelope 3 can loop.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps (6 notes per step), and ties and rests. Separate 16 x 4 gated step sequencer. Each layer can have a separate sequence.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLFOS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e4 LFO’s with key sync per LFO\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMODULATION\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8-slot modulation matrix\u003c\/li\u003e\r\n\u003cli\u003e22 sources\u003c\/li\u003e\r\n\u003cli\u003e53 destinations\u003c\/li\u003e\r\n\u003cli\u003e5 additional dedicated sources: mod wheel, pressure, velocity, breath controller, footswitch\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eProgrammable arpeggiator with up, down, up+down, random, assign modes\u003c\/li\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eRe-latching arpeggiation\u003c\/li\u003e\r\n\u003cli\u003eNote repeat\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCONTROLS \u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e55 knobs and 35 buttons enable deep and comprehensive editing with little to no menu diving.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e512 Factory Programs (4 banks of 128) and 512 fully editable User Programs with 2 layers (2 separate sounds) in each Program\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMIDI In, Out, Thru\u003c\/li\u003e\r\n\u003cli\u003eMain stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eOutput B stereo audio output: 1\/4″ unbalanced\u003c\/li\u003e\r\n\u003cli\u003eSustain pedal input: accepts normally on or normally off momentary footswitch.\u003c\/li\u003e\r\n\u003cli\u003ePedal\/CV input: responds to expression pedals or control voltages ranging from 0 to 5 VDC (protected against higher or negative voltages).\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output: 1\/4″ stereo phone jack.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz\u003c\/li\u003e\r\n\u003cli\u003ePower consumption: 22 watts maximum (17 watts for 8-voice configuration; 22 watts for 16-voice configuration)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\n\u003cspan\u003ePHYSICAL\u003c\/span\u003e SPECS\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOiled African mahogany wood end panels\u003c\/li\u003e\r\n\u003cli\u003eDimensions: 7.9″ (20 cm) W x 21.6″ (54.8 cm) L x 3.3″ (8.4 cm) H\u003c\/li\u003e\r\n\u003cli\u003eWeight: 7.5 lbs. (3.4 kg)\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347224567981,"sku":"sequential_prophet_rev2_desktop_16voice_1816","price":2499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/rev2-module-top-angle_4.jpg?v=1645046866"},{"product_id":"novation-peak","title":"NOVATION PEAK","description":"\u003ch2\u003eEight-voice polyphonic synthesiser\u003c\/h2\u003e\r\n\u003cp\u003ePeak sounds warm and rich with filthy, biting overdrive. It’s an eight-voice desktop polyphonic synthesiser with three New Oxford Oscillators for each voice. The synth has a resonant multi-mode analogue filter for each voice, and three distortion points in an analogue signal chain.\u003c\/p\u003e\r\n\u003ch2\u003eAnalogue where it matters – digital where it counts\u003c\/h2\u003e\r\n\u003cp\u003ePeak’s design consultant was none other than Chris Huggett, the man behind Bass Station, Supernova, OSCar and many more legendary synths. Peak has its origin in the Bass Station II analogue monosynth, and Peak’s oscillators sound completely analogue by being high-quality NCOs (Numerically-Controlled Oscillators), but gain the flexibility of the digital domain with 17 digital wavetables.\u003c\/p\u003e\r\n\u003ch2\u003eBuild and refine new sounds from scratch\u003c\/h2\u003e\r\n\u003cp\u003eBroaden out your electronic music, draw in new influences and take artistic risks. The modulation system puts the most frequently used assignments right at your fingertips in the main controls. More elaborate movements and secondary ‘via’ assignments are made just a few menu button presses away.\u003c\/p\u003e\r\n\u003cdiv class=\"stretch-left-right tuck-bottom png\" data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003ch2\u003eConnect to just about anything\u003c\/h2\u003e\r\n\u003cp\u003eYou can plug Peak into your Mac or PC via USB and start playing. It also has MIDI I\/O on five-pin DIN ports, so you can connect your other MIDI gear. Oh, and did we mention it connects to modular systems via a CV modulation input?\u003c\/p\u003e\r\n\u003cdiv id=\"key-features\" class=\"key-features row\"\u003e\r\n\u003cdiv class=\"sub-row\"\u003e\r\n\u003cdiv class=\"med_col12\"\u003e\r\n\u003ch2\u003eKey Features\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"row\"\u003e\r\n\u003cdiv class=\"sub-row\"\u003e\r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/10-KF1_0.png?v=1645047016\" alt=\"\" data-image-id=\"9\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eTwo ways to create waveforms\u003c\/h3\u003e\r\n\u003cp\u003eAnalogue-sounding NCOs (Numerically-Controlled Oscillators) and 17 digital wavetables.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/11-KF2_0.png?v=1645047018\" alt=\"\" data-image-id=\"10\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eA colossal amount of distortion\u003c\/h3\u003e\r\n\u003cp\u003eThree distortion points for each voice – pre-filter, post-filter and global – in an analogue signal chain.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/12-KF3_0.png?v=1645047020\" alt=\"\" data-image-id=\"11\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eControl expression\u003c\/h3\u003e\r\n\u003cp\u003ePeak is capable of receiving polyphonic aftertouch, which puts expression right at your fingertips.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/13-KF4_0.png?v=1645047021\" alt=\"\" data-image-id=\"12\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eCross-modulate oscillators\u003c\/h3\u003e\r\n\u003cp\u003eThe three New Oxford Oscillators for each voice can become a linear FM source using either the analogue-sounding NCOs (Numerically-Controlled Oscillators) or digital wavetables. They are also able to cross-modulate in a recursive loop.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/14-KF5_0.png?v=1645047023\" alt=\"\" data-image-id=\"13\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eHuge modulation system\u003c\/h3\u003e\r\n\u003cp\u003e16-slot modulation matrix and 16 direct assignments controlled from the front panel, cleverly arranged for intuitive patch design and sound editing. Three ADSR envelopes and two LFOs for each voice.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/15-KF6_0.png?v=1645047025\" alt=\"\" data-image-id=\"14\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eEasily switch modulations\u003c\/h3\u003e\r\n\u003cp\u003eTwo animate buttons give live performers instant one-touch transformation of patches.\u003c\/p\u003e\r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/16-KF7_0.png?v=1645047026\" alt=\"\" data-image-id=\"15\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eMind-blowing sounds on-board\u003c\/h3\u003e\r\n\u003cp\u003eReverb, delay and chorus at your disposal, and there’s also an arpeggiator.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/17-KF8_0.png?v=1645047028\" alt=\"\" data-image-id=\"16\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eConnect to hardware and software\u003c\/h3\u003e\r\n\u003cp\u003eConnect and sync to your music software and MIDI-compatible hardware. CV modulation input used to slot together modular systems.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/18-KF9_0.png?v=1645047029\" alt=\"\" data-image-id=\"17\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eStore unlimited sounds\u003c\/h3\u003e\r\n\u003cp\u003eKeep as many patches as you like on your Mac or PC using the Components software. Learn more about Components \u003ca href=\"https:\/\/us.novationmusic.com\/circuit-components\"\u003ehere\u003c\/a\u003e.