{"product_id":"arturia-dx7-v","title":"ARTURIA DX7 V","description":"\u003ch1 class=\"-mb-6\"\u003e\u003cspan\u003eDX7 V\u003c\/span\u003e\u003c\/h1\u003e\n\u003ch1 class=\"small\"\u003e\u003cspan\u003eFM synthesis gamechanger.\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe DX7 brought digital synthesis to everyday musicians, transformed the sound of the charts, and won the title of best-selling synth of all time. DX7 V is a software reimagining of the icon, bringing that iconic glassy, punchy, crystal-clear sound to your DAW.\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003ch2 class=\"mb-6\"\u003e\u003cspan\u003eFM the way it was\u003cbr\u003e\u003cspan class=\"small\"\u003emeant to be heard.\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"small\"\u003eFM synthesis exploded the sonic palette of keyboardists and producers almost overnight.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003eGoing where analog doesn’t, it’s still one of the most versatile approaches to sound-making there is. But musicians found the original DX difficult to program and lacking in real-time control. DX7 V amps up the advantages, loses the limitations, and adds tons of functionality that put it right at home in a modern music making rig.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col\"\u003e\n\u003cdiv class=\"h-full\"\u003e\n\u003cp class=\"font-extralight text-2xl my-3\"\u003eBack to the...\u003c\/p\u003e\n\u003cp\u003eNeed to nail that ’80s chart-topping sound of Sting, Tina Turner, or anything that happened within a mile of David Foster? DX7 V has you covered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"_background_container_9kkgo_2 bg-cover _image_rfsua_2 relative\" draggable=\"false\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-full\"\u003e\n\u003cp class=\"font-extralight text-2xl my-3\"\u003eCutting Edge\u003c\/p\u003e\n\u003cp\u003eStruck, plucked, and bowed sounds were the DX’s specialty, as were percussive keyboards like EPs and Clavs. Hear that FM edge rendered with loving precision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"_background_container_9kkgo_2 bg-cover _image_rfsua_2 relative\" draggable=\"false\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-full\"\u003e\n\u003cp class=\"font-extralight text-2xl my-3\"\u003eDigital Personality\u003c\/p\u003e\n\u003cp\u003eFrom FM classics to lilting pads and sparkling motion-synth soundscapes, listeners will wonder how you got “that” sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"flex flex-col\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"_background_container_9kkgo_2 bg-cover _image_rfsua_2 relative\" draggable=\"false\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"h-full\"\u003e\n\u003cp class=\"font-extralight text-2xl my-3\"\u003eWell Behaved\u003c\/p\u003e\n\u003cp\u003eExpanded with tons of tempo-syncing and MIDI mapping features, DX7 V’s classic sound fits into the modern workflow without a hitch.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"mb-6\"\u003e\u003cspan\u003eMusic for the\u003cbr\u003e\u003cspan class=\"small\"\u003eMasses\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"small\"\u003eFM easily produced sounds that eluded analog synths.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp class=\"mt-6 mb-3\"\u003eWhen the DX made it affordable, everybody wanted one — and pretty much everybody got one.\u003c\/p\u003e\n\u003cp class=\"mb-3\"\u003eOnce the exploratory genius of a Stanford University professor met the marketing savvy and production capacity of the world’s largest musical instrument maker, keyboards would never be the same again. After its introduction in 1983, it would go on to sell over 200,000 units and define countless sounds from the ‘80s and beyond.\u003c\/p\u003e\n\u003cp class=\"mb-9\"\u003eFM is a simple idea at its core: audio-rate modulation of one waveform by another. But it was Dr. John Chowning of Stanford University who made FM viable as a synthesis method all on its own. His work proved that by carefully tuning the modulating waveforms, you could duplicate the harmonic profiles of all sorts of acoustic instruments.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"mb-6\"\u003e\u003cspan\u003eA different breed\u003cbr\u003e\u003cspan class=\"small\"\u003eof synthesizer\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"md:w-1\/2 small\"\u003eDX7 V delivers a faithful recreation of the instrument that brought the unique sound of FM digital synthesis to the masses.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"lg:grid-cols-2 grid grid-cols-1 gap-6\"\u003e\n\u003cdiv\u003eAt its simplest, FM creates sound by modulating the frequencies of one signal (called the carrier) with those of another signal (called the modulator) at audio rates, resulting in much more complex harmonics. Just as with FM radio, changes to the frequency and amplitude of the modulating waveform can radically alter the sound. Let’s dig a bit deeper.\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"font-extralight text-2xl mt-6 mb-3\"\u003eOperators\u003c\/p\u003e\n\u003cp\u003eThe DX7 V’s six signal generators - called operators - can be used as carriers or modulators. Each operator consists of a simple oscillator with its own frequency and level controls, plus a dedicated envelope-controlled amplifier. Generally speaking, the carrier’s envelope affects amplitude while the modulator’s envelope changes the timbre, with optional keyboard tracking adding the final realistic element of timbre changing with pitch, like an acoustic instrument.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"font-extralight text-2xl mt-6 mb-3\"\u003eModulation\u003c\/p\u003e\n\u003cp\u003eThe timbre of an FM sound is very dependant on the relationship of the carrier and modulator operators. When the modulator frequency is under keyboard control, its frequency ratio to the carrier determines the basic harmonic profile of your sound, with integer ratios producing more recognizable waveforms and the fractional ones typically resulting in more clangorous, inharmonic ones. Modulator amplitudes also affect timbre, with higher frequencies generally yielding brighter sounds.