Audio examples:
A187_1_reverb_01.mp3 The sound source is a simple 2-note sequence generated by two A-110 VCOs processed by an A-131 VCA which is controlled by an ADSR. The original is heard in the first cycle. Then the reverb time (parameter 3) is increased little by little until the maximum is reached. The sequence stops to hear the pure reverb. The sequence starts again and the reverb time is set to a lower value. Then the pre-delay time (parameter 2) is modulated by the same ADSR that is used to control the VCA. The resulting effect sounds a bit like a spring reverb. After a while the reverb time is increased again and the sequence stops.
A187_1_delay_01.mp3 A simple 3-note sequence generated by two A-110 VCOs processed by an A-106-6 VCF with ADSR is the sound source. This original sequence is heard in the first cycle. Then the delay effect is added in the second cycle by changing the effect volume (parameter 1). In the following cycles the delay time (parameter 2) and feedback (parameter 3) are increased. At the end the feedback is set to maximum and the audio input signal is removed (i.e. only the delay loop is heard).
A187_1_pitch_shift_01.mp3 ( A male voice loop is used as audio source. The unchanged original signal is heard in the first cycle. In the second cycle the pitch-shifted signal is added to original signal by changing the signal balance (parameter 4) and the pitch shift is changed manually (parameter 1). In the following cycles pitch shift (parameter 1) is modulated by an triangle LFO and then by a rectangle LFO.
A187_1_flanger_01.mp3 A short sequence generated by two A-110 VCOs with an A-131 VCA controlled by an ADSR is the sound source. In the first cycles feedback, rate and depth (parameters 2, 3 and 4) are changed manually. Then the internal LFO is turned off (parameter 4 / depth = 0) and the delay time (parameter 1) and feedback (parameter 2) are controlled by a CV output (delay time) and a gate output (feedback) of the sequencer. In this patch each note of the sequence has a different delay time and feedback.
A187_1_flanger_02.mp3 Nothing but noise (A-118) processed by the A-187-1. Feedback and depth (parameters 2 and 4) are at maximum, rate (parameter 3) at a medium setting. The delay time (parameter 1) is changed manually from minimum to maximum - a little bit more after each LFO cycle. At the end of the example the rate of the internal LFO (parameter 3) is lowered.
A187_1_special_01.mp3 (effect no. 16) Another short sequence generated by two A-110 processed by an A-106-6 and A-131 with ADSRs is the sound source. This original sequence is heard in the first cycle. In the second cycle the effect is added (parameter 2) and the echo feedback (parameter 4) is increased. Then the echo time (parameter 3) is increased. After a while the pitch shift is added (parameter 1). The pseudo-polyphonic sound comes only from the echoed pitch-shifted signal ! The pitch of the two A-110 is not changed. The pitch shift (parameter 1) is modulated by a S&H which is fed by a random signal (A-118) and triggered at step 1 of the sequence, i.e. the pitch shift changes with each cycle of the sequence.
|