\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003ch2\u003eTech Spec\u003c\/h2\u003e\r\n\u003cdiv data-media_nid=\"15583\" data-shortcode=\"spec\" data-field_machine_name=\"field_product_spec_table\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"spec-field\"\u003e\r\n\u003cdiv class=\"spec-table\"\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eProduct Hardware Specifications\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e42 Control knobs\u003c\/li\u003e\r\n\u003cli\u003e8 35mm Sliders\u003c\/li\u003e\r\n\u003cli\u003e1 Volume knob\u003c\/li\u003e\r\n\u003cli\u003e2 Data encoders\u003c\/li\u003e\r\n\u003cli\u003eRubberised knob caps with spun metal discs\u003c\/li\u003e\r\n\u003cli\u003e30 Function buttons (not lit)\u003c\/li\u003e\r\n\u003cli\u003e16 Function buttons (lit)\u003c\/li\u003e\r\n\u003cli\u003e2 Animate buttons plus hold button\u003c\/li\u003e\r\n\u003cli\u003e90 Indicator LEDs\u003c\/li\u003e\r\n\u003cli\u003eOLED display\u003c\/li\u003e\r\n\u003cli\u003eKensington Security Slot\u003c\/li\u003e\r\n\u003cli\u003ePower switch\u003c\/li\u003e\r\n\u003cli\u003ePower supply connector\u003c\/li\u003e\r\n\u003cli\u003eUSB socket for system \/ MIDI comms only (no bus-power)\u003c\/li\u003e\r\n\u003cli\u003eMIDI In \/ Out \/ Thru\u003c\/li\u003e\r\n\u003cli\u003e2 1\/4\" jack socket for continuous or switched pedals\u003c\/li\u003e\r\n\u003cli\u003e3.5mm jack socket for CV in\u003c\/li\u003e\r\n\u003cli\u003e1\/4\" jack sockets for left and right outputs\u003c\/li\u003e\r\n\u003cli\u003e1\/4\" jack socket for headphone output\u003c\/li\u003e\r\n\u003cli\u003eMetal chassis with American walnut wooden end cheeks\u003c\/li\u003e\r\n\u003cli\u003eMetal magnetic inset end pieces\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eSynth Engine\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e8 voice polyphonic (voice modes available unison etc.) \u003c\/li\u003e\r\n\u003cli\u003eMono-Timbral \u003c\/li\u003e\r\n\u003cli\u003e5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003ePer voice\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e3 oscillators \u003c\/li\u003e\r\n\u003cli\u003e1 noise generator \u003c\/li\u003e\r\n\u003cli\u003e1 ring modulator \u003c\/li\u003e\r\n\u003cli\u003e2 LFOs \u003c\/li\u003e\r\n\u003cli\u003e1 Amp envelope and 2 mod envelopes \u003c\/li\u003e\r\n\u003cli\u003e1 Filter \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eWaveforms include:\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSine, tri, sawtooth, square \/ pulse plus 17 wavetables of 5 waveforms per row \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eFilter\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e1x State variable OTA filter per voice \u003c\/li\u003e\r\n\u003cli\u003e12\/24dB slope \u003c\/li\u003e\r\n\u003cli\u003eLow-pass \/ band-pass \/ high-pass \u003c\/li\u003e\r\n\u003cli\u003ePre-filter overdrive \u003c\/li\u003e\r\n\u003cli\u003ePost-filter distortion \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eModulation\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e16 modulation slots per patch \u003c\/li\u003e\r\n\u003cli\u003eEach slot has 2 sources to 1 destination \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eMod sources (17)\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDirect (depth) \u003c\/li\u003e\r\n\u003cli\u003eModulation wheel \u003c\/li\u003e\r\n\u003cli\u003eAftertouch (polyphonic and channel AT) \u003c\/li\u003e\r\n\u003cli\u003eExpression pedal 1 \u003c\/li\u003e\r\n\u003cli\u003eExpression pedal 2 \u003c\/li\u003e\r\n\u003cli\u003eKeyboard velocity \u003c\/li\u003e\r\n\u003cli\u003eLFO1 positive \u003c\/li\u003e\r\n\u003cli\u003eLFO1 bi-polar \u003c\/li\u003e\r\n\u003cli\u003eLFO2 positive \u003c\/li\u003e\r\n\u003cli\u003eLFO2 bi-polar \u003c\/li\u003e\r\n\u003cli\u003eAmp envelope \u003c\/li\u003e\r\n\u003cli\u003eMod envelope 1 \u003c\/li\u003e\r\n\u003cli\u003eMod envelope 2 \u003c\/li\u003e\r\n\u003cli\u003eAnimate 1 \u003c\/li\u003e\r\n\u003cli\u003eAnimate 2 \u003c\/li\u003e\r\n\u003cli\u003eCV mod input bi-polar \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eMod destinations (37)\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1-3 frequency, v-sync level, shape amount and level \u003c\/li\u003e\r\n\u003cli\u003eNoise source level \u003c\/li\u003e\r\n\u003cli\u003eRing modulator output level \u003c\/li\u003e\r\n\u003cli\u003eOveral synth output level \u003c\/li\u003e\r\n\u003cli\u003eFilter drive, distortion, cut-off frequency and resonance \u003c\/li\u003e\r\n\u003cli\u003eLFO 1 and 2 frequency \u003c\/li\u003e\r\n\u003cli\u003eAmp env \/ mod env 1 \/ mod env 2 attack, decay and release \u003c\/li\u003e\r\n\u003cli\u003eFM Osc 1 -\u003cspan\u003e\u0026gt;\u003c\/span\u003e osc 2, osc 2 -\u003cspan\u003e\u0026gt;\u003c\/span\u003e osc 3, osc 3 -\u003cspan\u003e\u0026gt;\u003c\/span\u003e osc 1 and noise -\u003cspan\u003e\u0026gt;\u003c\/span\u003e osc 1 \u003c\/li\u003e\r\n\u003cli\u003eOsc 3 -\u003cspan\u003e\u0026gt;\u003c\/span\u003e filter cutoff frequency \u003c\/li\u003e\r\n\u003cli\u003eNoise -\u003cspan\u003e\u0026gt;\u003c\/span\u003e filter cutoff frequency \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eEffects\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAnalogue distortion \u003c\/li\u003e\r\n\u003cli\u003eChorus - 3 types \u003c\/li\u003e\r\n\u003cli\u003eDelay with 16 types of delay sync, LP and HP damping, slew and stereo\u003c\/li\u003e\r\n\u003cli\u003eReverb - 3 types \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eMisc\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eArpeggiator w\/ key latch – 33 patterns \u003c\/li\u003e\r\n\u003cli\u003ePatch storage - up to 512 on hardware (ships with 256 factory patches) \u003c\/li\u003e\r\n\u003cli\u003eGlide\u003c\/li\u003e\r\n\u003cli\u003eAll knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eSoftware Compatibility\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAbleton Live Lite 9 is included \u003c\/li\u003e\r\n\u003cli\u003ePeak is a USB-MIDI class compliant device \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003ePower Requirements\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaximum power consumption 12V DC 1A \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eProduct Dimensions\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e233mm (9.17\") width x 464mm (18.27\") depth x 70.5mm (2.78\") height\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"NOVATION","offers":[{"title":"Default Title","offer_id":41347228696749,"sku":"novation_peak","price":1839.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/03-peak_0.png?v=1645047014"},{"product_id":"novation-bass-station-ii","title":"NOVATION BASS STATION II","description":"\u003ch2\u003eThe analogue monosynth reborn\u003c\/h2\u003e\r\n\u003cp\u003eNothing out there sounds this warm, fat and dirty. Bass Station II is our pure analogue monosynth. We based it on our classic Bass Station, then enhanced every area to make it even bigger, angrier and more versatile.\u003c\/p\u003e\r\n\u003cp\u003eIt has two tuneable oscillators, a sub-oscillator for enormous bass, plus noise and ring modulation. It also gives you two distinct analogue filter types: the classic multi-mode filter and a new acid filter, for a massive variation in sonic possibilities.\u003c\/p\u003e\r\n\u003cdiv class=\"med_col8\"\u003e\r\n\u003ch2\u003eArtist Soundpack\u003c\/h2\u003e\r\n\u003cp\u003eWe decided to put a call out to a handful of our Bass Station II artists to have them create some patches for a new soundpack.\u003c\/p\u003e\r\n\u003cp\u003eHere’s the roster of analogue noodlers who got involved: Nite Jewel, Cian from Super Furry Animals, Jeremy from Everything Everything, Jason Miles, Victor Parris Mitchell, Adam Freedland.\u003c\/p\u003e\r\n\u003cp\u003e\u003ca href=\"https:\/\/us.novationmusic.com\/soundpacks#pack-artist\"\u003eGo here to get the pack\u003c\/a\u003e\u003c\/p\u003e\r\n\u003ch2\u003eMuch More Than Bass\u003c\/h2\u003e\r\n\u003cp\u003eThis synth can sound as mellow or aggressive as you want. Seek out sweet spots with the filter mod to make it sing. Crank the distortion and it will growl with pent up anger. Push the resonance to self oscillation to create shrieking leads. Bass Station II can sound however you feel.\u003c\/p\u003e\r\n\u003ch2\u003eEasy Controls for Complex Design\u003c\/h2\u003e\r\n\u003cp\u003eWe put as many controls as possible onto Bass Station II, so you can totally lose yourself in discovering and creating new sounds. Of course, we also laid out all those controls in the clearest and most useful way, to keep sound design as straightforward and fun as possible.