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"font-extralight text-2xl mt-6 mb-3\"\u003eAlgorithms\u003c\/p\u003e\n\u003cp\u003eA selection of 32 algorithms determines the architectural relationship of the DX7 V’s six operators as carriers and modulators. These familiar foundations are perfect ready-made starting points for creating and modifying sounds beyond recognition. On top of the carriers’ direct connections to the output and the modulators’ various results, some algorithms also provide a feedback loop, conjuring anything from raspy effects to full-blown distortion.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"mb-6\"\u003e\u003cspan\u003eFM Made\u003cbr\u003e\u003cspan class=\"small\"\u003eEasy\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"md:w-1\/2 small\"\u003e\u003cspan\u003eAll the sound of the hardware.\u003cbr\u003eAll the real-time control it never had.\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"lg:grid-cols-2 grid grid-cols-1 gap-6\"\u003e\n\u003cdiv\u003eDX7 V’s uncluttered interface gathers exactly the controls you need for compelling performances and inspired sound creation.\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e01. Digital ’Rithm\u003c\/p\u003e\n\u003cp\u003eQuickly select or step through the original 32 FM algorithms. Operators are color-coded to simplify editing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e02. Analog Control\u003c\/p\u003e\n\u003cp\u003eMake bold performance gestures in a single move with the Data Entry sliders, which control multiple assignable parameters at once.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e03. Global Group\u003c\/p\u003e\n\u003cp\u003eSynth-wide settings like tune, transpose, and depth of pitch and depth of pitch and amplitude modulation are always available.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e04. Quick Edits\u003c\/p\u003e\n\u003cp\u003eSet the amount of the tone-defining FM feedback loop, as well as the pitch envelope depth, here.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e05. Just Glide\u003c\/p\u003e\n\u003cp\u003ePlayers loved the DX’s polyphonic portamento, but you had to dive into a menu to use it. In DX7 V, just turn it on and tweak the time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"h4 prep\"\u003e06. Ups and Downs\u003c\/p\u003e\n\u003cp\u003eAdd riffs and motion with the multi-pattern, tempo-syncable arpeggiator — a feature not found on the original.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003ch2 class=\"mb-6\"\u003e\u003cspan\u003eDX on\u003cbr\u003e\u003cspan class=\"small\"\u003eSteroids\u003c\/span\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3 class=\"md:w-1\/2 small\"\u003eMore waveforms. More envelopes. More modulation. Filters and FX. In hardware, these features would have made for a five-figure synthesizer.\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"lg:grid-cols-[calc(60%-0.75rem)_calc(40%-0.75rem)] grid grid-cols-1 gap-6\"\u003e\n\u003cdiv class=\"mt-3 mb-12\"\u003e\n\u003cp\u003eHaving just one slider and a bunch of buttons made programming the original somewhat tedious. Electronic music pioneer Brian Eno even built a custom knob controller to get at every parameter of his DX7 at once. With DX7 V, there’s not only more of everything, but our interface also makes it easy and fun to control.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"h2 mb-6\"\u003eIncluded in\u003cbr\u003e\u003cspan class=\"small\"\u003eV Collection 11 Pro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"h3 small\"\u003eThis instrument is part of V Collection Pro - a premium suite of software instruments designed for unparalleled sonic exploration.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"mt-6 mb-12\"\u003eFrom authentically modeled keyboards to hybrid synth engines and beautifully captured acoustic sounds, every instrument is enhanced for today’s production workflow - V Collection delivers the greatest keys of all time.\u003c\/p\u003e\n\u003cp class=\"h2\"\u003eMain Features\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e32 original DX7 algorithm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eAll DX7 original parameters\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eOriginal DX7 SysEx import\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e25 available waveforms per operators\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e6 Operators with multi-mode filter and feedback per operators\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eDX7, DADSR and Multi-Segments envelopes (syncable and loopable) per operators\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e2 Modulation envelopes\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e4 assignable macros\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eAdvanced modulation matrix\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eA step sequencer, 2 LFOs with 6 waveforms and an arpeggiator\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e4 FXs slots that can be routed in parallel or in serie\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eAn oscilloscope\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003eVintage and Modern DAC Mode for a proper emulation of the DX7 converter\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e32 voices of polyphony\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e4 voices of unison with unison detune\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-6\"\u003e\n\u003cp class=\"text-xl font-normal leading-[1.2em]\"\u003e432 factory presets\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ARTURIA","offers":[{"title":"Default Title","offer_id":44856327307437,"sku":null,"price":149.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0606\/3449\/7197\/files\/2_imresizer-11.jpg?v=1761256630","url":"https:\/\/www.detroitmodular.com\/products\/arturia-dx7-v","provider":"Detroit Modular","version":"1.0","type":"link"}