ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1
ODDMENT AUDIO ODD-1

ODDMENT AUDIO ODD-1

Price
Regular price $99900
Regular price Sale price $99900
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Capture, transform and layer sound. Leave the laptop behind.

[ THREE INSTRUMENTS, ONE ENGINE ]

SYNTH

Build sounds from your own samples. Eight voices, two layers.

LIVE

Transform and perform with audio input in real time.

LOOPS

Capture hands-free, then modify and sync independent loops.


[ WHAT YOU CAN DO ]

  • Sample anything through the input, or start from two GB of original sounds created for ODD-1

  • Stack or trigger up to eight samples and shape them with filters, saturation, echo and reverb

  • Use four playheads per layer — each with its own speed, pitch and TIME PATH — to scrub, freeze or reverse them as a note plays

  • With two independent layers — play a synth on one while the other loops or processes what you play

  • Hold any knob and press a source to modulate it — no menus, no lists

  • Take your patches into your DAW — ODD-1V is included, a $199 value


[ HIGHLIGHTS ]

One-of-a-kind Grain Engine

Variable-speed time path with four playheads enables sound design like no other synth on the market today. Pitch and time are fully independent. Grain size, spacing, shape, and stereo placement are easily adjustable with clever ways to randomize parameters. Each sound grain is passed through a binaural spatializer and an optional auditory-inspired bandpass filter.

Modular Experience

ODD-1 is organized in rows, like a modular rack. Every parameter can be modulated, and patch connections are, dare we say, even easier to make than plugging in a cable. Like a big modular synth the experimentation is limitless. In addition to the grain engine there are resonant filters, distortion, bit crush, compression, delay, reverb, LFOs, envelopes, and macro modules to play with.

Vivid Color Touch Screen

The large touch screen supports gorgeous sound visualizations, colorful representations of the grain synthesis process, and helpful plots of modulation sources and effects. Each module includes auxiliary parameters for refined details that are just one touch away. With the screen and modular organization, ODD-1 provides an unparalleled amount of depth without a hint of menu diving.

Stunning, More Than Capable

ODD-1 is so slim and portable that it can fit into any desktop space, performance rig or travel bag. Never be without your modular synthesizer, looping, effects processing friend. And with a quad core, 64-bit ARM processor, you can be sure that it offers some of the most capable processing available, inside of that stunning form.


SPECIFICATIONS

Audio

  • 3.5mm headphone

  • 3.5mm stereo line input and output

  • Multi-channel USB-C input and output

MIDI

  • 3.5mm TRS input and output

  • USB-C input and output

Control

  • 4 control signal inputs

  • Configurable for sustain and expression pedals, foot switches, 0-5v CV and gate

Power

  • 12V DC power barrel

 

COMPUTE, STORAGE, AND SUPPORT

Storage and Memory

  • 3+ GB of user storage

  • 2 GB factory sample library

  • 1 GB of RAM

Compute

  • 4-core ARM A72 with NEON

  • 64-bit math when needed

  • 32-bit audio

Audio Formats

  • Transfer and use audio samples in .wav, .flac, .mp3 (.aif coming soon)

  • Mono or stereo samples

  • Flexible sample rates (44.1, 48 or 96 kHz recommended)

  • Capture new mono or stereo samples at 48 kHz

 

SOUND SYNTHESIS, MODULAR PROCESSING

Granular Processing Engine

  • Scrub forward, backwards, freeze or any combination with our vari-speed Time Path

  • 4 independent playheads for harmonies, repetitions, or any wild thing you can imagine

  • Binaural spatialization of each grain

  • Auditory-inspired filter for each grain

Patching Sources (AKA Modulators)

  • 3 Envelopes

  • 1 Vari-Speed Time Path

  • 4 LFOs

  • 4 Macros

  • 4 Control Inputs

  • MIDI Key Number, Velocity, Pitch Bend, Mod Wheel, Aftertouch, CC Learning

Patching Destinations

  • Every parameter can be held and becomes a modulation destination

Layers, Voices, and Effects

  • 2 polyphonic layers, each with a 60-s stereo sample buffer.

  • Fully independent parameters and mod matrix per layer.

  • 2 echo units per layer.

  • 8 or more voices total, split across layers. Total number depends on parameter settings.

  • 2 filters per voice (LP, HP, BP, BR)

  • 2 non-linear saturators per voice (distortion, bit crush, compression)
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