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\r\n\u003ch2\u003eSave and Load Patches\u003c\/h2\u003e\r\n\u003cp\u003eWe loaded Bass Station II with 64 diverse patches that showcase its huge sonic variation. We also left 64 slots free, so you can easily save and load your own patches on the unit, or in the free librarian software.\u003c\/p\u003e\r\n\u003ch2\u003eInstant Inspiration\u003c\/h2\u003e\r\n\u003cp\u003eBass Station II's pattern-based arpeggiator and step sequencer are a fun and immediate way to find new inspiration. The sequencer lets you record your own notes, ties, rests and rhythms in real time, then store them, recall them and use them with any patch you like. Easily and automatically sync them to your music software or hardware setup, or even add swing to get your groove going.\u003c\/p\u003e\r\n\u003ch2\u003eConnect to Just About Anything\u003c\/h2\u003e\r\n\u003cp\u003eBass Station II is fully class compliant, so you can plug into anything via USB and start playing. It also has MIDI I\/O on 5 pin din ports, so you can connect your other MIDI gear. You can even connect an external instrument and run it through Bass Station II's analogue filter and effects.\u003c\/p\u003e\r\n\u003cdiv class=\"sub-row\"\u003e\r\n\u003cdiv class=\"med_col12\"\u003e\r\n\u003ch2\u003eKey Features\u003c\/h2\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"row\"\u003e\r\n\u003cdiv class=\"sub-row\"\u003e\r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/27-KF1.jpg?v=1645047036\" alt=\"\" data-image-id=\"15\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eCreate a huge variety of sounds\u003c\/h3\u003e\r\n\u003cp\u003eTwo pure analogue, sync-able and tuneable oscillators with four selectable waveforms, plus a third sub-oscillator, noise and ring modulation.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/28-KF2.jpg?v=1645047038\" alt=\"\" data-image-id=\"16\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eEnormous bass and shrieking leads\u003c\/h3\u003e\r\n\u003cp\u003eSwitch the multi-mode Classic Filter between low, hi and band pass with 12 and 24dB slopes.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/29-KF3.jpg?v=1645047039\" alt=\"\" data-image-id=\"17\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eImproved analogue filter stage\u003c\/h3\u003e\r\n\u003cp\u003eA 24dB Acid Filter that is even darker, wetter and smoother than the Classic.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/30-KF4.jpg?v=1645047040\" alt=\"\" data-image-id=\"18\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eTurn Jekyll to Hyde\u003c\/h3\u003e\r\n\u003cp\u003eCreate crunchy, aggressive sounds with fully analogue distortion, filter-modulation effects and a separate filter overdrive.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/35-KF9.jpg?v=1645047041\" alt=\"\" data-image-id=\"19\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eEasily load and save patches\u003c\/h3\u003e\r\n\u003cp\u003eComes with 64 patches that cover a huge range of styles, but you can create, save, archive and swap 64 of your own too.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/31-KF5.jpg?v=1645047043\" alt=\"\" data-image-id=\"20\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eGet instant inspiration\u003c\/h3\u003e\r\n\u003cp\u003eRecord notes, ties, rests and rhythms in real time using the step sequencer and arpeggiator, then easily store them, recall them and use them with any patch you like.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/32-KF6.jpg?v=1645047045\" alt=\"\" data-image-id=\"21\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eExperiment easily\u003c\/h3\u003e\r\n\u003cp\u003eGet your hands on loads of controls, cleverly arranged for intuitive patch design and sound editing.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/33-KF7.jpg?v=1645047046\" alt=\"\" data-image-id=\"22\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eFlexible modulation\u003c\/h3\u003e\r\n\u003cp\u003eTriangle, sawtooth and square LFO waveforms, as well as sample and hold, and two ADSR envelopes for filter, pitch and pulse width modulation.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/36-KF10_0.png?v=1645047048\" alt=\"\" data-image-id=\"23\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eConnect to hardware and software\u003c\/h3\u003e\r\n\u003cp\u003eConnect and sync to your music software and MIDI-compatible hardware.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/37-KF11.jpg?v=1645047049\" alt=\"\" data-image-id=\"24\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003ePlayer's Keyboard\u003c\/h3\u003e\r\n\u003cp\u003eFull sized 25-note) velocity-sensitive keyboard, with a fast synth-action and aftertouch.\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n \r\n\u003cdiv class=\"sm_col6 med_col4\"\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"img\" data-field_machine_name=\"field_tt_image\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"cta_images_wrapper intrinsic_ratio_wrapper\"\u003e\u003cimg class=\"cta_images_js_image cta_images\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/t\/4\/assets\/bsii-video-thumb_0.jpg?v=1645047050\" alt=\"\" data-image-id=\"25\"\u003e\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003ch3\u003eStore unlimited sounds\u003c\/h3\u003e\r\n\u003cp\u003eKeep as many patches as you like on your Mac or PC using the Librarian Software.\u003c\/p\u003e\r\n\u003ch2\u003eTech Spec\u003c\/h2\u003e\r\n\u003cdiv data-media_nid=\"4701\" data-shortcode=\"spec\" data-field_machine_name=\"field_product_spec_table\" data-block_machine_name=\"block\"\u003e\r\n\u003cdiv class=\"spec-field\"\u003e\r\n\u003cdiv class=\"spec-table\"\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eProduct Hardware Specifications\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eHardware \u0026amp; controller assignment\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e25 note synth-action keyboard\u003c\/li\u003e\r\n\u003cli\u003eAftertouch can be assigned to modulate:\r\n\u003cul\u003e\r\n\u003cli\u003eFilter frequency\u003c\/li\u003e\r\n\u003cli\u003eLFO 1to Osc pitch\u003c\/li\u003e\r\n\u003cli\u003eOsc 2 speed\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003ePitch wheel\u003c\/li\u003e\r\n\u003cli\u003eModulation wheel can be assigned to:\r\n\u003cul\u003e\r\n\u003cli\u003eLFO 2 to filter frequency\u003c\/li\u003e\r\n\u003cli\u003eLFO 1 to Osc pitch\u003c\/li\u003e\r\n\u003cli\u003eOsc 2 pitch\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eOctave up\/ down buttons\u003c\/li\u003e\r\n\u003cli\u003e64 factory presets\u003c\/li\u003e\r\n\u003cli\u003e64 slots for user patches (and patch dump facility for storing more)\u003c\/li\u003e\r\n\u003cli\u003eMaster volume dial\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eInputs and Outputs\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUSB MIDI (for connecting \u0026amp; powering Bass Station II via host computer)\u003c\/li\u003e\r\n\u003cli\u003eMono output on 1\/4\" TRS jack\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output on 1\/4\" TRS jack\u003c\/li\u003e\r\n\u003cli\u003eExternal input on 1\/4\" TRS jack\u003c\/li\u003e\r\n\u003cli\u003eSustain pedal input on 1\/4\" TS jack\u003c\/li\u003e\r\n\u003cli\u003eMIDI IN \/ MIDI OUT ports on 5 pin din\u003c\/li\u003e\r\n\u003cli\u003eDC power input\u003c\/li\u003e\r\n\u003cli\u003eSwitch between power off \/ DC powered \/ bus powered\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eSynth Engine\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eOscillators\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOsc 1\u003c\/li\u003e\r\n\u003cli\u003eOsc 2\u003c\/li\u003e\r\n\u003cli\u003eSub Osc (3)\u003c\/li\u003e\r\n\u003cli\u003eNoise generator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch5\u003eOsc 1 \u0026amp; 2\u003c\/h5\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eSelect between waveforms:\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003esine\u003c\/li\u003e\r\n\u003cli\u003etriangle\u003c\/li\u003e\r\n\u003cli\u003esawtooth\u003c\/li\u003e\r\n\u003cli\u003esquare\/variable pulse width\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eFeatures\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSync 1 \u0026amp; 2\u003c\/li\u003e\r\n\u003cli\u003eDetune\u003c\/li\u003e\r\n\u003cli\u003eOctave