{"product_id":"arturia-cmi-v","title":"ARTURIA CMI V","description":"\u003ch1 data-v-dea87e65=\"\" class=\"mb-0\"\u003eCMI V\u003c\/h1\u003e\n\u003cp data-v-dea87e65=\"\" class=\"h1 small mb-3\"\u003ePeerless sampling character.\u003c\/p\u003e\n\u003cp data-v-dea87e65=\"\" class=\"mb-3\"\u003eA spot-on reincarnation of the first commercially available digital sampling system in music history, the sonic powerhouse behind numerous early MTV-era megahits. We even added new creative features that weren't possible back in the day.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"mb-2\"\u003eA unique \u003cbr\u003e\u003csmall\u003eMusical Architecture\u003c\/small\u003e\n\u003c\/h2\u003e\n\u003cp class=\"h3 small\"\u003eThe first commercially available digital sampling system created the sound of countless MTV-era hits and evolved into a full music workstation.\u003c\/p\u003e\n\u003cp\u003eWe turbocharged it with state-of-the-art features to make it a centerpiece of your productions. The CMI’s signature 8-bit grunge on hits by Depeche Mode, Herbie Hancock, Peter Gabriel, Duran Duran, and Kate Bush - not to mention countless film scores - transports you straight to the ’80s. CMI V transports your creativity anywhere you want to take it.\u003c\/p\u003e\n\u003cdiv class=\"col-12 col-sm-6 pt-4\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__content--no-pad card-simple__content\"\u003e\n\u003ch3 class=\"small\"\u003eHear What They Heard\u003c\/h3\u003e\n\u003cp\u003eOnce musicians experienced the dynamic power of the CMI, they were hooked - if they could afford one. CMI V puts it all in the palm of your hand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 pt-4\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__image\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"_bg-cover_1srqr_1 image-ratio image-ratio-75\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__content--no-pad card-simple__content\"\u003e\n\u003ch3 class=\"small\"\u003ePrime Specimen\u003c\/h3\u003e\n\u003cp\u003eCMI V begins by meticulously modeling a full-spec CMI Series IIx, which enthusiasts and seasoned producers consider the one to want.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 pt-4\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__image\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"_bg-cover_1srqr_1 image-ratio image-ratio-75\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__content--no-pad card-simple__content\"\u003e\n\u003ch3 class=\"small\"\u003eModern Superpowers\u003c\/h3\u003e\n\u003cp\u003eMuch more than nostalgia, CMI V provides everything you need - and then some - to explore the intersection of sampling and digital synthesis for modern production.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 pt-4\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__image\"\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"_bg-cover_1srqr_1 image-ratio image-ratio-75\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-1b03bdf6=\"\" class=\"card-simple__content--no-pad card-simple__content\"\u003e\n\u003ch3 class=\"small\"\u003eThe Sound of Digital\u003c\/h3\u003e\n\u003cp\u003eMore precise than analog. More synth-sounding than software sample libraries. CMI V strikes the perfect balance for EDM, hip-hop, neo-disco, and anything in between.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"mb-2\"\u003eThe Sound That \u003cbr\u003e\u003csmall\u003eShook the World\u003c\/small\u003e\n\u003c\/h2\u003e\n\u003cp class=\"h3 small\"\u003eAs teenagers, Peter Vogel and Kim Ryrie loved electronic music. Their dream of making “the world’s greatest synthesizer” birthed an industry standard.\u003c\/p\u003e\n\u003cp\u003eBoth notorious pioneers, Vogel and Ryrie had built computers as school projects and were fans of “Switched On Bach” by Wendy Carlos. They saw combining the computer and the synthesizer as the future, and no one could have predicted just how much they would nail it. The pair got going in earnest in 1975, naming their company Fairlight after a harbor ferry in their home town of Sydney, Australia.\u003c\/p\u003e\n\u003cp class=\"mb-4\"\u003eVogel and Ryrie soon met Tony Furse, who had prototyped a digital synth based on dual Motorola 6800 CPUs. This led to the CMI’s predecessor, the Qasar M8. When the two recorded piano from a radio broadcast, then played it back at different pitches, the result sounded more like a real piano than any electronic attempt thus far. The friends came up with the term “sampling” to describe the process.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"mb-2\"\u003eWonder from \u003cbr\u003e\u003csmall\u003eDown Under\u003c\/small\u003e\n\u003c\/h2\u003e\n\u003cp class=\"h3 small\"\u003eNothing screamed “the future” like the CMI’s computer terminal, light-pen interface, and master keyboard. We’ve faithfully reproduced its look and added more real-time controls.\u003c\/p\u003e\n\u003cp\u003eThe CMI’s creators intended its user experience to be friendlier than that of knob-covered analog synths, which they found difficult to control. The result was an obelisk of technology that made you look like you knew what you were doing — and was so interactive and fun to use that you actually did!\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-12 col-sm-6 col-lg-4 pt-4\"\u003e\n\u003ch4 class=\"prep\"\u003e01. Power of Ten\u003c\/h4\u003e\n\u003cp\u003eCMI V presets contain up to 10 different instrument slots, each of which can load a different sample or synthesized sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 col-lg-4 pt-4\"\u003e\n\u003ch4 class=\"prep\"\u003e02. Onscreen Keys\u003c\/h4\u003e\n\u003cp\u003eThe virtual keyboard doesn’t just look like the real thing, it’s velocity-sensitive. Click lower on the keys for increased velocities.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 col-lg-4 pt-4\"\u003e\n\u003ch4 class=\"prep\"\u003e03. Assignable Controls\u003c\/h4\u003e\n\u003cp\u003eThe CMI Series II had three sliders and two switches here. We’ve given you six of each, all assignable in CMI V’s expanded interface mode.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-sm-6 col-lg-4 pt-4\"\u003e\n\u003ch4 class=\"prep\"\u003e04. Dedicated Controls\u003c\/h4\u003e\n\u003cp\u003eWe’ve devoted a bank of eight sliders to the most-often-grabbed settings on the original: Filter, Sample Start, Vibrato, Effects Send, and Envelopes.