ODD-1 is organized in rows, like a modular rack. Every parameter can be modulated, and patch connections are, dare we say, even easier to make than plugging in a cable. Like a big modular synth the experimentation is limitless. In addition to the grain engine there are resonant filters, distortion, bit crush, compression, delay, reverb, LFOs, envelopes, and macro modules to play with.
The large touch screen supports gorgeous sound visualizations, colorful representations of the grain synthesis process, and helpful plots of modulation sources and effects. Each module includes auxiliary parameters for refined details that are just one touch away. With the screen and modular organization, ODD-1 provides an unparalleled amount of depth without a hint of menu diving.
Stunning, More Than Capable
ODD-1 is so slim and portable that it can fit into any desktop space, performance rig or travel bag. Never be without your modular synthesizer, looping, effects processing friend. And with a quad core, 64-bit ARM processor, you can be sure that it offers some of the most capable processing available, inside of that stunning form.
SPECIFICATIONS
Audio
MIDI
Control
Power
COMPUTE, STORAGE, AND SUPPORT
Storage and Memory
Compute
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4-core ARM A72 with NEON
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64-bit math when needed
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32-bit audio
Audio Formats
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Transfer and use audio samples in .wav, .flac, .mp3 (.aif coming soon)
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Mono or stereo samples
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Flexible sample rates (44.1, 48 or 96 kHz recommended)
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Capture new mono or stereo samples at 48 kHz
SOUND SYNTHESIS, MODULAR PROCESSING
Granular Processing Engine
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Scrub forward, backwards, freeze or any combination with our vari-speed Time Path
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4 independent playheads for harmonies, repetitions, or any wild thing you can imagine
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Binaural spatialization of each grain
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Auditory-inspired filter for each grain
Patching Sources (AKA Modulators)
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3 Envelopes
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1 Vari-Speed Time Path
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4 LFOs
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4 Macros
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4 Control Inputs
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MIDI Key Number, Velocity, Pitch Bend, Mod Wheel, Aftertouch, CC Learning
Patching Destinations
Layers, Voices, and Effects
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2 polyphonic layers, each with a 60-s stereo sample buffer.
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Fully independent parameters and mod matrix per layer.
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2 echo units per layer.
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8 or more voices total, split across layers. Total number depends on parameter settings.
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2 filters per voice (LP, HP, BP, BR)
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2 non-linear saturators per voice (distortion, bit crush, compression)