range\u003c\/li\u003e\r\n\u003cli\u003ePitch bend\u003c\/li\u003e\r\n\u003cli\u003ePitch modulation from Mod Envelope and\/or LFO 1\u003c\/li\u003e\r\n\u003cli\u003ePulse width modulation from Mod Envelope and\/or LFO 2\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch5\u003eSub Osc (3) which is tracked to Osc 1\u003c\/h5\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eSelect independently between waveforms:\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSine\u003c\/li\u003e\r\n\u003cli\u003eSquare\u003c\/li\u003e\r\n\u003cli\u003eNarrow pulse\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eFeatures\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAll modulation and tuning tracked to Osc 1\u003c\/li\u003e\r\n\u003cli\u003eIndependent octave select \u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eMixer\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOsc 1 level\u003c\/li\u003e\r\n\u003cli\u003eOsc 2 level\u003c\/li\u003e\r\n\u003cli\u003eSub Osc level\u003c\/li\u003e\r\n\u003cli\u003eNoise generator level\u003c\/li\u003e\r\n\u003cli\u003eRing modulation depth\u003c\/li\u003e\r\n\u003cli\u003eExternal signal level\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eFilter\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eTwo filter types\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAcid type (diode ladder filter design)\u003c\/li\u003e\r\n\u003cli\u003eClassic type (derived from original Bass Station)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eFeatures\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eCutoff\u003c\/li\u003e\r\n\u003cli\u003eResonance\u003c\/li\u003e\r\n\u003cli\u003eOverdrive\u003c\/li\u003e\r\n\u003cli\u003eFilter frequency to Mod Envelope depth\u003c\/li\u003e\r\n\u003cli\u003eFilter frequency to LFO 2 depth\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eSelect 'Classic' filter between:\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLow pass\u003c\/li\u003e\r\n\u003cli\u003eBand pass\u003c\/li\u003e\r\n\u003cli\u003eHigh pass\u003c\/li\u003e\r\n\u003cli\u003e12dB slope\u003c\/li\u003e\r\n\u003cli\u003e24dB slope\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eEnvelopes\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eTwo ADSR Envelopes (Attack\/Decay\/Sustain\/Release)\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAmp Envelope\u003c\/li\u003e\r\n\u003cli\u003eMod Envelope\u003c\/li\u003e\r\n\u003cli\u003eCombined control of both Envelopes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eSelect triggering mode between:\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSingle trigger (holds envelope state when new note is played)\u003c\/li\u003e\r\n\u003cli\u003eMulti trigger (re-triggers with every new note played)\u003c\/li\u003e\r\n\u003cli\u003eAutoglide (engages portamento) \u003cbr\u003eThere is also a VCA limiter\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eLFO\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch6\u003eTwo LFOs each selectable between:\u003c\/h6\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTriangle\u003c\/li\u003e\r\n\u003cli\u003eSawtooth\u003c\/li\u003e\r\n\u003cli\u003eSquare\u003c\/li\u003e\r\n\u003cli\u003eSample and hold\u003c\/li\u003e\r\n\u003cli\u003eBoth LFOs independently adjustable between rate and delay time\u003c\/li\u003e\r\n\u003cli\u003eKey sync LFO 1 \u0026amp; 2\u003c\/li\u003e\r\n\u003cli\u003eLFO slew on LFO 1\u0026amp; 2 (low pass filter on the LFO waveform)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eEffects\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eDistortion send\u003c\/li\u003e\r\n\u003cli\u003eOscillator filter mod amount (FM effect created by Oscillator 2 modulating filter freq)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003eStep Sequencer\/Arpeggiator\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch5\u003eArpeggiator\u003c\/h5\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUp to 32 different patterns\u003c\/li\u003e\r\n\u003cli\u003eSelect between 1-4 octave range\u003c\/li\u003e\r\n\u003cli\u003eSwing function\u003c\/li\u003e\r\n\u003cli\u003eSelect direction:\r\n\u003cul\u003e\r\n\u003cli\u003eup\u003c\/li\u003e\r\n\u003cli\u003edown\u003c\/li\u003e\r\n\u003cli\u003eup \/ down 1\u003c\/li\u003e\r\n\u003cli\u003eup \/ down 2\u003c\/li\u003e\r\n\u003cli\u003eAs played\u003c\/li\u003e\r\n\u003cli\u003eRandom\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/li\u003e\r\n\u003cli\u003eLatch (hold the arpeggiator)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch5\u003eStep Sequencer\u003c\/h5\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUp to four sequences\u003c\/li\u003e\r\n\u003cli\u003eAssign one of 32 preset rhythms or create your own\u003c\/li\u003e\r\n\u003cli\u003einsert rests or legato (slide)\u003c\/li\u003e\r\n\u003cli\u003eSequencer re-trigger function\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch4\u003ePortamento\u003c\/h4\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eAdjust glide time\u003c\/li\u003e\r\n\u003cli\u003eSingle trigger or re-trigger modes\u003c\/li\u003e\r\n\u003cli\u003eIntegrate into step sequencer and arpeggiator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003ePower Requirements\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUSB bus powered\u003c\/li\u003e\r\n\u003cli\u003e9V DC power supply included\u003c\/li\u003e\r\n\u003cli\u003eMaximum power consumption 9V DC 300mA\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-header\"\u003e\r\n\u003ch3\u003eProduct Dimensions\u003c\/h3\u003e\r\n\u003c\/div\u003e\r\n\u003cdiv class=\"spec-section\"\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e457mm (18”) width x 273mm (10.75”) depth x 76mm (3”) height\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"NOVATION","offers":[{"title":"Default Title","offer_id":41347228991661,"sku":"novation_bass_station_ii","price":579.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/3-bsii-overhead-large.jpg?v=1645047034"},{"product_id":"sequential-prophet-6-keyboard","title":"SEQUENTIAL PROPHET-6 KEYBOARD","description":"\u003ch3\u003eVintage with a Modern Twist\u003c\/h3\u003e\r\n\u003cp\u003eThe Prophet-6 is Dave Smith’s tribute to the poly synth that started it all—the Sequential Prophet-5. But it’s not simply a reissue of a classic. Rather, as Dave puts it, “It’s the result of our effort to build the most awesome-sounding, modern analog poly synth possible.” The Prophet-6 takes the best qualities of the original Prophet-5—true voltage-controlled oscillators, filters, and amplifiers—and adds enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. The result is pure, unadulterated analog tone with the stability and reliability of a state-of-the-art modern synth.\u003c\/p\u003e\r\n\u003ch3\u003eClassic Tone, Classic Vibe\u003c\/h3\u003e\r\n\u003cp\u003eCentral to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice—a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.\u003c\/p\u003e\r\n\u003ch3\u003eDual Effects\u003c\/h3\u003e\r\n\u003cp\u003eThe dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’s also an independent stereo distortion effect, which is 100% analog.\u003c\/p\u003e\r\n\u003ch3\u003ePoly Mod and Poly Step Sequencing\u003c\/h3\u003e\r\n\u003cp\u003eAlso present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Program\u003c\/h3\u003e\r\n\u003cp\u003eThe knob-per-function front panel offers instant access to virtually all Prophet-6 functions. Included are 500 permanent factory programs and 500 rewritable user programs. Toggling off the Preset button enables live panel mode, in which the sound of the Prophet-6 switches to the current settings of its knobs and switches. In this state, what you see is what you hear.\u003c\/p\u003e\r\n\u003ch3\u003eEasy to Play\u003c\/h3\u003e\r\n\u003cp\u003eAll of this awe-inspiring sound is packed into a four octave, semi-weighted keyboard with velocity and channel aftertouch that’s an ideal combination of portability and power for the project studio or the gigging musician.