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"mb-2\"\u003eThree types of digital \u003cbr\u003e\u003csmall\u003esynthesis in one\u003c\/small\u003e\n\u003c\/h2\u003e\n\u003cp class=\"h3 small mb-4\"\u003eThe CMI V workstation lets you work with multiple instruments and sound generation technologies at the same time.\u003c\/p\u003e\n\u003cp\u003eCraft and combine sounds unheard with up to 10 instrument slots in parallel. Each slot can use one of three sound engines, be saved and recalled separately, and form parts of your own intricate presets - a true digital sound playground.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-12 col-md-6 mt-4\"\u003e\n\u003ch3 class=\"small\"\u003eThe Sampler\u003c\/h3\u003e\n\u003cp\u003eThe instantly-recognizable Sampler section is the heart of what put the CMI on the musical map and where most of the action happened on all those ‘80s recordings. Drag start time, length, and loop points, visualize your waveform in 3D, and carve sound into whatever shape you desire with tuning, envelope, filter and vibrato settings. You can even load your own samples in, up to 30 seconds in length, with a variable sample rate of 2.1k to 44.1k for every degree of digital dirt and textural side-effects.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-md-6 mt-4\"\u003e\n\u003ch3 class=\"small\"\u003eThe Time Synth\u003c\/h3\u003e\n\u003cp\u003eTime Synth mode puts a powerful additive synthesis engine at your disposal. Determine how your sound animates by dragging multiple breakpoints on the independent envelopes for each of 32 harmonics. A real-time oscilloscope helps you visualize your work, while the augmented simple sine waves pave the way for experimentation with additional waveforms and harmonic complexity. Start from scratch, modify a preset, or work with a sample you’ve converted from the Sampler page - warp time itself.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"col-12 col-md-6 mt-4\"\u003e\n\u003ch3 class=\"small\"\u003eThe Spectral Synth\u003c\/h3\u003e\n\u003cp\u003eThe newly-added Spectral Synth mode gives you a different take on additive synthesis. Rather than setting the individual harmonics, you affect an overall distribution curve of harmonics with controls including Center, Spread, Bias and Fundamental Boost. Modulating these parameters with functions and controllers instantly adds motion and energy to your sound design, and different waveshapes vastly expand your sonic potential beyond simple sine-based sounds. A fresh approach that produces fresh sounds.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-12 col-md-6 mt-4\"\u003e\n\u003ch3 class=\"small\"\u003eCross-synthesis\u003c\/h3\u003e\n\u003cp\u003eNow you can merge CMI V’s synthesis types like never before. Using the original Fast Fourier Transform (FFT) function, you can analyze a sample and convert it to a harmonic profile to further manipulate using all the unique harmonic controls only available to you in Time Synth mode. Our faithful modeling of this functionality means that, like the original, you get some unpredictable artifacts during the conversion process that can be musically useful themselves. You also have the option of converting your additive synth work into a sample in order to employ the Sampler’s display and controls in further defining your sound.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch2 class=\"prep mb-2\"\u003eIncluded in\u003cbr\u003e\u003csmall\u003eV collection\u003c\/small\u003e\n\u003c\/h2\u003e\n\u003cp class=\"h3 small mb-3\"\u003eLegendary Keyboards Reinvented\u003c\/p\u003e\n\u003cp class=\"pb-3 mb-3\"\u003eThis instrument is also part of the V Collection -your complete dream line-up of the legendary synths, organs, pianos and more that made keyboard history. They’re modeled with the most advanced technologies for authentic realism, and enhanced with new creative options. Whether you use it as DAW plugins in the studio or standalone at gigs, V Collection puts the greatest keys of all time at your fingertips for instant inspiration.\u003c\/p\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"col-12 col-xl-4 pb-4\"\u003e\n\u003ch3 data-v-a4f2c82c=\"\" class=\"h2 prep\"\u003eMain Features\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"col-12 col-xl-8\"\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"row gutter-xxl\"\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"col-12 col-lg-6\"\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eSoftware synthesizer playable through a MIDI keyboard\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003e600 samples from the original CMI library\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003e360 presets sounds made by Arturia sound designers\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eExpanded number of track to 10 with a polyphony per track up to 32\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003ePerfect emulation of the analog filter response\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eFaithful recreation of the sampling and additive synthesis capacities of the instrument\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"col-12 col-lg-6\"\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eVariable Bit Depth and Sample Rate\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eIntroduction of a new sound generation mode: Spectral synthesis\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eClassic \"page-R\" inspired 32-step sequencer\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003e24 sources of modulations per track to apply to all \"CONTROL\" parameters\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eHigh-quality output effects\u003c\/h4\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"platform-specs__images-container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-a4f2c82c=\"\" class=\"pb-3\"\u003e\n\u003ch4 data-v-a4f2c82c=\"\" class=\"mb-0\"\u003eVST, VST3, AU, AAX, and standalone operation\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":44856370528429,"sku":null,"price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/files\/sc01_imresizer-3.jpg?v=1761319087","url":"https:\/\/www.detroitmodular.com\/products\/arturia-cmi-v","provider":"Detroit Modular","version":"1.0","type":"link"}