\u003c\/p\u003e\r\n\u003ch3\u003eProphet-6 Specifications\u003c\/h3\u003e\r\n\u003ch5\u003e\u003cspan\u003eOSCILLATORS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo newly designed, discrete VCOs per voice\u003c\/li\u003e\r\n\u003cli\u003eContinuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator\u003c\/li\u003e\r\n\u003cli\u003ePulse width per oscillator\u003c\/li\u003e\r\n\u003cli\u003eHard sync: oscillator 1 syncs to oscillator 2\u003c\/li\u003e\r\n\u003cli\u003eTriangle sub-octave generator (oscillator 1) per voice\u003c\/li\u003e\r\n\u003cli\u003eLow frequency mode (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking on\/off (oscillator 2)\u003c\/li\u003e\r\n\u003cli\u003eOscillator slop amount for increased tuning instability, from subtle to extreme\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eMIXER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eOscillator 1 amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 1 sub-octave amount\u003c\/li\u003e\r\n\u003cli\u003eOscillator 2 amount\u003c\/li\u003e\r\n\u003cli\u003eWhite noise amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eHIGH-PASS FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTwo-pole, resonant, high-pass filter per voice\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW-PASS FILTER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter\u003c\/li\u003e\r\n\u003cli\u003eFilter can be driven into self-oscillation with the Resonance control\u003c\/li\u003e\r\n\u003cli\u003eBi-polar filter envelope amount\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003cli\u003eKeyboard tracking: off, half, full\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eFILTER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAMPLIFIER ENVELOPE\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFour-stage (ADSR) envelope generator\u003c\/li\u003e\r\n\u003cli\u003eVelocity modulation of envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eLOW FREQUENCY OSCILLATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFive wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)\u003c\/li\u003e\r\n\u003cli\u003eClock sync (internal or external MIDI clock)\u003c\/li\u003e\r\n\u003cli\u003eInitial amount\u003c\/li\u003e\r\n\u003cli\u003eMod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOLY MOD\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSources: filter envelope (bi-polar) and oscillator 2 (bi-polar)\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eAFTERTOUCH\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSource: channel (mono) aftertouch with bi-polar amount\u003c\/li\u003e\r\n\u003cli\u003eDestinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eCLOCK\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eMaster clock with tap tempo\u003c\/li\u003e\r\n\u003cli\u003eBPM control and display\u003c\/li\u003e\r\n\u003cli\u003eMIDI clock sync\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eARPEGGIATOR\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSelectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note\u003c\/li\u003e\r\n\u003cli\u003eOne, two, or three octave range\u003c\/li\u003e\r\n\u003cli\u003eUp, down, up\/down, random, and assign modes\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eSEQUENCER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic step sequencer with up to 64 steps and rests\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eEFFECTS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eStereo analog distortion\u003c\/li\u003e\r\n\u003cli\u003eDual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator\u003c\/li\u003e\r\n\u003cli\u003eDelay sync\u003c\/li\u003e\r\n\u003cli\u003eTrue bypass maintains fully analog signal path when digital effects are off\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePERFORMANCE CONTROLS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eFull-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch\u003c\/li\u003e\r\n\u003cli\u003eBacklit pitch and mod wheels\u003c\/li\u003e\r\n\u003cli\u003eSpring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)\u003c\/li\u003e\r\n\u003cli\u003eTranspose controls for an 8-octave range\u003c\/li\u003e\r\n\u003cli\u003eHold switch latches held notes on\u003c\/li\u003e\r\n\u003cli\u003ePolyphonic glide (portamento)\u003c\/li\u003e\r\n\u003cli\u003eUnison (monophonic) mode with configurable voice count, from one to all six voices, and key modes\u003c\/li\u003e\r\n\u003cli\u003ePreset switch: when off, the front panel is live; what you see is what you hear\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePATCH MEMORY\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e500 user and 500 factory programs in 10 banks of 100 programs each\u003c\/li\u003e\r\n\u003cli\u003eDirect program access, including Prophet 5-style single-button access to the current set of 10 programs\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003eIN\/OUT\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eLeft\/mono and right audio outputs (2 x 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eHeadphone output (stereo, 1\/4” phone jack)\u003c\/li\u003e\r\n\u003cli\u003eMIDI in, out, and thru ports\u003c\/li\u003e\r\n\u003cli\u003eUSB for bidirectional MIDI communication\u003c\/li\u003e\r\n\u003cli\u003eLow-pass filter cutoff expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eVolume expression pedal input\u003c\/li\u003e\r\n\u003cli\u003eSustain footswitch input\u003c\/li\u003e\r\n\u003cli\u003eSequencer start\/stop footswitch input\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eIEC AC power inlet for internal power supply\u003c\/li\u003e\r\n\u003cli\u003eOperates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch5\u003e\u003cspan\u003ePHYSICAL SPECS\u003c\/span\u003e\u003c\/h5\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e32.3” L x 12.7” W x 4.6″ H (82.0 cm x 32.3 cm x 11.7 cm)\u003c\/li\u003e\r\n\u003cli\u003e20.0 lbs (9.5 kg)\u003c\/li\u003e\r\n\u003cli\u003eWalnut end panels and trim\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"SEQUENTIAL","offers":[{"title":"Default Title","offer_id":41347229221037,"sku":"sequential_6_2600","price":3499.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/p-6-top.jpg?v=1645047060"},{"product_id":"make-noise-black-and-gold-shared-system-plus","title":"MAKE NOISE BLACK AND GOLD SHARED SYSTEM PLUS | DISCONTINUED","description":"\u003cp\u003eThe Black \u0026amp; Gold Shared System Plus music synthesizer is the Shared System re-made in Black \u0026amp; Gold w\/ the Erbe-Verb, Morphagene, TEMPI, and CV Bus added in a \u003ca href=\"http:\/\/www.makenoisemusic.com\/cases\/7u-metal-cv-bus-case-matte-black\"\u003emetal case with the Make Noise logo\u003c\/a\u003e. The personal favorite system of Make Noise founder Tony Rolando, this collection of modules is utilized by all artists for the Make Noise Records Shared System Series. It was also utilized by both Alessandro Cortini and Richard Devine for their performances at the 2012 Make Noise Opening party. The Shared System is the deepest and most complex of our systems bringing together all of our synthesis techniques into one system. From analog FM to voltage controlled granularization, the Shared System will go to more sound destinations than most folks have time to travel to in a single lifetime.\u003c\/p\u003e\r\n\u003cp\u003eThe CV Bus was originally designed for Alessandro Cortini's personal Make Noise system. It provides visual indication of level, rate and polarity for up to 4 control signals that will be shared throughout a patch. These 4 control signals are color coded and distributed across the center of the system allowing for quick, clean and intuitive patching. The distribution method is unlike the typical multiple since the control signals will appear beneath their possible destinations allowing for the use of shorter patch cables. The color coding and visual indication makes navigating complex patches easier and more intuitive. Typically, the CV Bus would be used to share the most important control signals in a patch such as your Master Clock.\u003c\/p\u003e\r\n\u003cp\u003eThe CV Bus also has the tools needed for integrating the Make Noise system with the outside world. A 1\/4\" Mono input with plenty of gain allows for bringing external signals into the system. The optimal 10Vpp signal level is visually indicated. A high quality Stereo Line Driver converts powerful modular synthesizer signal levels to the commonly used Line Level. There is mini-jack inputs for Left and Right, a single Master Volume control, and a TRS Stereo 1\/4\" output jack. This output is capable of driving long cable out to a PA System or a set of Headphones. It has AC coupling and a built-in limiting circuit (with visual indication) that prevents damage to ears and PA system when the patching gets experimental.\u003c\/p\u003e\r\n\u003cp\u003eThe powder coated metal Case is 2 lbs. lighter than our wood Shared System case without compromising mechanical durability. The sleek matte black finish was selected to match our line of Black \u0026amp; Gold modules. This finish will show the story of your modular synth's travels over the years. If you do not want that story to be told you will want to request your system to be built using our wood 7U case with scratch resistant black urethane coating. (*Note: the Black and Gold Shared System in wood case does not include a TEMPI.)\u003c\/p\u003e\r\n\u003ch3\u003eincludes\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003ePolyphonic Time Shifting: TEMPI\u003c\/li\u003e\r\n\u003cli\u003eNew School Sequencing: René 2018\u003c\/li\u003e\r\n\u003cli\u003eHuman\/ Expression Control: Pressure Points\u003c\/li\u003e\r\n\u003cli\u003eDual Analog Oscillator: DPO\u003c\/li\u003e\r\n\u003cli\u003eVoltage Controlled Pitch Shifting and Echo: ECHOPHON\u003c\/li\u003e\r\n\u003cli\u003eDual Analog Control Voltage generator: MATHS\u003c\/li\u003e\r\n\u003cli\u003eComplex Random Voltage Generator: Wogglebug\u003c\/li\u003e\r\n\u003cli\u003eDual Low Pass Gate: Optomix\u003c\/li\u003e\r\n\u003cli\u003eBalanced Modulation: modDemix \u003c\/li\u003e\r\n\u003cli\u003eVoltage Controlled Tape and Microsound: Morphagene\u003c\/li\u003e\r\n\u003cli\u003eModeless, continuously variable voltage controlled reverb: Erbe-Verb\u003c\/li\u003e\r\n\u003cli\u003eHorizontal Control Signal Distribution and Indication: CV Bus\u003c\/li\u003e\r\n\u003cli\u003e7U case w\/ power supply and AC Adapter, Ready to Play\u003c\/li\u003e\r\n\u003cli\u003eShips with 30 Ad Infinitum patch cables\u003c\/li\u003e\r\n\u003cli\u003eFree blanking panels as appropriate\u003c\/li\u003e\r\n\u003cli\u003eComes with Lid, Highly portable, Meets requirements for carry-on luggage\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003especifications\u003c\/h3\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eSize: 7U\u003c\/li\u003e\r\n\u003cli\u003eTotal HP: 208\u003c\/li\u003e\r\n\u003cli\u003eUtilized HP: 196\u003c\/li\u003e\r\n\u003cli\u003eExpansion HP: 12\u003c\/li\u003e\r\n\u003cli\u003eDimensions:\u003cbr\u003e22.25 x 14 x 7.25 (inches w\/ lid)\u003c\/li\u003e\r\n\u003cli\u003eWeight: 17 lbs.\u003c\/li\u003e\r\n\u003cli\u003eRetail value: $4625\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"MAKE NOISE","offers":[{"title":"Default Title","offer_id":41347245670573,"sku":"make_noise_black_gold_shared_system_plus","price":4495.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/shared-system-black-sep12.jpg?v=1645047623"},{"product_id":"landscape-stereo-field","title":"LANDSCAPE STEREO FIELD","description":"\u003cp\u003e\u003cspan\u003eSTEREO FIELD\u003c\/span\u003e is one instrument with three uses. It is simultaneously a stereo\/quad modular touch plate feedback synthesizer, a stereo\/quad audio processor and a pressure sensitive chaotic CV \"controller\". All three uses are available separately as well as simultaneously and in conversation with each other. The Stereo Field allows its user to manipulate and patch two analog stereo preamp circuits via touch plates. By utilizing skin conductivity as new paths for current to follow you are creating \"new circuits\" and new sounds in relation to where your fingers are patching. The individual touch plates are directly connected to nearly every connection point of every component in its circuitry (located directly under each corresponding touch plate). When touched with multiple fingers it will create atonal analog feedback with either of the two mirrored circuits represented by interlocking touch-plate circles. The resulting feedback can go beyond the abilities of human hearing (Take caution!) and down to the very slow clicks of a pulse waveform and both can often be happening simultaneously .  These parallel mirrored circuits can be finger patched separately or together yielding vastly different chaotic results in regards to texture, timbre and stereo imaging. This instrument has the ability to create atonal synth tones in stereo (and quad) as well as process incoming stereo audio (and quad)  sources via 1\/4\" and 3.5mm ins and outs. Incoming audio sources can be \"patched\" or rewoven into any area of either or both of the circuits via skin contact. The two stereo input volume knobs (center) shape and effect distortion, drive amounts, internal feedback pitch, and modulation rates depending on how your fingers are patching. The quad inputs and outputs via the 3.5mm jacks have small touch plates leading to and from allowing for touch access of each of the 4 inputs and 4 outputs. If multiple audio signals are traveling into the Stereo Field these audio sources can be intermingled and can modulate one another, again depending upon where your fingers are patching. Sending CV signals into the 3.5mm input jacks will open up many more possibilities both in terms of synthesized sounds and audio processing. Since the two stereo circuits are mirror images of one another the 3.5mm ins and outs can also be thought of as (L\/R,R\/L) and when your hands get involved this imaging will be further confused and jumbled as your skin can intermingle all of these paths. The Stereo Field can also be used as a controlled chaos source when using the 3.5mm outputs to send the feedback your hands create as CV to your modular system. Due to the nature of feedback and finger patching the 4 available CV signals have the ability to get incredibly complex, organic and textured in nature (see audio examples below in use with a euro-rack system). Because of the open nature of Stereo Field it can both send and receive CV modulation simultaneously. In addition, this can all be happening while your finger patching is changing and altering the incoming and outgoing CV while also processing incoming audio. These ins and outs can also be patched together with cables for sustained tones with the pitch\/rhythm\/volume\/\"cutoff\" being affected by adjusting the incoming and outgoing volume knobs in various settings. Inter-patching in this way will also allow for sustained pulse beats and filter-esk sound shaping in addition to bringing new results to finger patching via the touch plates. Most importantly, processed audio and synthesized audio are available simultaneously with the ability to influence and modulate each other. This will often blur the lines between the two; who is manipulating who? who comes out on top as audio and who is modulation? This can be a constantly evolving cycle based upon where the performers fingers are placed and highly sensitive skin contact pressure changes.\u003c\/p\u003e\r\n\u003cp\u003eThe sound is sometimes easy to describe; (distortion, filtering, resonance, high-pass, lo-pass, feedback, sine waves, square waves, pulse width modulation, formants, white noise, pink noise, metallic noise, stereo rhythms, wave-folding, frequency modulation, amplitude modulation, spacial shifts, panning, sub octaves, pitch following) but most of the time these definitions fall \"between effects\" or in combinations of multiple effects that can be shifting, feeding back or pulsing in sync with incoming audio during processing. Since the user is directly touching analog circuitry through gold touch plates, shifts in pitch\/timbre\/stereo\/drive\/modulation can be accessed instantly. The stereo (or quad) imaging of the instrument is both influenced by feedback and modulation in regards to where your fingertips are patching along with modulation caused by incoming audio content. In addition to the sheer number of patching and finger pressure combinations available, the instrument has shown theremin-esk properties in certain settings due to the large surface area of the gold plates. To bring this even a step further the synth\/modulation\/processing tones can be triggered by only breathing on the plates using the moisture content of breath to partially control and sculpt the audio. \u003c\/p\u003e\r\n\u003cp\u003eThere is a type of collaboration that happens with the Stereo Field as sometimes you will be reacting to what it is doing and other times you will be attempting to control and shape what it is doing but most of the time you will be doing both simultaneously. \u003c\/p\u003e\r\n\u003ch2\u003e\u003cem\u003e\u003cspan\u003e\u003ca href=\"http:\/\/www.landscape.fm\/s\/SF_Instruct.pdf\" target=\"_blank\"\u003eSTEREO FIELD INSTRUCT_PDF\u003c\/a\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/h2\u003e\r\n\u003ch2\u003eSPECIFICS: \u003c\/h2\u003e\r\n\u003cp\u003e-10\" x 5.75\" x 1.5\" Aluminum and Maple enclosure\u003c\/p\u003e\r\n\u003cp\u003e- Immersion gold touch plate interface \u003c\/p\u003e\r\n\u003cp\u003e- Stereo 1\/4\" L\/R inputs, 1\/4\" L\/R outputs on rear of unit (outputs\/inputs audio through both circuits)\u003c\/p\u003e\r\n\u003cp\u003e- Quad 3.5mm inputs (2x L\/R mirrored pairs corresponding to each of the two circuits, can be used for CV, audio or both)\u003c\/p\u003e\r\n\u003cp\u003e- Quad 3.5mm outputs (2x L\/R mirrored pairs corresponding to each of the two circuits, can be used for CV, audio or both)\u003c\/p\u003e\r\n\u003cp\u003e- As a CV \"Controller\" it will output approximately 3.8v to -3.8v depending on hand placement and input\/output volume settings.\u003c\/p\u003e\r\n\u003cp\u003e- 8 x touch plates corresponding to each of the 8 x 3.5mm jacks for touch interaction with i\/o cable patch points\u003c\/p\u003e\r\n\u003cp\u003e- 2 x stereo input volume knobs (for vastly changing touch plate interaction as well as incoming audio\/CV levels)\u003c\/p\u003e\r\n\u003cp\u003e- 2 x stereo output volume knobs (for changing touch plate interaction as well as outgoing audio\/CV levels)\u003c\/p\u003e\r\n\u003cp\u003e- 9v Regulated \u003cspan\u003e(tip +) \u003c\/span\u003eUS power supply (100-240V AC)\u003c\/p\u003e\r\n\u003cp\u003e NOTE: The Stereo Field should only be played utilizing skin contact. Avoid introducing other objects or liquid to the surface as you may possibly damage the surface finish and\/or the circuits.\u003c\/p\u003e\r\n\u003cp\u003eNOTE II: Grounding issues will sometimes happen with touch plate instruments. In most studio situations the Stereo Field will respond well but there is a possibility of ground hum and RF interference given the open nature of the device and depending upon any given location. Some people enjoy radio interference but not many people enjoy ground hum. Consider running the Stereo Field through a stereo DI box that can \"float ground\" in live situations. Sometimes grounding the aluminum chassis to your mixer will be a quick fix as well. \u003c\/p\u003e","brand":"LANDSCAPE","offers":[{"title":"Default Title","offer_id":41347248652461,"sku":"landscape.fm_stereo_field","price":490.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/landscape_fm_stereo_field.jpg?v=1645047644"},{"product_id":"roland-tr-08","title":"ROLAND TR-08","description":"\u003ch2\u003eTHE LEGENDARY BOOM AND SIZZLE OF THE MOST FAMOUS DRUM MACHINE EVER MADE—NOW IN AN AFFORDABLE AND MODERN FORMAT\u003c\/h2\u003e\r\n\u003cp\u003eThe TR-08 is an obsessively detailed and faithful replica of the legendary TR-808—easily the most famous and influential drum machine ever made. After creating a monumental shift in the sound of music, the “808” has continued to shape and define entire genres. Beloved by musicians and producers the world over, it’s one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808—with stunning accuracy—to the Roland Boutique format. It blends attention to detail and respect for legacy with modern convenience and reliability.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eUltra-compact recreation of the legendary TR-808 drum machine\u003c\/li\u003e\r\n\u003cli\u003eRetains the sound, character, and user interface of the original TR-808\u003c\/li\u003e\r\n\u003cli\u003eHands-on control including tone, level, tuning, and decay\u003c\/li\u003e\r\n\u003cli\u003eAdded Compressor, Gain, Tune, and Pan for selected instruments\u003c\/li\u003e\r\n\u003cli\u003eProgrammable via classic Step and Tap write modes\u003c\/li\u003e\r\n\u003cli\u003eSequencer has 16 steps with 16 sub-steps for detailed patterns and rolls\u003c\/li\u003e\r\n\u003cli\u003eContinue playing beats even while switching between write modes\u003c\/li\u003e\r\n\u003cli\u003eLED display for easier navigation and fine control of tempo and shuffle\u003c\/li\u003e\r\n\u003cli\u003eTen separate outputs via USB audio\u003c\/li\u003e\r\n\u003cli\u003eDedicated, track-selectable trigger output for controlling external instruments\u003c\/li\u003e\r\n\u003cli\u003eHigh-quality construction with metal front panel\u003c\/li\u003e\r\n\u003cli\u003eHighly portable for mobile music making\u003c\/li\u003e\r\n\u003cli\u003eIncludes DK-01 Boutique Dock for multiple-angle viewing\u003c\/li\u003e\r\n\u003cli\u003eBattery-operated (4 x AA) or USB powered\u003c\/li\u003e\r\n\u003cli\u003eBuilt-in powered mini-speaker for instant enjoyment\u003c\/li\u003e\r\n\u003cli\u003eCompatible with optional Roland Boutique accessories\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch6 style=\"display: inline !important;\"\u003eThe Boom in the Room\u003c\/h6\u003e\r\n\u003cp\u003eThe TR-808 arrived in 1980 to an unsuspecting and somewhat bewildered public. To many at the time, its purely analog sound and range of tweakable parameters didn’t exactly deliver “traditional” drum sounds. It wasn’t until adventurous musicians and producers got their hands on the TR-808 and started tweaking those knobs that the world would fully realize the sonic impact it would leave on music forever. For the next three decades, the sizzling hi-hats and snappy snare, the robotic, clicky rim shot, the unmistakable cowbell, and yes, that booming bass drum, would be heard on many thousands of tracks. Worldwide hits, underground classic, and entire genres were spawned. Its influence is so deep that it’s been name-dropped in famous tracks, had albums dedicated to it and bands named after it, and even been the subject of a feature-length documentary film.\u003c\/p\u003e\r\n\u003ch6 style=\"display: inline !important;\"\u003ePortable. Affordable. Authentic.\u003c\/h6\u003e\r\n\u003cp\u003eOriginal TR-808s are big and heavy, and their rarity makes them extremely expensive and sought-after on the used market. Because of this, many have resorted to 808 sample packs or hardware knockoffs. But there’s something about the colors and controls and, of course, the sound of a genuine TR-808 that brings home the sound of so many classic tracks. The TR-08 accurately recreates the ingredients that make an 808 so special. The interface, while miniaturized, is 100% authentic. The sound is vibrant and alive thanks to our proprietary Analog Circuit Behavior (ACB) technology. We use ACB to carefully recreate all the details and quirks of the original hardware by modeling each analog circuit, right down to the component level.\u003cbr\u003e\u003cbr\u003eNot only does the TR-08 look and sound the part, but it also has some modern features and conveniences. With all this beat-making power, it would be a shame to keep it shackled to the studio. After all, inspiration can strike anywhere, and drum machines are fun to play live. The TR-08 is literally small enough to take just about anywhere. It’s ruggedly built with sturdy knobs, buttons, and switches. It has several tilt options for easy viewing in various live and studio scenarios. It can be a low-latency, portable audio interface. It has a built-in speaker, and even runs on batteries for when the beat absolutely must go on. With all this power and flexibility, you may be most surprised by the TR-08’s affordable price, which puts the legendary 808 vibe within reach of just about anyone who’s ever dreamed of owning the iconic original.\u003c\/p\u003e\r\n\u003ch6 style=\"display: inline !important;\"\u003eA New Generation of 808\u003c\/h6\u003e\r\n\u003cp\u003eTime has not diminished the TR-808’s influence. New genres continue to make use of the 808, with some utilizing it as the main instrument and defining sound of the style. Sure, you can use samples of a TR-808, but there’s nothing quite like the real thing. The 808’s user interface with its buttons, knobs, and switches, and the odd quirks of how the sounds interact with each other—they’re all vitally important to conjuring up that real 808 mojo. And you know it when you hear it.\u003cbr\u003e\u003cbr\u003eThe new TR-08 adds some thoughtful and modern touches to the classic formula. The sequencer has 16 sub-steps per step, so you can create detailed snare fills and intricate, rolling hi-hats. It also has a track-selectable trigger out for working with other instruments like the TB-03, SH-01A, or modular gear. An unobtrusive LED display provides finer control of tempo and shuffle. You can step-program or tap in your parts in real-time without stopping to change modes. Everything sends and receives MIDI control messages and it even supports audio and MIDI over USB.\u003c\/p\u003e\r\n\u003cp\u003eSPECIFICATIONS\u003c\/p\u003e\r\n\u003cp\u003eUser MemoryPattern, Intro\/Fill-In: 16 Bank (12x16 Pattern, 4x16 Intro\/Fill-In)Steps16 steps with 16 sub steps\u003c\/p\u003e\r\n\u003cp\u003eInstruments\u003c\/p\u003e\r\n\u003cp\u003eBD: BASS DRUM\u003cbr\u003eSD: SNARE DRUM\u003cbr\u003eLC: LOW CONGA, LT: LOW TOM\u003cbr\u003eMC: MID CONGA, MT: MID TOM\u003cbr\u003eHC: HI CONGA, HT: HI TOM\u003cbr\u003eCL: CLAVES, RS: RIM SHOT\u003cbr\u003eMA: MARACAS, CP: HAND CLAP\u003cbr\u003eCB: COW BELL\u003cbr\u003eCY: CYMBAL\u003cbr\u003eOH: OPEN HI HAT\u003cbr\u003eCH: CLOSED HI HAT\u003c\/p\u003e\r\n\u003cp\u003eControllers\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eVOLUME knob\u003c\/li\u003e\r\n\u003cli\u003eSTART\/STOP button\u003c\/li\u003e\r\n\u003cli\u003eTEMPO knob\u003c\/li\u003e\r\n\u003cli\u003eBANK\/TEMPO\/SHUFFLE button\u003c\/li\u003e\r\n\u003cli\u003eFINE\/VALUE knob\u003c\/li\u003e\r\n\u003cli\u003emode selector knob (PATTERN CLEAR, PATTERN WRITE 1st PART\/2nd PART, MANUAL PLAY, RHYTHM TRACK PLAY, COMPOSE)\u003c\/li\u003e\r\n\u003cli\u003eINSTRUMENT\/TRACK selector knob\u003c\/li\u003e\r\n\u003cli\u003eCLEAR button\u003c\/li\u003e\r\n\u003cli\u003eBASIC VARIATION selector switch and indicator\u003c\/li\u003e\r\n\u003cli\u003eAUTO FILL IN selector knob\u003c\/li\u003e\r\n\u003cli\u003eTRIGGER OUT track select button\u003c\/li\u003e\r\n\u003cli\u003eACCENT LEVEL knob\u003c\/li\u003e\r\n\u003cli\u003eInstrument LEVEL knob (all instruments)\u003c\/li\u003e\r\n\u003cli\u003eTONE control knob (BD, SD, CY)\u003c\/li\u003e\r\n\u003cli\u003eDECAY control knob (BD, CY, OH)\u003c\/li\u003e\r\n\u003cli\u003eSNAPPY control knob (SD)\u003c\/li\u003e\r\n\u003cli\u003eTUNING control knob (LC\/LT, MC\/MT, HC\/HT)\u003c\/li\u003e\r\n\u003cli\u003eVoice selector switch (LC\/LT, MC\/MT, HC\/HT, CL\/RS, MA\/CP)\u003c\/li\u003e\r\n\u003cli\u003ePRE-SCALE selector switch\u003c\/li\u003e\r\n\u003cli\u003eSTEP button (1-16) and indicator\u003c\/li\u003e\r\n\u003cli\u003eI\/F VARIATION switch\u003c\/li\u003e\r\n\u003cli\u003eTAP button\u003c\/li\u003e\r\n\u003cli\u003eMENU\/SUB STEP button\u003c\/li\u003e\r\n\u003cli\u003e1st PART\/2nd PART indicator\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003e\u003cbr\u003ePower switch\u003c\/p\u003e\r\n\u003cp\u003eEffects - Compressor\u003c\/p\u003e\r\n\u003cp\u003eIndicators - 7 segments, 4 characters (LED)\u003c\/p\u003e\r\n\u003cp\u003eConnectors\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eTRIGGER OUT jack: mono miniature phone type\u003c\/li\u003e\r\n\u003cli\u003ePHONES jack: stereo miniature phone type\u003c\/li\u003e\r\n\u003cli\u003eOUTPUT jack: stereo miniature phone type\u003c\/li\u003e\r\n\u003cli\u003eMIX IN jack: stereo miniature phone type\u003c\/li\u003e\r\n\u003cli\u003eMIDI (IN, OUT) connectors\u003c\/li\u003e\r\n\u003cli\u003eUSB port: Micro-B type (Audio, MIDI)\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003ePower Supply\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003eRechargeable Ni-MH battery (AA, HR6) x 4\u003c\/li\u003e\r\n\u003cli\u003eAlkaline battery (AA, LR6) x 4\u003c\/li\u003e\r\n\u003cli\u003eUSB bus powerCurrent Draw500 mA (USB bus power)Expected battery life under continuous use\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cp\u003eRechargeable Ni-MH battery: Approx. 6 hours\u003cbr\u003e\u003cem\u003e* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.\u003c\/em\u003eAccessoriesBoutique Dock: DK-01 (Black)\u003c\/p\u003e\r\n\u003cp\u003e\u003cbr\u003eOwner's Manual\u003cbr\u003eDK-01 Owner's Manual\u003cbr\u003eLeaflet \"USING THE UNIT SAFELY\"\u003cbr\u003eAlkaline battery (AA, LR6) x 4\u003c\/p\u003e\r\n\u003cp\u003eSIZE AND WEIGHT\u003c\/p\u003e\r\n\u003cp\u003eWidth - 308 mm \/ 12-1\/8 inches\u003c\/p\u003e\r\n\u003cp\u003eDepth - 130 mm \/ 5-1\/8 inches\u003c\/p\u003e\r\n\u003cp\u003eHeight - 51 mm \/ 2-1\/16 inches\u003c\/p\u003e\r\n\u003cp\u003eWeight (including batteries and Boutique Dock) - 1.3 kg \/ 2 lbs 14 oz\u003c\/p\u003e","brand":"ROLAND","offers":[{"title":"Default Title","offer_id":41347251568813,"sku":"roland_tr-08","price":494.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/tr-08_gal.jpg?v=1645047716"},{"product_id":"moog-dfam-drummer-from-another-mother-dfam","title":"MOOG DFAM DRUMMER FROM ANOTHER MOTHER DFAM","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\r\n\u003cdiv class=\"layoutArea\"\u003e\r\n\u003cdiv class=\"column\"\u003e\r\n\u003cp\u003e\u003cspan\u003eDrummer From Another Mother (DFAM) is a highly-interactive, Semi-Modular Analog Percussion Synthesizer and a vibrant deviation from the traditional drum machine. As the newest addition to the Mother-32 family, DFAM presents a uniquely expressive hands-on approach to percussive pattern creation, inviting a deeply personal bond with each human being it encounters. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eEmphasizing tactile exploration and experimentation, DFAM inspires completely new and unique manners with which visceral rhythms can be synthesized, expressed, and experienced. DFAM effortlessly moves from gently evolving undulations and cyclical breathing patterns to hammering bass and clangorous cacophony, but the true beauty of this unique instrument lies in its ability to continuously spark inspiration through the repeated discovery of new and dynamic perspectives in percussive synthesis. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eSEMI-MODULAR\u003c\/span\u003e\u003cspan\u003e: No patching required. Anyone can create unique and impactful analog rhythms. \u003c\/span\u003e\u003cspan\u003e100% ANALOG\u003c\/span\u003e\u003cspan\u003e: Unbridled sonic flexibility for a lifetime of percussive inspiration. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e2 OSCILLATORS\u003c\/span\u003e\u003cspan\u003e: Ultra-wide range sound generation - craft everything from subtly pulsing cadences to clangorous cacophony and floor-splitting bass. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eSELECTABLE ANALOG FILTERS\u003c\/span\u003e\u003cspan\u003e: Dynamically sculpt your sound with a Low Pass or High Pass Ladder filter. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e3 ENVELOPES\u003c\/span\u003e\u003cspan\u003e: Interact dynamically with velocity to impart “human” variation to your sound. \u003c\/span\u003e\u003cspan\u003e8-STEP ANALOG SEQUENCER WITH VELOCITY\u003c\/span\u003e\u003cspan\u003e: Vibrantly continuous control over each note. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e24 PATCH POINTS\u003c\/span\u003e\u003cspan\u003e: Explore modular patching or connect to a Mother-32 to create a 3-oscillator leviathan. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eLINK MULTIPLE UNITS: \u003c\/span\u003e\u003cspan\u003eRack up multiple DFAM and Mother-32 units for evocative analog compositions. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003eEXTERNAL AUDIO INPUT\u003c\/span\u003e\u003cspan\u003e: Process other sounds through DFAM’s analog circuitry\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eEURORACK COMPATIBLE\u003c\/span\u003e\u003cspan\u003e: Easily remove DFAM from its case and mount it into a Eurorack system. \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\u003cspan\u003e(Requires a 10 to 16 PIN Eurorack cable) \u003c\/span\u003e\u003c\/p\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e\r\n\u003c\/div\u003e","brand":"MOOG","offers":[{"title":"Default Title","offer_id":41347254059181,"sku":"moog_dfam","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/products\/dfam-angle_web.jpg?v=1645047792"}],"url":"https:\/\/www.detroitmodular.com\/collections\/synth.oembed?page=12","provider":"Detroit Modular","version":"1.0","type":"link"}